I have often felt a little envious of my professional musician friends. Not for the obvious reasons (getting to play in a band and get paid for it, or the accompanying status/sex-appeal), but because they had such a direct line to an audience's emotions. Writers can certainly influence a reader's emotions, but only by engaging the person's mind, first. The words have to be processed intellectually before they can be understood and felt emotionally. It's a quiet, thoughtful impact, even when it happens. A far cry from having an entire audience jump to its feet, almost involuntarily, and start moving in response to the rhythm, harmony, and energy issuing forth from the stage.
A brilliant orator might bring an audience to its feet, but the response would be to an idea, even if the idea was emotionally expressed. And the crowd would know what it was cheering about. Ask someone why a piece of music moves them, and they will probably find it harder to explain. For music speaks to a place deep inside of us that feels more than thinks; that knows resonance without questioning the details; that can hear and be comforted by the outpouring of heartbreak and survival in a blues ballad without even knowing the words.
But some researchers suspect that music and words may be more closely linked than I ever would have thought. So closely linked, in fact, that the study of music may actually be able to help ameliorate the language deficits of children with dyslexia.
How is that possible? The exact mechanism of the process isn't clear yet, but researchers at Harvard University have apparently seen a correlation between early-childhood music training and "enhanced motor and auditory skills, as well as improvements in verbal ability and non-verbal reasoning," And that correlation, they say, is even more pronounced in children with dyslexia. Gottfried Schlaug, one of the researchers, told the Acoustical Society of America that the results "suggest that a music intervention that strengthens the basic auditory music perception skills of children with dyslexia may also remediate some of their language deficits."
Those results are also supported by another paper being presented at the Acoustical Society of America meeting next week. Dr. Laurel Trainor and colleagues at McMaster University in West Hamilton, Ontario, have conducted several studies of children to gauge the impact of musical training. In one study, they compared two groups of children: one who were starting music lessons, and one who were doing other activities, like sports. They tested the electrical activity in the children's brains for a year and found that while both groups changed as the children developed, the children taking music lessons changed more ... especially in the areas "related to attentional processing."
"This is significant," Trainor wrote, "because it suggests a mechanism whereby music lessons could affect other cognitive processes, such as language and mathematical skills."
Now granted, music lessons involve a more focused learning process than simply sitting back and enjoying a collection of sounds. But there may also be a link between language and the evolution of music itself--which might help explain the ability of music to impact language processing.
A while back, I read a piece by Natalie Angier in the Science Times about the evolution of both language and the human ear. It appears that eight genes involved in shaping our ears underwent significant change over the past 40,000 years, and that our ability to distinguish and use a complex language evolved along with our more refined auditory infrastructure. "Moreover," she says,
"the avidity with which our auditory sense seeks to organize ambient noise into a meaningful acoustical pattern--a likely consequence of our dependence on language--could help explain our distinctly human musicality."
And a love of music is, apparently, a uniquely human trait. Other mammals, Angier notes, do not really appreciate music, despite the prevalent myth about music's power to soothe the wild beast. "If you give monkeys a choice between music and silence, they choose silence pretty strongly," reported Dr. Josh McDermott of the Center for Neural Science at NYU.
A similar thought was put forward in an article last December in The Economist on the evolution of music. It explored various theories about why we like and react to music, from sexual selection to group and community bonding. The sexual selection theorists believe that expertise in music evolved because it provided a courting advantage, similar to a peacock's colorful tail--which would certainly seem to be true in terms of musicians' ability to get dates after performances, at least in the rock and roll world. Music may also have evolved as a way to bring groups together as a community.
But according to Dr. Steven Pinker, a language theorist at Harvard, our appreciation for music may have evolved as a side-effect of our focus on sounds--a focus necessary to develop a complex language. As the article put it, just as a body that's designed to seek sugar and fat for survival finds itself enthusiastic about cheesecake, even though cheesecake itself isn't required for survival, "a brain devoted to turning sound into meaning is tickled by an oversupply of tone, melody and rhythm." So in the course of learning to distinguish nuances of difference in tone, sound and shape of vowels, consonants, and complex verb forms, we may have developed a delighted appreciation for all sounds and tones.
But even if all those correlations and theories are true, they still don't fully explain why music resonates so directly and brings forth such a range of emotions in people. Why do particular musical sounds move us so? The sounds in a word--even a really good word like "inexplicable"-- don't have the same effect. Researchers are looking into that one, too. But perhaps it's because we have been surrounded by sound far longer than we have known words: Our mothers' heartbeats and swishing blood and fluid even before we were born. The singing of birds, rain on a tin roof, the creaking of a porch swing, or the rustling of leaves by a gurgling brook. The cry of another child, the terrifying crack of lightning, or the scary howl of an animal nearby.
In the end, maybe the reason we respond to music more viscerally than language is simply because music was actually the first language we ever learned ... before thought, before words, when emotion was all we knew.
Note: I will be offline for the next week finishing a book project, returning November 3rd.
For those who didn't go to prestigious schools, don't come from money, and aren't interested in sports and booze—it's near impossible to gain access to the best paying jobs.
As income inequality in the U.S. strikes historic highs, many people are starting to feel that the American dream is either dead or out of reach. Only 64 percent of Americans still believe that it’s possible to go from rags to riches, and, in another poll, 63 percent said they did not believe their children would be better off than they were. These days, the idea that anyone who works hard can become wealthy is at best a tough sell.
Along with the Nancy Drew series, almost all of the thrillers in the popular teenage franchise were produced by ghostwriters, thanks to a business model that proved to be prescient.
In the opening pages of a recent installment of the children’s book series The Hardy Boys, black smoke drifts though the ruined suburb of Bayport. The town's residents, dressed in tatters and smeared with ash, stumble past the local pharmacy and diner. Shards of glass litter the sidewalk. “Unreal,” says the mystery-solving teenager Joe Hardy—and he's right. Joe and his brother Frank are on a film set, and the people staggering through the scene are actors dressed as zombies. But as is always the case with Hardy Boysbooks, something still isn’t quite right: This time, malfunctioning sets nearly kill several actors, and the brothers find themselves in the middle of yet another mystery.
In most states, where euthanasia is illegal, physicians can offer only hints and euphemisms for patients to interpret.
SAN FRANCISCO—Physician-assisted suicide is illegal in all but five states. But that doesn’t mean it doesn’t happen in the rest. Sick patients sometimes ask for help in hastening their deaths, and some doctors will hint, vaguely, how to do it.
This leads to bizarre, veiled conversations between medical professionals and overwhelmed families. Doctors and nurses want to help but also want to avoid prosecution, so they speak carefully, parsing their words. Family members, in the midst of one of the most confusing and emotional times of their lives, are left to interpret euphemisms.
That’s what still frustrates Hope Arnold. She says throughout the 10 months her husband J.D. Falk was being treated for stomach cancer in 2011, no one would talk straight with them.
There are two types of people in the world: those with hundreds of unread messages, and those who can’t relax until their inboxes are cleared out.
For some, it’s a spider. For others, it’s an unexpected run-in with an ex. But for me, discomfort is a dot with a number in it: 1,328 unread-message notifications? I just can’t fathom how anyone lives like that.
How is it that some people remain calm as unread messages trickle into their inboxes and then roost there unattended, while others can’t sit still knowing that there are bolded-black emails and red-dotted Slack messages? I may operate toward the extreme end of compulsive notification-eliminators, but surveys suggest I’m not alone: One 2012 study found that 70 percent of work emails were attended to within six seconds of their arrival.
This has led me to a theory that there are two types of emailers in the world: Those who can comfortably ignore unread notifications, and those who feel the need to take action immediately.
The plight of non-tenured professors is widely known, but what about the impact they have on the students they’re hired to instruct?
Imagine meeting your English professor by the trunk of her car for office hours, where she doles out information like a taco vendor in a food truck. Or getting an e-mail error message when you write your former biology professor asking for a recommendation because she is no longer employed at the same college. Or attending an afternoon lecture in which your anthropology professor seems a little distracted because he doesn’t have enough money for bus fare. This is an increasingly widespread reality of college education.
Many students—and parents who foot the bills—may assume that all college professors are adequately compensated professionals with a distinct arrangement in which they have a job for life. In actuality those are just tenured professors, who represent less than a quarter of all college faculty. Odds are that students will be taught by professors with less job security and lower pay than those tenured employees, which research shows results in diminished services for students.
In any case, people have probably heard the phrase in reference to something gone awry at work or in life. In either setting, when the shit does hit the fan, people will tend to look to the most competent person in the room to take over.
And too bad for that person. A new paper by a team of researchers from Duke University, University of Georgia, and University of Colorado looks at not only how extremely competent people are treated by their co-workers and peers, but how those people feel when, at crucial moments, everyone turns to them. They find that responsible employees are not terribly pleased about this dynamic either.
The gorgeous stew of At.Long.Last.A$AP may owe something to LSD, but it’s also in line with the genre’s recent turn toward progginess.
To the Steve Jobs Hall of Fame for people who credit their creative breakthroughs to LSD, we can now add the 26-year-old rapper A$AP Rocky. The recent tabloid fixture and fashion tastemaker recorded his newly released sophomore album, At.Long.Last.A$AP, while holed up in Europe and apparently under the influence of psychedelic drugs, a fact about which he hasn’t been shy either in interviews or in songs. On one track, “Jukebox Joints,” he raps about people asking why he disappeared from the spotlight for a while. The answer is simple: “I'm tripping off the acid,” he explains, adding, “now yo’ ass is looking massive.”
Sure enough, the first description that comes to mind when listening to At.Long.Last.A$AP is “druggy.” The songs collage tempos, styles, and echo-caked sounds, with backing vocals pitchshifted very low and melodies that coalesce from murk. This isn’t totally new: In his short but influential career—which includes making the 2012 top-10 hit “Fuckin’ Problems”—A$AP Rocky’s choice of production styles has gotten him lumped in with the “cloud rap” subgenre, whose name is pretty self-explanatory. But the difference this time out is that the song structures themselves have been liquefied, and the results are often thrilling.
Soccer’s international governing body has long been suspected of mass corruption, but a 47-count U.S. indictment is one of the first real steps to accountability.
Imagine this: A shadowy multinational syndicate, sprawling across national borders but keeping its business quiet. Founded in the early 20th century, it has survived a tumultuous century, gradually expanding its power. It cuts deals with national governments and corporations alike, and has a hand in a range of businesses. Some are legitimate; others are suspected of beings little more than protection rackets or vehicles for kickbacks. Nepotism is rampant. Even though it’s been widely rumored to be a criminal enterprise for years, it has used its clout to cow the justice system into leaving it alone. It has branches spread across the globe, arranged in an elaborate hierarchical system. Its top official, both reviled and feared and demanding complete fealty, is sometimes referred to as the godfather.
New research confirms what they say about nice guys.
Smile at the customer. Bake cookies for your colleagues. Sing your subordinates’ praises. Share credit. Listen. Empathize. Don’t drive the last dollar out of a deal. Leave the last doughnut for someone else.
Sneer at the customer. Keep your colleagues on edge. Claim credit. Speak first. Put your feet on the table. Withhold approval. Instill fear. Interrupt. Ask for more. And by all means, take that last doughnut. You deserve it.
Follow one of those paths, the success literature tells us, and you’ll go far. Follow the other, and you’ll die powerless and broke. The only question is, which is which?
Of all the issues that preoccupy the modern mind—Nature or nurture? Is there life in outer space? Why can’t America field a decent soccer team?—it’s hard to think of one that has attracted so much water-cooler philosophizing yet so little scientific inquiry. Does it pay to be nice? Or is there an advantage to being a jerk?
Kalaupapa, Hawaii, is a former leprosy colony that’s still home to several of the people who were exiled there through the 1960s. Once they all pass away, the federal government wants to open up the isolated peninsula to tourism. But at what cost?
Not so long ago, people in Hawaii who were diagnosed with leprosy were exiled to an isolated peninsula attached to one of the tiniest and least-populated islands. Details on the history of the colony—known as Kalaupapa—for leprosy patients are murky: Fewer than 1,000 of the tombstones than span across the village’s various cemeteries are marked, many of them having succumbed to weather damage or invasive vegetation. A few have been nearly devoured by trees. But records suggest that at least 8,000 individuals were forcibly removed from their families and relocated to Kalaupapa over a century starting in the 1860s. Almost all of them were Native Hawaiian.
Sixteen of those patients, ages 73 to 92, are still alive. They include six who remain in Kalaupapa voluntarily as full-time residents, even though the quarantine was lifted in 1969—a decade after Hawaii became a state and more than two decades after drugs were developed to treat leprosy, today known as Hansen’s disease. The experience of being exiled was traumatic, as was the heartbreak of abandonment, for both the patients themselves and their family members. Kalaupapa is secluded by towering, treacherous sea cliffs from the rest of Molokai—an island with zero traffic lights that takes pride in its rural seclusion—and accessing it to this day remains difficult. Tourists typically arrive via mule. So why didn’t every remaining patient embrace the new freedom? Why didn’t everyone reconnect with loved ones and revel in the conveniences of civilization? Many of Kalaupapa’s patients forged paradoxical bonds with their isolated world. Many couldn’t bear to leave it. It was “the counterintuitive twinning of loneliness and community,” wrote The New York Times in 2008. “All that dying and all of that living.”