I have often felt a little envious of my professional musician friends. Not for the obvious reasons (getting to play in a band and get paid for it, or the accompanying status/sex-appeal), but because they had such a direct line to an audience's emotions. Writers can certainly influence a reader's emotions, but only by engaging the person's mind, first. The words have to be processed intellectually before they can be understood and felt emotionally. It's a quiet, thoughtful impact, even when it happens. A far cry from having an entire audience jump to its feet, almost involuntarily, and start moving in response to the rhythm, harmony, and energy issuing forth from the stage.
A brilliant orator might bring an audience to its feet, but the response would be to an idea, even if the idea was emotionally expressed. And the crowd would know what it was cheering about. Ask someone why a piece of music moves them, and they will probably find it harder to explain. For music speaks to a place deep inside of us that feels more than thinks; that knows resonance without questioning the details; that can hear and be comforted by the outpouring of heartbreak and survival in a blues ballad without even knowing the words.
But some researchers suspect that music and words may be more closely linked than I ever would have thought. So closely linked, in fact, that the study of music may actually be able to help ameliorate the language deficits of children with dyslexia.
How is that possible? The exact mechanism of the process isn't clear yet, but researchers at Harvard University have apparently seen a correlation between early-childhood music training and "enhanced motor and auditory skills, as well as improvements in verbal ability and non-verbal reasoning," And that correlation, they say, is even more pronounced in children with dyslexia. Gottfried Schlaug, one of the researchers, told the Acoustical Society of America that the results "suggest that a music intervention that strengthens the basic auditory music perception skills of children with dyslexia may also remediate some of their language deficits."
Those results are also supported by another paper being presented at the Acoustical Society of America meeting next week. Dr. Laurel Trainor and colleagues at McMaster University in West Hamilton, Ontario, have conducted several studies of children to gauge the impact of musical training. In one study, they compared two groups of children: one who were starting music lessons, and one who were doing other activities, like sports. They tested the electrical activity in the children's brains for a year and found that while both groups changed as the children developed, the children taking music lessons changed more ... especially in the areas "related to attentional processing."
"This is significant," Trainor wrote, "because it suggests a mechanism whereby music lessons could affect other cognitive processes, such as language and mathematical skills."
Now granted, music lessons involve a more focused learning process than simply sitting back and enjoying a collection of sounds. But there may also be a link between language and the evolution of music itself--which might help explain the ability of music to impact language processing.
A while back, I read a piece by Natalie Angier in the Science Times about the evolution of both language and the human ear. It appears that eight genes involved in shaping our ears underwent significant change over the past 40,000 years, and that our ability to distinguish and use a complex language evolved along with our more refined auditory infrastructure. "Moreover," she says,
"the avidity with which our auditory sense seeks to organize ambient noise into a meaningful acoustical pattern--a likely consequence of our dependence on language--could help explain our distinctly human musicality."
And a love of music is, apparently, a uniquely human trait. Other mammals, Angier notes, do not really appreciate music, despite the prevalent myth about music's power to soothe the wild beast. "If you give monkeys a choice between music and silence, they choose silence pretty strongly," reported Dr. Josh McDermott of the Center for Neural Science at NYU.
A similar thought was put forward in an article last December in The Economist on the evolution of music. It explored various theories about why we like and react to music, from sexual selection to group and community bonding. The sexual selection theorists believe that expertise in music evolved because it provided a courting advantage, similar to a peacock's colorful tail--which would certainly seem to be true in terms of musicians' ability to get dates after performances, at least in the rock and roll world. Music may also have evolved as a way to bring groups together as a community.
But according to Dr. Steven Pinker, a language theorist at Harvard, our appreciation for music may have evolved as a side-effect of our focus on sounds--a focus necessary to develop a complex language. As the article put it, just as a body that's designed to seek sugar and fat for survival finds itself enthusiastic about cheesecake, even though cheesecake itself isn't required for survival, "a brain devoted to turning sound into meaning is tickled by an oversupply of tone, melody and rhythm." So in the course of learning to distinguish nuances of difference in tone, sound and shape of vowels, consonants, and complex verb forms, we may have developed a delighted appreciation for all sounds and tones.
But even if all those correlations and theories are true, they still don't fully explain why music resonates so directly and brings forth such a range of emotions in people. Why do particular musical sounds move us so? The sounds in a word--even a really good word like "inexplicable"-- don't have the same effect. Researchers are looking into that one, too. But perhaps it's because we have been surrounded by sound far longer than we have known words: Our mothers' heartbeats and swishing blood and fluid even before we were born. The singing of birds, rain on a tin roof, the creaking of a porch swing, or the rustling of leaves by a gurgling brook. The cry of another child, the terrifying crack of lightning, or the scary howl of an animal nearby.
In the end, maybe the reason we respond to music more viscerally than language is simply because music was actually the first language we ever learned ... before thought, before words, when emotion was all we knew.
Note: I will be offline for the next week finishing a book project, returning November 3rd.
Tens of thousands are expected to walk through the nation’s capital, while similar marches are held in cities around the country.
The Women’s March on Washington, a mobile protest organized in response to President Trump’s election, is under way in downtown Washington, D.C.
The event’s organizers are anticipating roughly 250,000 marchers, many of whom supported Hillary Clinton for president and are wary about the new administration’s policies towards women, as well as its approach toward the LGBT community, minorities, immigrant groups, and others. According to the march’s mission statement, participants aim to “send a bold message to our new government on their first day in office, and to the world, that women’s rights are human rights.” Six hundred similar marches are being held Saturday around the country. Others have been organized around the world.
Most presidents view inaugural addresses as a rare opportunity to appeal beyond “the base.” This was base-only.
For my sins, I have read every U.S. presidential inaugural address ever given, and played a small part in writing one of them—Jimmy Carter’s, delivered 40 years ago today.
The first one I remember hearing, John F. Kennedy’s in 1961, I saw on a fuzzy black-and-white TV from my 7th-grade American history classroom in California. The arctic conditions that day in Washington practically radiated through the TV screen. I remember seeing the revered 87-year-old poet Robert Frost hunch against the wind and squint in the low-sun glare as he tried to read the special inaugural ode he had composed. Then Richard Nixon, just defeated by Kennedy in a hair’s-breadth race, reached across to block the glare with his top hat. Frost waved him off and began reciting from memory one of his best-known poems, “The Gift Outright.”
Narcissism, disagreeableness, grandiosity—a psychologist investigates how Trump’s extraordinary personality might shape his possible presidency.
In 2006, Donald Trump made plans to purchase the Menie Estate, near Aberdeen, Scotland, aiming to convert the dunes and grassland into a luxury golf resort. He and the estate’s owner, Tom Griffin, sat down to discuss the transaction at the Cock & Bull restaurant. Griffin recalls that Trump was a hard-nosed negotiator, reluctant to give in on even the tiniest details. But, as Michael D’Antonio writes in his recent biography of Trump, Never Enough, Griffin’s most vivid recollection of the evening pertains to the theatrics. It was as if the golden-haired guest sitting across the table were an actor playing a part on the London stage.
“It was Donald Trump playing Donald Trump,” Griffin observed. There was something unreal about it.
The phrase used by President Trump has been linked to anti-Semitism during World War II.
President Trump’s speech Friday will go down as one of the shorter inaugural addresses, but it will also be remembered for its populist and often dark tone.
“From this day forward,” Trump said at one point, “it’s going to be only America first. America first.”
Trump appears to have first used the phrase last March in an interview with The New York Times when he denied he was an isolationist. “I’m not isolationist, but I am ‘America First,’” he said. “So I like the expression. I’m ‘America First.’”
Trump insisted publicly that he wrote his own speech, going as far as to tweet a picture of himself holding a pen and piece of paper in his hotel at Mar-A-Lago. But as The Wall Street Journalreported Friday, Trump’s speech was at least in part written by Steve Bannon and Stephen Miller, two of Trump’s senior advisers. Bannon, as has been widely reported, was previously CEO of Breitbart, the conservative news site that he’s described as a platform for the alt-right, a movement that combines elements of white nationalism and economic populism.
A history of the first African American White House—and of what came next
In the waning days of President Barack Obama’s administration, he and his wife, Michelle, hosted a farewell party, the full import of which no one could then grasp. It was late October, Friday the 21st, and the president had spent many of the previous weeks, as he would spend the two subsequent weeks, campaigning for the Democratic presidential nominee, Hillary Clinton. Things were looking up. Polls in the crucial states of Virginia and Pennsylvania showed Clinton with solid advantages. The formidable GOP strongholds of Georgia and Texas were said to be under threat. The moment seemed to buoy Obama. He had been light on his feet in these last few weeks, cracking jokes at the expense of Republican opponents and laughing off hecklers. At a rally in Orlando on October 28, he greeted a student who would be introducing him by dancing toward her and then noting that the song playing over the loudspeakers—the Gap Band’s “Outstanding”—was older than she was.
Donald Trump will take the oath of office on Friday, becoming the 45th president of the United States.
Donald Trump takes the oath of office on Friday, to become the 45th president of the United States.
The day’s inaugural festivities will get underway in the morning and continue through Saturday. The swearing-in ceremony, which will take place outside of the Capitol, is expected to begin at 11:30 a.m., followed by an inaugural parade at 3 p.m. and inaugural balls in the evening.
Thousands of attendees are expected to descend on Washington, DC for the ceremonies, which will likely be met with celebration and protest. We’ll bring you the latest updates from the nation’s capital as events unfold. Also see our continuing coverage:
Recent presidential installation ceremonies have been studiously planned and free of major disasters. It hasn’t always been so.
With malice toward none. The only thing we have to fear. Ask what you can do for your country.
Presidential inaugurations will, at their best, inspire their audiences—not just in their respective moments, but for decades and centuries to come. But presidential inaugurations are also run by people, which means that, sometimes, they will go extremely wrong. Sometimes, it will be protests that will mar the best-planned ceremonies. Sometimes, it will be human pettiness (as when President Hoover, riding with Franklin Roosevelt in the motorcade to the Capitol in 1932, seems to have ignored Roosevelt’s attempts at conversation, instead staring stone-faced into the distance). Sometimes, however, inaugural exercises will encounter disasters of a more epic strain: storms, illness, death, extremely pungent cheese.
Many Americans who support the incoming president feel hopeful about the future. But even some who plan to attend his inauguration are wary about what he’ll do.
Joseph Richardson believes Donald Trump is already working to turn his campaign promises into a reality. “He started talking to companies about keeping jobs in the U.S. even before taking office, and when it comes to business I think people do listen because he’s very successful,” the 23-year-old Trump voter from Delaware said in a recent interview. High hopes for the incoming administration, though, haven’t necessarily translated into fuzzy feelings toward Trump himself. “At the same time, he’s kind of a jackass,” he added.
When Trump takes over the presidency on Friday, he will face a deeply divided nation, and may be on track for historically low approval ratings in office. Many Hillary Clinton voters, shocked and devastated by the outcome of the election, remain unwilling to rally around Trump. But the way his supporters feel about the future, and the candidate they elected to the presidency, may be more nuanced—and, in some cases, more surprising.
Commentators love to praise the peaceful handover of power—but this year, it stands as a reminder of the system’s fragility and shortcomings.
Every presidency is different, but inaugural coverage is always the same. Commentators congratulate Americans on the peaceful transition of power and intone solemn sentences about democratic renewal.
There is something unnerving about these reassurances, something overstated, even hysterical. When a British prime minister loses the confidence of the House of Commons and must suddenly trundle out of 10 Downing Street (as some six dozen of them have done since the job was invented in the 1740s; a few more than once), nobody marvels on television how wonderful it is that he or she doesn’t try to retain power by force of arms. Nobody in Denmark thinks it extraordinary when one party relinquishes power to another. Ditto New Zealand or Switzerland—all of them treat peaceful transfers of power as the developed world norm, like reliable electricity or potable water.