The movie 2012 opens Friday, predicated on the notion that on December 21, 2012, as the most recent Mayan long-form calendar cycle (5,125.366 years) comes to an end, along with a unique planetary/solar alignment and a high level of solar activity, the world will cataclysmicly end one era and enter another. With earthquakes, tsunamis, floods, and all sorts of devastating destruction in the process.
The movie is not the only source of prophetic notions of doom, or at least cataclysmic change, that are gaining increasing play and attention as 2012 approaches. There are books, websites, and even several other movies scheduled for release on the subject with all kinds of angles, from secular and New Age to religious and indigenous folk legend.
Now, even if it were true that the Mayans had predicted some apocalyptic ending of the world at the end of their long calendar cycle (they had several calendars and ways of marking time; that was just one of them), it's a bit odd that we'd grab onto that one particular prophesy and belief system of theirs. After all, the Mayans also believed in human sacrifice, and we don't exactly leap on board that train in attempting to maintain civic and theological order.
But according to Sandra Noble, executive director of the Foundation for the Advancement of Mesoamerican Studies, Inc. (FAMSI), the truth is, the Mayans didn't have any apocalyptic predictions for 2012. "There is NOTHING in ancient Maya records that predicts the end of the world; no apocalypse, no destruction, no cosmic clashes. Nothing," she says.
But, wait. What about Quetzacoatal returning and all that? Big sigh from the folks at FAMSI. In a fascinating paper available from the FAMSI website, Dr. Mark Van Stone, who has studied the Mayan culture for over a decade (and can read and write in Mayan hieroglyphs) provides an illuminating and entertaining cataloging of why all the doomsayers are off the mark and includes some great photo exhibits regarding the astronomical events scheduled for 12/21/12. Here's a sample, from his "9 Reasons Why The Mayan Prophecies Should Be Read Very Critically":
Though Aztec, Mixtec, and Maya sources provide us a number of narratives, different versions disagree. For example: the Aztec predict that this Creation will end on a 4-Movement day in a 2-Reed year, if it ends at all. The next possible Aztec end-date will be in 2027. Maya literature does not explicitly predict any end at all, and their so-called "end date" in 2012 is a 4-Ajaw [4-Flower in Aztec cycle] not 4-Movement. Mixtec Creation stories mention 2-Deer in 13-Rabbit, and other dates.
So perhaps in on the 2-Deer day in the 13-Rabbit year, under a 4-Flower Moon, we might have cause to worry -- except that it seems the Mayans never corrected written mistakes (the original, and literal, "carved in stone" approach). And the Aztec official responsible for a lot of how that culture's history was written apparently had a bit of a Machiavellian propaganda minister's streak in him. Which is to say, even what they did say should be taken with a handful of archeological salt.
December 21, 2012 is still a significant day for the Mayans. It's the equivalent of our Gregorian Calendar's December 31, 1999; the turning over of a new millennium and era of timekeeping. So it would be a big celebration. But that's about it. Of course, there were also a slew of predictions about disaster and doom surrounding our own "end of a cycle" mark at the end of 1999. None of which came true, as you may recall.
So why are we so drawn to these apocalyptic notions and prophecies of doom, gloom, and destruction (even if it eventually leads to a shining new era for the select few who are chosen or manage to survive)?
The answer apparently dates back to the very earliest days of human existence. "Apocalypticism," as it is academically known, arises from a deep evolutionary sense or need for social justice, according to Allen Kerkeslager, an associate professor in Religions of the Ancient World at St. Joseph's University in Philadelphia.
"The sense of social justice, fairness in dealing with each other, and a felt need to cooperate with each other was already in place long before our hominid ancestors reached the cognitive ability to reflect on it," Professor Kerkeslager says.
As long as humans lived in the relatively egalitarian hunting and gathering societies that dominated up until about 10,000 years ago, that need was sufficiently met and enforced, because the survival of the group depended on cooperation. But when humans moved into more agrarian societies with land ownership, where a more hierarchical structure evolved, disparities increased. So those who had less had to come up with a way to explain the differences and satisfy their need for an eventual leveling of the scales. Apocalypticism, according to Kerkeslager, fulfilled that need and gave people a way of still believing that the gods were good and fair, even in an unfair world.
"Typically," he explains, "[apocalypticism] involves claims to prophetic authority among the leaders of the movement, an emphasis on visions and other forms of direct experience with the gods, and prophecies of a future transformation of the world that will bring relief to the afflicted members of the apocalyptic group and destruction on their enemies."
Not surprisingly, the phenomenon typically springs up among groups who find themselves in the minority, threatened, or repressed unfairly--at least, in their own view of the world. The Christian Book of Revelation came about under perceived Roman repression of the fledgling faith. The Anabaptists of the 1500s came out of a society stressed by economic disparity between rich and poor. Native American cultures developed apocalyptic narratives in the 1880s and 1890s, when those cultures were in danger of annihilation.
Visions and prophecies have been found in writings dating as far back as 2,000 B.C., according to Kerkeslager, although not all cultures had an equal need for thunder and lightning delivery of justice. In a polytheistic culture like ancient Greece, the need for apocalyptic beliefs was less, because a multitude of warring gods could explain misfortune or disparity. You might simply be the casualty of a power struggle between Hera and Zeus.
But as cultures became monotheistic, the disconnect between a supposedly fair and just God, and an unjust world, became harder to explain away. Hence, Kerkeslager says, apocalyptic notions in the Hebrew Book of Daniel, which was written only three years after a Greek King named Antiochus had begun a brutal repression of the Jews in Jerusalem, including turning the Jewish Temple into a shrine for Zeus. The revolt of Jewish revolutionaries, including the restoration of the temple in 165 B.C. (the same year that the Book of Daniel was written) is the basis for the Jewish holiday of Hannukah. But at the end of the Book of Daniel, the author predicts that an apocalyptic end will come to the repressive Greeks 1,290 days after their desecration of the temple. Unfortunately, as with other apocalyptic prophecies, it didn't happen. So the last line of Daniel changes the date to 1,335 days.
The fact that that date, too, came and went, didn't seem to fluster believers, any more than a failure of the earth to end on January 1, 2000 has stopped people from believing that it might still happen in 2012.
"The stubborn and often surprising ability of apocalyptic groups to ignore or explain away the failures of their prophecies is one of the most well-known features of apocalyptic groups," Kerkeslager says--a phenomenon also known as "motivated reasoning," as I discussed in an earlier piece here.
So with all that knowledge and understanding, can we all breathe easy? Not quite. "The belief in an apocalyptic doomsday is still alive even in the most skeptical societies," Kerkeslager says, "because it is very much a real possibility ... The earth is about 4.5 billion years old, and has sometimes been characterized by global transformations that have indeed had an apocalyptic scope." Some of those events were natural disasters that caused mass extinctions. But many civilizations, he points out, have brought about their own extinction "by practices that exhausted their natural resources and gradually undermined their ability to sustain their own populations." Including, ironically enough, the ancient Mayans.
So perhaps the Mayans did leave us a prophecy or warning worth heeding. Just not the one everyone's talking about. But in director Roland Emmerich's defense, I have to admit that it would be a lot harder to make a blockbuster action-adventure-thriller out of recycling your grocery bags and developing renewable energy sources than something that results in an aircraft carrier on a tidal wave wiping out the White House. Which is something spinners of apocalyptic tales figured out long before there were aircraft carriers, movies, or really cool special effects.
Black poverty is fundamentally distinct from white poverty—and so cannot be addressed without grappling with racism.
There have been a number of useful entries in the weeks since Senator Bernie Sanders declared himself against reparations. Perhaps the most clarifying comes from Cedric Johnson in a piece entitled, “An Open Letter To Ta-Nehisi Coates And The Liberals Who Love Him.” Johnson’s essay offers those of us interested in the problem of white supremacy and the question of economic class the chance to tease out how, and where, these two problems intersect. In Johnson’s rendition, racism, in and of itself, holds limited explanatory power when looking at the socio-economic problems which beset African Americans. “We continue to reach for old modes of analysis in the face of a changed world,” writes Johnson. “One where blackness is still derogated but anti-black racism is not the principal determinant of material conditions and economic mobility for many African Americans.”
As Coldplay blandly strained for the universal, she and Bruno Mars pulled off something more specific and more daring.
What a perfect Beyoncésong name: “Formation.” All great pop involves people acting in formation. So does all great change. And while fans scream that Beyoncé’s a “queen” and “goddess,” her core appeal really is as a drill sergeant. With Beyoncé in command, greatness is scalable, achievable, for the collective. Everyone waves their hands to the same beat. Everyone walks around like they have hot sauce in their bag.
But in pop and in politics, “everyone” is a loaded term. Stars as ubiquitous as Beyoncé have haters, the “albino alligators” who “Formation” informs us she twirls upon. And in a more general historical sense, “everyone” can be a dangerous illusion that elevates one point of view as universal while minimizing others. Beyoncé gets all of this, it seems. As a pop star, she surely wants to have as broad a reach as possible. But as an artist, she has a specific message, born of a specific experience, meaningful to specific people. Rather than pretend otherwise, she’s going to make art about the tension implied by this dynamic. She’s going to show up to Super Bowl with a phalanx of women dressed as Black Panthers.
Most people in the U.S. believe their country is going to hell. But they’re wrong. What a three-year journey by single-engine plane reveals about reinvention and renewal.
When news broke late last year of a mass shooting in San Bernardino, California, most people in the rest of the country, and even the state, probably had to search a map to figure out where the city was. I knew exactly, having grown up in the next-door town of Redlands (where the two killers lived) and having, by chance, spent a long period earlier in the year meeting and interviewing people in the unglamorous “Inland Empire” of Southern California as part of an ongoing project of reporting across America.
Some of what my wife, Deb, and I heard in San Bernardino before the shootings closely matched the picture that the nonstop news coverage presented afterward: San Bernardino as a poor, troubled town that sadly managed to combine nearly every destructive economic, political, and social trend of the country as a whole. San Bernardino went into bankruptcy in 2012 and was only beginning to emerge at the time of the shootings. Crime is high, household income is low, the downtown is nearly abandoned in the daytime and dangerous at night, and unemployment and welfare rates are persistently the worst in the state.
Will the Democratic Party nominate a candidate who hasn’t been a member of their party, and who has long denounced it?
When a party chooses its presidential candidate, it also chooses its party leader in the election. This year the Democrats face an unusual situation. Bernie Sanders isn’t just an outsider to the party establishment; he’s not even been a member of the party, and has long excoriated it in unsparing language. Although the media haven’t much focused on this history, the early signs suggest it could become a problem for Sanders in getting the nomination—and a problem for the party if he does get it.
According to the entrance polls at the Iowa caucuses, there was a 30-percentage-point split between self-identified Democrats and independents in their support for Sanders. Hillary Clinton won 56 percent of self-identified Democrats but only 26 percent of independents, while Sanders won only 39 percent of Democrats but 69 percent of independents.
The number of American teens who excel at advanced math has surged. Why?
On a sultry evening last July, a tall, soft-spoken 17-year-old named David Stoner and nearly 600 other math whizzes from all over the world sat huddled in small groups around wicker bistro tables, talking in low voices and obsessively refreshing the browsers on their laptops. The air in the cavernous lobby of the Lotus Hotel Pang Suan Kaew in Chiang Mai, Thailand, was humid, recalls Stoner, whose light South Carolina accent warms his carefully chosen words. The tension in the room made it seem especially heavy, like the atmosphere at a high-stakes poker tournament.
Stoner and five teammates were representing the United States in the 56th International Mathematical Olympiad. They figured they’d done pretty well over the two days of competition. God knows, they’d trained hard. Stoner, like his teammates, had endured a grueling regime for more than a year—practicing tricky problems over breakfast before school and taking on more problems late into the evening after he completed the homework for his college-level math classes. Sometimes, he sketched out proofs on the large dry-erase board his dad had installed in his bedroom. Most nights, he put himself to sleep reading books like New Problems in Euclidean Geometry and An Introduction to Diophantine Equations.
For decades the Man of Steel has failed to find his groove, thanks to a continual misunderstanding of his strengths.
Superman should be invincible. Since his car-smashing debut in 1938, he’s starred in at least one regular monthly comic, three blockbuster films, and four television shows. His crest is recognized across the globe, his supporting cast is legendary, and anybody even vaguely familiar with comics can recount the broad strokes of his origin. (The writer Grant Morrison accomplished it in eight words: “Doomed Planet. Desperate Scientists. Last Hope. Kindly Couple.”) He’s the first of the superheroes, a genre that’s grown into a modern mass-media juggernaut.
And yet, for a character who gains his power from the light of the sun, Superman is curiously eclipsed by other heroes. According to numbers provided by Diamond Distributors, the long-running Superman comic sold only 55,000 copies a month in 2015, down from around 70,000 in 2010—a mediocre showing even for the famously anemic comic-book market. That’s significantly less than his colleague Batman, who last year moved issues at a comparatively brisk 150,000 a month. Mass media hasn’t been much kinder: The longest-running Superman television show, 2001’s Smallville, kept him out of his iconic suit for a decade. Superman Returns recouped its budget at the box office, but proved mostly forgettable.2013’s Man of Steel drew sharp criticism from critics and audiences alike for its bleak tone and rampaging finale. Trailers for the sequel, Batman v Superman: Dawn of Justice, have shifted the focus (and top billing) to the Dark Knight. Worst of all, conventional wisdom puts the blame on Superman himself. He’s boring, people say; he’s unrelatable, nothing like the Marvel characters dominating the sales charts and the box office. More than anything, he seems embarrassing. Look at him. Truth? Justice? He wears his underwear on the outside.
Humbled by his struggling presidential campaign, can the once-mighty New Jersey governor vault back into contention after Saturday’s debate?
SALEM, New Hampshire—Chris Christie was accustomed to being a big man: a man of stature, a man of power, a man who demands and gets his way.
But recently, the big man (this is a description of his personality, not his size) was seeming awfully small.
On Friday evening here, the governor of New Jersey was desperately trying to talk some sense into the people of New Hampshire, a couple hundred of whom had come out to see him on a snowy night. The night before, Christie’s rival Marco Rubio had played the same venue, filling a larger room of the elementary school beyond its capacity. Christie was begging the crowd not to pile on the bandwagon of the apparent winner, but instead, to show some courage.
In Homs, Syria, where entire city blocks have been reduced to rubble by years of civil war, a Syrian wedding photographer thought of using the destruction of the city as a backdrop for pictures of newlywed couples “to show that life is stronger than death.”
In Homs, Syria, where entire city blocks have been reduced to rubble by years of civil war, a Syrian wedding photographer thought of using the destruction of the city as a backdrop for pictures of newlywed couples “to show that life is stronger than death,” according to AFP photographer Joseph Eid. Here, Nada Merhi, 18, and her husband, Syrian army soldier Hassan Youssef, 27, pose for a series of wedding pictures amid heavily damaged buildings in Homs on February 5, 2016.
One professor is borrowing a method from Harvard Business School to engage students and inspire better decision-making skills.
In a spacious classroom in Aldrich Hall on the Harvard Business School campus, 100 students are passionately discussing a case called “Battle Over a Bank.” But these aren’t MBA students deliberating over how much the government should regulate the financial sector. This group of mostly undergraduates, guided by the award-winning Harvard Business School professor David Moss, is diving into the fierce 1791 debate over whether the Constitution could be interpreted to allow the fledgling U.S. government the power to form a bank at all.
This class, “History of American Democracy,” is no pedestrian historical survey course. It uses the case method—the business school’s signature teaching technique—to immerse undergraduates (as well as a limited number of HBS students) in critical episodes in the development of American democracy.