In the extensive coverage surrounding the 40th running of the New York City marathon this past weekend, more than one piece questioned whether marathon races had lost their elite edge. An op-ed piece in the New York Times on Saturday bemoaned the change in coverage from the pure, rarefied competition between the elite runners to human-interest stories about less professional athletes who competed. Cameron Stracher, who wrote the piece, argued that the long lag in U.S. marathon champions was due, at least in significant part, to this shift in coverage and "narrative," which lessened the public's excitement and inspiration to reach for the top levels in the sport.
"As the running boom matured," Stracher wrote, "the story line shifted from the race itself to the race as 'event.' ... The marathon may be an event, but at its heart it is a race--a competition among highly trained athletes."
A similar theme ran through an article that ran a few days earlier, under the title "Plodders Have a Place, But Is It in a Marathon?" A number of elite runners are apparently irritated at the slow runners and runner/walkers who, they believe, have watered down the significance of running, or finishing, a marathon. "It used to be that running a marathon was worth something," the cross-country coach at the college of New Rochelle was quoted as saying. "There used to be a pride in saying you ran a marathon, but not anymore."
On the other hand, marathon organizers argue that the increasing participation levels and appeal of marathons, driven by those amateur runners, is what's kept the sport healthy and alive.
Ah, the dilemma of exclusiveness.
If I'm vaguely amused by the complaints, it's because they mirror so closely a debate that's raged for decades--sometimes unwittingly--in the pilot community. In the very early days, flying an airplane really did take an excessive level of both risk-taking and talent. So to be a pilot was to be part of a very exclusive club. You suffered greatly to get there, but then you got to wear your wings with immense pride.
It's still a hefty effort to get a pilot's license, but the difficulty has decreased significantly over time. First came electrical systems and more reliable engines. Then came the advent of the tricycle gear airplane design, which made takeoffs and landings far easier and safer than they were with the old, skittish tail wheel designs. But the advent of the nose wheel airplane also prompted grumbling among the "old" set about how now anybody could be a pilot.
The club was becoming less exclusive. On the other hand, it was also becoming a booming industry. The explosion of general aviation in the 1950s and 1960s was due in no small part to the fact that so many more people felt capable of becoming part of it. Industry advocates have long dreamed of creating airplanes and systems safe and easy enough that every person in America could become a pilot and have access to a small airplane, because it would transform both the size of the industry, and the size of the support it receives. One would think that pilots, who depend on that support, would echo this sentiment. But even today, there's resistance among a lot of pilots at the thought of flying becoming, well ... pedestrian. After all, if everyone can do something, it's not such a point of pride that I can.
But I would caution marathon elitists to be careful what they wish for. Familiarity is critical to engagement, engagement is critical to audience, and audience is critical to sponsorship and publicity. Stracher argues that stories of great Yankee baseball rivalries, focused only on the playing field, is what inspires people to want to play ball. I disagree. I think the fact that people do play ball, in sandlots and schoolyards and on the streets of New York, is why there is such an audience for watching the best of the best battle it out.
For years, the sponsors of air racing--the fastest sport on earth, where pilots fly almost 500 miles an hour only 40 feet off the ground, in 90-degree bank angles--have struggled to figure out why they can't get more than a tiny audience to watch. Why is it that NASCAR races, which have many of the same elements, but less speed and risk, are so much more popular? Answer: because almost everybody owns a car. Hardly anyone (less than 0.1% of the population) owns an airplane. Millions of people can imagine themselves zooming around a NASCAR track. Very few can identify with a race pilot's world.
By the same token--as more and more people have taken up running and long-distance running, more people can imagine themselves sprinting across that finish line and can identify with the pains, injuries, and disappointments of a marathon champion. That there are now many more wannabes is actually a good thing, in terms of the long-term survival and health of the running and marathon industry.
But there's also something else at play, which Stracher alludes to when he notes how "the running boom matured." Everything is new only once. Back in the days of the barnstormers, when aviation itself was new and few people had been exposed to it, flying had a romantic appeal to the public that it will never have again. Pilots today are not held up as high as the heroes of old, when few people had even experienced flight.
Familiarity may bring engagement, but it also famously breeds contempt. Or at least a tempering of the initial romantic ideas and breathless excitement it once generated. Just like any human romance, if our interaction with something continues on long enough, it matures from a passionate love affair into something more like a marriage. Not that we can't still get weak in the knees from time to time, but movements, like relationships, change and mature. And that's okay, because maturation brings other benefits.
Back in the 1970s, running as a popular sport was a brand-new and exciting wave. Running shoes themselves were a a radical new concept. And those leading the charge inspired an entire nation to get off its duff and hit the streets. That's impressive. So now it's a mature sport, with many more participants. That's known as success. So, OK. Maybe that also means it's not quite as exclusive or exciting as it once was to run a marathon at all.
But running it in 2:09 is still an Olympic feat. Nothing takes away from that. And with six American men finishing in the top ten in Sunday's race, it's hard to argue that the changes in the sport and how we write about it have killed our competitiveness. Whatever the reason for the dearth of U.S. male champions between 1982 and Sunday's victory by American Meb Keflezighi, it's obviously more complex than that.
As for the complaints about the slower participants ... there's clearly some line that has to be drawn at the end, so the timers and volunteers who operate a marathon can go home. But I'd hesitate to make broad statements about what's going on at the back of the pack. The saying about being kind to strangers you meet, because you know not what burdens they carry, comes to mind.
I sat next to a man named Donald Arthur at a Bronx Rotary Club dinner last spring who had completed more than 30 marathons, en route to his goal of completing a marathon in every state. He'd only started participating in marathons recently, after a heart transplant gave him life and the ability to exercise again. He wasn't young, and even with his new heart, he couldn't run the 26 miles. Given his age and health, it was amazing he could finish a 26-mile course at all. But his zeal for the races was electric, even if he experienced them differently than the top competitors. For Donald, a marathon is a competition not against other humans, but against fate, death, and limits; a chance to prove and celebrate, over and over, that he is fully alive again.
I asked him what his favorite marathon was, and his eyes lit up like Rockefeller Center at Christmastime. "Oh, New York!" he exclaimed. "I mean, the one outside of Denver was so beautiful, to be in the midst of those hills and nature all around you like that. But New York has all those people, cheering you on! I wave at them, and they wave back, and it's like nothing else." Donald has time to wave, of course, because he's not trying to break a six-minute mile. Does Donald Arthur's participation diminish the New York Marathon? I don't think so. He's just experiencing and running a different race, against a different opponent, back there at the back of the pack.
A marathon is a race, to be sure. But is it an elite event only for "highly trained athletes?" I don't think that's written in the definition or rules anywhere. The original marathoner, after all, was a Greek soldier simply trying to deliver a message. And I'm not sure there's anything wrong with a marathon meaning different things to different people. It's almost inevitable, with 40,000 participants.
Perhaps the best way to view today's city marathons is as a more efficient version of the multiple levels in other sports: Little League, sandlot and stickball games, NCAA leagues, pick-up Saturday games, semi-pro leagues, farm teams and the Major Leagues all wrapped up into one. No wonder they're such a party. And for those who still yearn for something more rarefied; the excitement of watching only the best of the best compete without anyone else in the backfield, running still offers its own equivalent of the World Series. It's a small, highly exclusive club known as the Olympics.
Though it wasn’t pretty, Minaj was really teaching a lesson in civility.
Nicki Minaj didn’t, in the end, say much to Miley Cyrus at all. If you only read the comments that lit up the Internet at last night’s MTV Video Music Awards, you might think she was kidding, or got cut off, when she “called out” the former Disney star who was hosting: “And now, back to this bitch that had a lot to say about me the other day in the press. Miley, what’s good?”
To summarize: When Minaj’s “Anaconda” won the award for Best Hip-Hop Video, she took to the stage in a slow shuffle, shook her booty with presenter Rebel Wilson, and then gave an acceptance speech in which she switched vocal personas as amusingly as she does in her best raps—street-preacher-like when telling women “don’t you be out here depending on these little snotty-nosed boys”; sweetness and light when thanking her fans and pastor. Then a wave of nausea seemed to come over her, and she turned her gaze toward Cyrus. To me, the look on her face, not the words that she said, was the news of the night:
In the name of emotional well-being, college students are increasingly demanding protection from words and ideas they don’t like. Here’s why that’s disastrous for education—and mental health.
Something strange is happening at America’s colleges and universities. A movement is arising, undirected and driven largely by students, to scrub campuses clean of words, ideas, and subjects that might cause discomfort or give offense. Last December, Jeannie Suk wrote in an online article for The New Yorker about law students asking her fellow professors at Harvard not to teach rape law—or, in one case, even use the word violate (as in “that violates the law”) lest it cause students distress. In February, Laura Kipnis, a professor at Northwestern University, wrote an essay in The Chronicle of Higher Education describing a new campus politics of sexual paranoia—and was then subjected to a long investigation after students who were offended by the article and by a tweet she’d sent filed Title IX complaints against her. In June, a professor protecting himself with a pseudonym wrote an essay for Vox describing how gingerly he now has to teach. “I’m a Liberal Professor, and My Liberal Students Terrify Me,” the headline said. A number of popular comedians, including Chris Rock, have stopped performing on college campuses (see Caitlin Flanagan’s article in this month’s issue). Jerry Seinfeld and Bill Maher have publicly condemned the oversensitivity of college students, saying too many of them can’t take a joke.
After calling his intellectual opponents treasonous, and allegedly exaggerating his credentials, a controversial law professor resigns from the United States Military Academy.
On Monday, West Point law professor William C. Bradford resigned after The Guardianreported that he had allegedly inflated his academic credentials. Bradford made headlines last week, when the editors of the National Security Law Journaldenounced a controversial article by him in their own summer issue:
As the incoming Editorial Board, we want to address concerns regarding Mr. Bradford’s contention that some scholars in legal academia could be considered as constituting a fifth column in the war against terror; his interpretation is that those scholars could be targeted as unlawful combatants. The substance of Mr. Bradford’s article cannot fairly be considered apart from the egregious breach of professional decorum that it exhibits. We cannot “unpublish” it, of course, but we can and do acknowledge that the article was not presentable for publication when we published it, and that we therefore repudiate it with sincere apologies to our readers.
Accusations of terrorism are a window into how the Turkish government tries to intimidate reporters, but also how a media bad boy is maturing.
Under Recep Tayyip Erdogan’s presidency, Turkish journalists have increasingly been badgered, intimidated, threatened, and punished. Now, however, the Turkish government is going after two foreign journalists.
It’s not difficult to see why the Turkish government might not want journalists in the area. Kurdish fighters, some backed by the U.S., have been battling ISIS in Iraq for months. While Turkey opposes ISIS, it’s also terrified of emboldened Kurds pushing for an autonomous state in the region. For decades, Ankara has fought a protracted war against Kurdish guerrilla groups in southeastern Turkey. After long trying to avoid being drawn into the conflict against ISIS, Turkey, a U.S. ally, has begun to take action, but it’s fighting against both ISIS and the Kurds, a strange case where, for the Turkish government, the enemy of my enemy might still be my enemy.
The neurologist leaves behind a body of work that reveals a lifetime of asking difficult questions with empathy.
Oliver Sacks always seemed propelled by joyful curiosity. The neurologist’s writing is infused with this quality—equal parts buoyancy and diligence, the exuberant asking of difficult questions.
More specifically, Sacks had a fascination with ways of seeing and hearing and thinking. Which is another way of exploring experiences of living. He focused on modes of perception that are delightful not only because they are subjective, but precisely because they are very often faulty.
To say Sacks had a gift for this method of exploration is an understatement. He was a master at connecting curiosity to observation, and observation to emotion. Sacks died on Sunday after receiving a terminal cancer diagnosis earlier this year. He was 82.
Many educators are introducing meditation into the classroom as a means of improving kids’ attention and emotional regulation.
A five-minute walk from the rickety, raised track that carries the 5 train through the Bronx, the English teacher Argos Gonzalez balanced a rounded metal bowl on an outstretched palm. His class—a mix of black and Hispanic students in their late teens, most of whom live in one of the poorest districts in New York City—by now were used to the sight of this unusual object: a Tibetan meditation bell.
“Today we’re going to talk about mindfulness of emotion,” Gonzalez said with a hint of a Venezuelan accent. “You guys remember what mindfulness is?” Met with quiet stares, Gonzalez gestured to one of the posters pasted at the back of the classroom, where the students a few weeks earlier had brainstormed terms describing the meaning of “mindfulness.” There were some tentative mumblings: “being focused,” “being aware of our surroundings.”
Thicker ink, fewer smudges, and more strained hands: an Object Lesson
Recently, Bic launched acampaign to “save handwriting.” Named “Fight for Your Write,” it includes a pledge to “encourage the act of handwriting” in the pledge-taker’s home and community, and emphasizes putting more of the company’s ballpoints into classrooms.
As a teacher, I couldn’t help but wonder how anyone could think there’s a shortage. I find ballpoint pens all over the place: on classroom floors, behind desks. Dozens of castaways collect in cups on every teacher’s desk. They’re so ubiquitous that the word “ballpoint” is rarely used; they’re just “pens.” But despite its popularity, the ballpoint pen is relatively new in the history of handwriting, and its influence on popular handwriting is more complicated than the Bic campaign would imply.
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
The use of a stick to hold a camera at a distance for a self-portrait is not a new phenomenon, but the popularity of the new breed of extendable selfie stick has exploded over the past two years.
The use of a stick to hold a camera at a distance for a self-portrait is not a new phenomenon, but the popularity of the new breed of extendable selfie stick has exploded over the past two years. Multiple companies are producing varied versions of the device, tailored mostly to smartphone users. These sometimes-unwieldy extenders have been labeled as nuisances by some, especially in crowded public spaces, and have been banned in many museums, stadiums, and theme parks. Collected here are recent images of selfie sticks in use around the world, from high in the sky above China to the shores of Greece and beyond.
Can the sleek F-35 match the rugged dependability of the aging A-10? The Pentagon plans to find out.
If you’re the Pentagon, how do you choose between an aging, but dependable, fighter jet and a brand new aircraft that you’re not quite sure is up to the job? You have them fight it out, naturally.
That’s essentially what the Air Force said it would do when it announced that starting in 2018, it would pit the A-10 “Warthog” against the F-35 Joint Strike Fighter in a series of tests to see if the new F-35s can adequately replace the A-10s, which the military wants to retire. A 40-year-old platform, the A-10 has been described by Martin Dempsey, the joint chiefs chairman, as “the ugliest, most beautiful aircraft on the planet.” It may be old, but as a certain Irish actor would say, it has a very particular set of skills: The A-10 excels at providing what’s known as “close-air support,” flying low and slow to provide ideal cover protection for U.S. troops fighting in ground combat. That capability is prized not only by the military, but also by a pair of key Republican lawmakers who oversee its budget, Senators John McCain and Kelly Ayotte.