Every strength has a flip side, as my mother always says. The same communication trait that makes it easy for me to write volumes of words also means that, at times, I talk an awful lot. Someone driven to excel may also drive everyone around them nuts with their singular focus. A tendency to take bold risks can lead to astounding success ... or reckless disaster. And according to a new study published in the journal Psychological Science, that interconnected relationship between strength and weakness may exist in the field of creativity, as well--in the rather scary form of an actual genetic link between high levels of creativity and mental illness.
The idea that highly creative people have more than their share of depression, alcoholism, and other psychological issues or struggles is not new, and anecdotal examples are legion. Van Gogh cut off his ear and suffered depressing visions before finally committing suicide. The writer David Foster Wallace (who gave such a sharp, witty, irreverent and highly memorable commencement address to Kenyon College graduates in 2005 that the Wall Street Journal even saw fit to reprint it) committed suicide last year at the age of 46. Virginia Woolf, Sylvia Plath, Ernest Hemingway, and scores of other writers, artists, and creative individuals have also taken their own lives. And that doesn't even get into the much larger group who created wonderful works of art and brilliance even as they battled serious and debilitating depression or other problems.
There are also numerous examples of more technically-inclined geniuses who have struggled with demons of madness. A new graphic novel/comic book called Logicomix delves into the world of the real-life mathematicians who relentlessly pursued a quest for logical certainty in mathematics throughout the 20th century. (A New York Times review of it can be found here.) One of the book's themes, aside from the pursuit of logical perfection, is the mathematicians' struggles to ward off mental illness. One of the logicians, Bertrand Russell, apparently claimed that it was only his love of mathematics that saved him from suicide--although two of his children developed schizophrenia and killed themselves. Another logician, Georg Cantor, died in an insane asylum, and a third, Kurt Godel, became so paranoid about being poisoned that he starved himself to death.
What causes these brilliant, creative minds to fall into such dark places? Does obsession with an idea--a common trait in those driven to pursue its exploration and expression, whether in words or formulas--somehow disconnect us with an important perspective or grounding that a more balanced focus provides? Or are brilliantly artistic or creative people actually predisposed to mental illness?
Possibly the latter, according to just-published research conducted by Hungarian psychiatrist Szabolcs Keri. (You can access the Psychological Science article here, although there's a charge to view it.) In order to explore a possible genetic link between creativity and psychosis, Keri focused his research on the T/T variant of the Neuregulin 1 gene. Neuregulin 1 plays a role in a variety of brain processes, including development and strengthening communication between neurons. But the T/T variant of the gene has also been associated with a greater risk for schizophrenia and bipolar disorder.
Keri's research study was admittedly limited. He interviewed 128 study participants, all of whom had "high intellectual and academic performance." The group was divided by genotypes (variants) into three groups: T/T, C/T, and C/C. Keri found no difference in the groups on the basis of gender or IQ. But he found a distinct difference when it came to scores on creativity tests. The T/T group scored significantly higher in terms of creativity; almost twice as high as the C/C group in some categories.
Why would the T/T group score so much higher on creativity? It may be that the "reduced cognitive inhibition" associated with that variant allows for more creative mental wanderings in more ways than one. A terrific imagination can also lead to terrific nightmares. But what I found particularly interesting was Keri's thought on why the species would retain a gene variant that caused such big problems. According to Darwin, after all, a gene variant that led to debilitating disorders should die out. And yet, the T/T gene variant persists.
"Why are genetic polymorphisms related to severe mental disorders retained in the gene pool of a population?" Keri asked. "A possible answer is that these genetic variations may have a positive impact on psychological function."
The sword, in other words, might have two sides. Creativity is good for advancing the species, even if it sometimes leads to madness. That kind of evolutionary trade-off also doesn't seem to be unique to the neuregulin 1 gene. Research published this past June by John McDonald, chair of the Biology department at Georgia Tech and chief research scientist at the Ovarian Cancer Institute, raised the possibility that the same characteristic that allowed human brains to develop so much bigger and faster than other primates may also be the reason human cells are more susceptible to cancer.
"The results from our analysis suggest that humans aren't as efficient as chimpanzees in carrying out programmed cell death. We believe this difference may have evolved as a way to increase brain size and associated cognitive ability in humans, but the cost could be an increased propensity for cancer," McDonald was quoted as saying.
In a ideal world, the strengths could be separated from the weaknesses, and a perfect species could evolve. But the same law of unintended consequences that plagues so many advances we make, from increased longevity leading to overpopulation problems and antibiotics creating super-resistant bacteria to computer-controlled systems becoming more vulnerable to viruses and hackers ... may be just a continuation of a dichotomy that's been playing out in our DNA for centuries. Our strengths create potential vulnerabilities. There is a dark side to The Force.
A military person would call this phenomenon a "reverse salient." A practictioner of Taoism would say it's the balance of yin and yang. My mother would simply say it's the way of the world. But if these researchers' hypotheses are correct, it means that growth and creativity are important enough to the species that nature has decided they're worth even the ravages of cancer and mental illness to preserve. And that, itself, is a thought worth pondering.
Even when they’re adopted, the children of the wealthy grow up to be just as well-off as their parents.
Lately, it seems that every new study about social mobility further corrodes the story Americans tell themselves about meritocracy; each one provides more evidence that comfortable lives are reserved for the winners of what sociologists call the birth lottery. But, recently, there have been suggestions that the birth lottery’s outcomes can be manipulated even after the fluttering ping-pong balls of inequality have been drawn.
What appears to matter—a lot—is environment, and that’s something that can be controlled. For example, one study out of Harvard found that moving poor families into better neighborhoods greatly increased the chances that children would escape poverty when they grew up.
While it’s well documentedthat the children of the wealthy tend to grow up to be wealthy, researchers are still at work on how and why that happens. Perhaps they grow up to be rich because they genetically inherit certain skills and preferences, such as a tendency to tuck away money into savings. Or perhaps it’s mostly because wealthier parents invest more in their children’s education and help them get well-paid jobs. Is it more nature, or more nurture?
On “Back to Back Freestyle” and “Charged Up,” the rapper forgoes the high road in his beef with Meek Mill.
Once upon a time, Drake made a vow of silence. “Diss me, you'll never hear a reply for it,” he said on “Successful,” the 2009 song in which the Toronto rapper correctly predicted he’d soon be superwealthy. This week, Drake has broken his vow twice over, a fact about which he seems conflicted. “When I look back,” he says on the new track “Back to Back Freestyle,” “I might be mad that I gave this attention.”
“This” is the beef started by the 28-year-old Philadelphia rapper Meek Mill, who recently tweeted accusations that Drake doesn’t write his own material. Depending on who you talk to or how you look at it, this is either a big deal or no deal at all. On Instagram, Lupe Fiasco had a good take: “Ghostwriting, or borrowing lines, or taking suggestions from the room has always been in rap and will always be in rap. It is nothing to go crazy over or be offended about unless you are someone who postures him or herself on the importance of authenticity and tries to portray that quality to your fans or the public at large. Then we might have a problem.”
The Vermont senator’s revolutionary zeal has met its moment.
There’s no way this man could be president, right? Just look at him: rumpled and scowling, bald pate topped by an entropic nimbus of white hair. Just listen to him: ranting, in his gravelly Brooklyn accent, about socialism. Socialism!
And yet here we are: In the biggest surprise of the race for the Democratic presidential nomination, this thoroughly implausible man, Bernie Sanders, is a sensation.
He is drawing enormous crowds—11,000 in Phoenix, 8,000 in Dallas, 2,500 in Council Bluffs, Iowa—the largest turnout of any candidate from any party in the first-to-vote primary state. He has raised $15 million in mostly small donations, to Hillary Clinton’s $45 million—and unlike her, he did it without holding a single fundraiser. Shocking the political establishment, it is Sanders—not Martin O’Malley, the fresh-faced former two-term governor of Maryland; not Joe Biden, the sitting vice president—to whom discontented Democratic voters looking for an alternative to Clinton have turned.
His press conference announcing murder charges had just one flaw: he understated how often police officers shoot unarmed people in traffic stops.
On Wednesday, as officials in Hamilton County, Ohio, released video footage of University of Cincinnati Police Officer Ray Tensing shooting unarmed motorist Samuel DuBose in the head during a traffic stop, prosecutor Joe Deters conducted himself as professionally and appropriately as any prosecutor I’ve ever seen in a similar situation.
The 30-year veteran, who announced that Officer Tensing was being indicted for murder, took immediate care to affirmatively state that the victim in the case was not responsible for his fate. “This is the most asinine act I've ever seen a police officer make,” he told reporters. “People want to believe that Mr. DuBose had done something violent toward the officer; he did not. He did not at all. And I feel so sorry for his family and what they lost. And I feel sorry for the community, too.”
Samuel DuBose’s death at the hands of a university police officer points to problems with piecemeal approaches to reform.
During a news conference Wednesday, discussing the killing of Samuel DuBose, Hamilton County, Ohio, prosecutor Joe Deters said several remarkable things.
“This is without question a murder,” he said, adding that Ray Tensing, who killed Dubose—an unarmed black man pulled over for a missing front license plate—“should never have been a police officer.” Deters said, “This is the most asinine act I’ve ever seen a police officer make.”
Amid a string of cases where police have killed black men, what makes this case different, as Robinson Meyer notes, is body-cam footage that captured the incident, and helped bring about Tensing’s indictment for murder. But the case is also interesting because Tensing wasn't a Cincinnati police officer. He was employed by the police department of the University of Cincinnati—a fact the prosecutor lamented.
The authors in the running for Britain's most prestigious literary award come from seven countries and include seven women writers.
The longlist for the Man Booker Prize, one of the most prestigious literary awards, was announced Wednesday. For the second year, the prize was open to writers of any nationality who publish books in English in the U.K., and this year five American writers made the list of 13 contenders, chosen by five judges from a pool of 156 total works.
The U.S. is, in fact, the most well-represented country, with other entrants hailing from Great Britain, Jamaica, New Zealand, Nigeria, Ireland, and India. There are three debut novelists and one former winner on the list, and women writers outnumber men seven to six. From dystopian and political novels to a multitude of iterations on the family drama, the selections capture the ever-changing human experience in very different ways.
During the multi-country press tour for Mission Impossible: Rogue Nation, not even Jon Stewart has dared ask Tom Cruise about Scientology.
During the media blitz for Mission Impossible: Rogue Nation over the past two weeks, Tom Cruise has seemingly been everywhere. In London, he participated in a live interview at the British Film Institute with the presenter Alex Zane, the movie’s director, Christopher McQuarrie, and a handful of his fellow cast members. In New York, he faced off with Jimmy Fallon in a lip-sync battle on The Tonight Show and attended the Monday night premiere in Times Square. And, on Tuesday afternoon, the actor recorded an appearance on The Daily Show With Jon Stewart, where he discussed his exercise regime, the importance of a healthy diet, and how he still has all his own hair at 53.
Stewart, who during his career has won two Peabody Awards for public service and the Orwell Award for “distinguished contribution to honesty and clarity in public language,” represented the most challenging interviewer Cruise has faced on the tour, during a challenging year for the actor. In April, HBO broadcast Alex Gibney’s documentary Going Clear, a film based on the book of the same title by Lawrence Wright exploring the Church of Scientology, of which Cruise is a high-profile member. The movie alleges, among other things, that the actor personally profited from slave labor (church members who were paid 40 cents an hour to outfit the star’s airplane hangar and motorcycle), and that his former girlfriend, the actress Nazanin Boniadi, was punished by the Church by being forced to do menial work after telling a friend about her relationship troubles with Cruise. For Cruise “not to address the allegations of abuse,” Gibney said in January, “seems to me palpably irresponsible.” But in The Daily Show interview, as with all of Cruise’s other appearances, Scientology wasn’t mentioned.
An off-duty Medford, Massachusetts, cop threatened a motorist during a traffic stop. His colleagues seemed unperturbed by his behavior.
Three years ago in Medford, Massachusetts, narcotics detective Stephen LeBert calmly told the brother of a man he was arresting, “He’s selling drugs illegally. What they should do is just take him up to the railroad tracks and tell him to lay down.” He knew he was being recorded as he made the comment, as moments earlier, the footage shows him licking his finger and wiping saliva on the citizen’s lens. Medford Police Chief Leo Sacco says that he was counseled after the incident.
After watching that video, it comes as no great surprise that Detective LeBert was suspended earlier this week for another instance of misbehavior recorded by a citizen:
The footage, captured by the dashboard camera on a motorist’s vehicle, begins shortly after the driver got confused at a roundabout in an unfamiliar neighborhood and wound up briefly driving on the wrong side of the road (an error for which he would repeatedly apologize). At first, the motorist is terrified and starts to flee because Detective LeBert, who is driving an unmarked pickup truck and plainclothes, does not identify himself as a police officer, even as he is upset that the motorist doesn’t defer to him. “I’ll put a hole right through your fucking head,’’ LeBert says. “Pull your car over. I’ll put a hole right in your fucking head. I’ll put a hole right through your head.’’ The motorist begins to cooperate as soon as a badge is produced.
Today's cities may be more diverse overall, but people of different races still don’t live near each other.
Nearly 50 years ago, after a string of race-related riots in cities across America, President Lyndon B. Johnson commissioned a panel of civic leaders to investigate the underlying causes of racial tension in the country.
The result was the Kerner Report, a document that castigated white society for fleeing to suburbs, where they excluded blacks from employment, housing, and educational opportunities. The report’s famous conclusion: “Our nation is moving toward two societies, one black, one white—separate and unequal.”
Much of America would like to believe the nation has changed since then. The election of a black President was said to usher in a “post-racial era.” Cheerios commercials nowfeature interracial couples. As both suburbs and cities grew more diverse, more than one academic study trumpeted theend of segregation in American neighborhoods.
Why a pro-life Twitter hashtag—like the larger campaign to defund Planned Parenthood—is terrible for public health
Following the release a series of pro-life sting videos targeting Planned Parenthood, Republican senators are threatening to defund the family-planning provider. A vote on their bill to strip Planned Parenthood of federal funding—which accounts for 40 percent of the organization’s budget—could come as early as Monday.
On Twitter, pro-life advocates are trying to help it along, popularizing the hashtag #UnplannedParenthood on Wednesday. Many of the tweets come from people who purport to have been, or have had, accidental children.
My mom was young and single. The church took her in and helped her choose life. And here I am. #UnplannedParenthood