Are print books really about to disappear, overtaken like horse-drawn carriages in the age of Detroit and the Ford Model T? Truth is, nobody knows. Nobody ever really knows what the future is going to hold, no matter how sure they sound in their predictions.
Certainly, for all the fuss made about the Kindle, more than 95% of book buyers are still opting for the print version ... except, possibly, in the hot romance and erotic fiction categories. Earlier this year, Peter Smith, of IT World, noted that "of the top 10 bestsellers under the 'Multiformat' category [of Fictionwise ebooks sold], nine are tagged 'erotica' and the last is 'dark fantasy.'" That's only one list, but it's an interesting side-note that makes sense: just as with the internet and cable television, there's a particularly strong appeal to getting access to what Smith calls "salacious" content without having to face the check-out clerk with the goods in hand.
Nevertheless, the point remains that a greater number of readers are switching over to ebooks in one format or another. So beyond the basic question of "will print books go away" (which I personally doubt, but again, nobody really knows the answer to), the questions I find more intriguing relate to if or how digital reading changes the reading experience and, perhaps, even the brains that do the reading.
Electronic readers like Kindle are too recent a development to have generated much specific, targeted research yet. But a montage of essays titled "Does the Brain Like Ebooks?" that appeared on the New York Times website this week offered some fascinating information and viewpoints on the subject. The collection had contributions from experts in English, neuroscience, child development, computer technology and informatics. And while the viewpoints differed, there was some general consensus about a few points:
1. Clearly, there are differences in the two reading experiences. There are things electronic books do better (access to new books in remote areas of the world, less lugging around, and easier searching for quotes or information after the fact). There are also things print books do better (footnote reading, the ability to focus solely on the text at hand, far away from any electronic distraction, and--oh, yeah. No battery or electronic glitch issues.)
To those factors, I would add two more: First -- I think it's important to remember that Kindle doesn't actually give you a book. It gives you access to a book. For people who don't want to cart around old volumes or make multiple trips to the library, that might be considered a good thing. But at least one potential downside to this feature became painfully clear to many Kindle readers this summer when Amazon reached into its customers' Kindle libraries and took back two books for which the company realized it did not possess the copyright. Ironically, the books were by George Orwell -- including 1984, his book about the perils of centralized information control. Access goes both ways.
Second ... one of the writers of the Times essays, Prof. Alan Liu at the University of California, Santa Barbara, said that he didn't think anyone really made serendipitous discoveries while browsing the shelves of a physical library (so losing a physical library wouldn't be a loss, at least in that sense). Perhaps not, because most people go to libraries with specific search goals in mind. But bookstores, on the other hand ... there I'd disagree. I often browse the aisles of my local bookstores, just to see what's new and what might catch my eye. Most of the books I buy, in fact, are items I discovered while browsing ... something that, ironically, electronic "browsers" do not allow.
Browsing, to my way of thinking, is what I do in Filene's Bargain Basement. The clothes there are a jumbled mass. So even if you go in looking, potentially, for a shirt, you might end up with a pair of slacks that just happened to be hanging nearby. Same with a bookstore. Same, in fact, with the print version of the New York Times I get every morning. I scan the pages just seeing what might catch my eye to read. Sometimes it's a photo that catches my eye, sometimes it's a leading paragraph, sometimes it's a headline, and sometimes it's a callout. Or, sometimes, I'll be reading one article and another on that same page will catch my attention--one I never would have sought out on my own. And my knowledge and understanding of the world is far better and broader for all those serendipitous juxtapositions.
Electronic media and browsers have many good qualities, but they're lousy for that kind of unspecific window shopping. Browsers don't browse. They help you do specific searches. Looking for a black coat, or that article Sam Smith wrote two months ago on synthetic sneaker soles? The internet is great. Not sure what you want? Heaven help you. So to lose physical collections of books, either in stores or on individual bookshelves, would make it harder to make those delightful side discoveries that take us out of our narrow fields of focus and interest and, potentially, broaden our minds.
2. In the case of adults, we probably process information similarly in both electronic and print formats ... with two important distinctions. The first distinction is that electronic books, with hyperlinks and connections to a world web of side-roads, offer far more distractions to the reader. In doing a research paper, this can be useful. But it also offers temptations to divert our attention from a deeper immersion in a story or text that our brains are poorly equipped to resist. (Apparently we change tasks, on average, every three minutes when working in an internet-connected environment.)
"Frequent task-switching costs time and interferes with the concentration needed to think deeply about what you read," cautioned Sandra Aamodt, the former editor of Nature Neuroscience and another of the Times essayists.
The second feature of electronic reading, which may compound this first effect, is that there is evidently something about an electronic medium, with its "percentage done" scale and electronic noises or gizmos, that makes us crave and focus on those rewards. Which is probably why electronic games are more addictive than board games. After a couple of rounds of solitaire with real cards, I'm done and ready to move on to something else. But I removed the solitaire software from my computer almost 20 years ago when I realized that I couldn't seem to tear myself away from it, once I started playing.
Is our comprehension and, more importantly, what Proust apparently called "the heart of reading"--"when we go beyond the author's wisdom and enter the beginning of our own," as one of the essayists, put it, impacted by a heightened drive to make progress through a text? If so, that would be a bad thing. So it seems a point worth studying further.
3. Most adults, however, at least have the ability to process longer and deeper contemplative thoughts from what we read, even if we don't always exercise that ability. But according to Maryanne Wolf, a cognitive neuroscientist and child development specialist at Tufts University, that ability to focus attention deeply and for a concerted length of time is learned, not innate. Children apparently have to develop neural pathways and circuits for reading, and those circuits are affected by the demands of the reading material. Chinese children learning a more symbolic and visual language, for instance, develop different circuits than English-speaking children.
So electronic reading ... especially with hyperlinks and video embeds and other potential distractions, could potentially keep young readers from developing some important circuits. As Wolf put it in her essay:
"My greatest concern is that the young brain will never have the time (in milliseconds or in hours or in years) to learn to go deeper into the text after the first decoding, but rather will be pulled by the medium to ever more distracting information, sidebars, and now, perhaps videos (in the new vooks). The child's imagination and children's nascent sense of probity and introspection are no match for a medium that creates a sense of urgency to get to the next piece of stimulating information. the attention span of children may be one of the main reasons why an immersion in on-screen reading is so engaging, and it may also be why digital reading may ultimately prove antithetical to the long-in-development, reflective nature of the expert reading brain as we know it."
Interesting enough, the one computer scientist in the group was of the opinion that the best use of electronic books and capabilities was to enhance print books, not to replace them. But it's all interesting food for thought ... and, hopefully, more research as electronic readers find their way into more households and hands.
The Trump Foundation mostly takes in other people’s money, but it appears it doesn’t have legal permission to solicit donations.
The problem with telling people to follow the money is they just might take you up on it. Donald Trump’s campaign has adopted that mantra in reference to the Clinton Foundation, but it applies to him in uncomfortable ways, too.
First, there’s the fact that he won’t release his tax returns, making it hard to follow the money and raising questions about what might be hidden there. Second, there are his forays into Cuba, apparently in violation of the embargo. Third, there’s the latest scoop from The Washington Post’s David Fahrenthold, who finds that the Donald J. Trump Foundation was operating without a required license.
As Fahrenthold previously reported, the Trump Foundation is peculiar: Unlike many other similar charities, it’s stocked with other people’s money. Trump himself has given barely any money to it since the mid-2000s, although he did direct income from places like Comedy Central to the charity, possibly without paying taxes on it. Instead, he has raised money from other donors, which he has used to, among other things, settle legal cases against him, all while basking in the glow of his apparent charity.
An etiquette update: Brevity is the highest virtue.
I recently cut the amount of time I spent on email by almost half, and I think a lot of people could do the same.
I’m sure my approach has made some people hate me, because I come off curt. But if everyone thought about email in the same way, what I’m suggesting wouldn’t be rude. Here are the basic guidelines that are working for me and, so, I propose for all of the world to adopt immediately:
Best? Cheers? Thanks?
None of the above. You can write your name if it feels too naked or abrupt not to have something down there. But it shouldn’t, and it wouldn’t if it were the norm.
Don’t waste time considering if “Dear,” or “Hey” or “[name]!” is appropriate. Just get right into it. Write the recipient’s name if you must. But most people already know their names. Like they already know your name.
Lawmakers overrode an Obama veto for the first time on Wednesday. A day later, they already had regrets.
The enactment on Wednesday of the Justice Against Sponsors of Terrorism Act should have been a triumphant moment for Republican leaders in Congress. They had succeeded, after years of trying, in overriding a presidential veto for the first time and forcing a bill into law over the strenuous objections of Barack Obama.
But the morning after brought no such celebration for HouseSpeaker Paul Ryan and Senate Majority Leader McConnell—only pangs of regret.
“It appears as if there may be some unintended ramifications,” McConnell lamented at a press conference barely 24 hours after all but one senator voted to reject the president’s veto of the legislation, which would allow victims of the September 11, 2001 terrorist attacks to sue Saudi Arabia in U.S. court. On the other side of the Capitol, Ryan said that he hoped there could be a “fix” to the very law he allowed to pass through the House—one that would protect U.S. soldiers abroad from legal retribution that the Obama administration had warned for months would follow as a result of the law.
With the death of Shimon Peres, Israel has lost its chief optimist. And the prime minister remains paralyzed by pessimism.
The Book of Proverbs teaches us that where there is no vision, the people perish. The people of Israel, now bereft of Shimon Peres, will not perish, because survival—or, at least, muddling through—is a Jewish specialty. But the death of Israel’s greatest visionary, a man who understood that it would never be morally or spiritually sufficient for the Jews to build for themselves the perfect ghetto and then wash their hands of the often-merciless world, means that Israel has lost its chief optimist.
Peres was, for so many years, a prophet without honor in his own country, but he was someone who, late in life, came to symbolize Israel’s big-hearted, free-thinking, inventive, and democratic promise. Peres came to this role in part because he had prescience, verbal acuity, a feel for poetry, and a restless curiosity, but also because, gradually but steadily, he became surrounded by small men. One of the distressing realities of Israel today is that, in so many fields—technology, medicine, agriculture, literature, music, cinema—the country is excelling. But to Israeli politics go the mediocrities.
Terry Spraitz Ciszek, a homemaker in Fayetteville, North Carolina, talks about changing perceptions of women in the traditional economy and those who choose to leave their careers to raise a family.
For many women, the decision of whether or not to go back to work after having a child remains a fraught one. After all, returning to a job after maternity leave often means facing significant workplace challenges and even a decrease in earnings. On the other hand, there is also frequently a stigma attached to women who leave the workforce temporarily to raise their children or become long-term homemakers. Oftentimes, the decision for new mothers to rejoin the workforce can be seen as a reflection of the state of the economy. The number of stay-at-home mothers fell consistently for decades—from 49 percent in 1967 to a low of 23 percent in 1999—before bouncing back to 29 percent in 2012.
The ability for one parent to stay home, for kids or otherwise, is often viewed as a luxury of upper-middle class life. But even for the households that can afford it, the financial implications can extend beyond the loss of one steady income: A hypothetical 26-year-old female worker with a salary of $44,000 a year could lose about $707,000 in lifetime income ($220,000 in income, $265,000 in lifetime wage growth, and $222,000 in retirement benefits) from taking just five years off to care for a child.
The Commission on Presidential Debates issued a cryptic statement acknowledging some audio issues Monday night.
After critics savaged his performance at Monday’s first presidential debate, Republican nominee Donald Trump alighted on several culprits: Hillary Clinton, the moderator, and especially his microphone.
The claim was met with some skepticism, but on Friday afternoon, the Commission on Presidential Debates seemed to confirm his claim, at least in part. The commission, which controls the debates, released a cryptic statement that reads in full:
Statement about first debate
Sep 30, 2016
Regarding the first debate, there were issues regarding Donald Trump's audio that affected the sound level in the debate hall.
We’ve called the commission to ask what that means, but have not heard back yet. Presumably, they are receiving dozens of such queries.
After Andrea Wulf won the Royal Society’s highest honor for her book The Invention of Nature, a writer at The Guardian attributed it to a new fondness for “female-friendly” biographies among prize juries.
Last week, the Royal Society held its ceremony to honor the best popular-science book of the year. I was there, having had the good fortune to be one of the finalists for my recent book, The Hunt for Vulcan. I didn’t expect to win—partly because of my baseline pessimism, partly because of the strength of the competition, and partly because I had set out to write a kind of miniature, a brief book on a quirky topic. Whatever the reason, I was right: I didn’t.
The event itself was good fun. Each of the authors read a passage from their work; the head judge for the prize, author Bill Bryson, led us in a brief question-and-answer session, in which we compared notes on what moved us to write about science. Then came the moment of truth. Venkatraman Ramakrishnan, the president of the Royal Society, approached the podium, opened the envelope, and announced that Andrea Wulf had won for The Invention of Nature.
Despite an array of calculating tools, comparing financial-aid packages is still an incredibly dense and circular process.
As almost any parent of a high-school senior knows, figuring out the true college price tag is confusing. While the full annual sticker price can be as much as $60,000 or $70,000 at a private college and more than $55,000 at an out-of-state public college, experts say that many students will end up paying considerably less. Sizable merit and need-based aid packages take the sting out of those big numbers.
Students, however, typically have to wait until the spring, when their acceptance letters arrive, to learn the amount of those awards, making it difficult for families to effectively plan a long-term budget and posing significant obstacles for first-generation students who may not be aware of all the financial options.
Tim Burton’s newest film, adapted from a popular young-adult novel, is a pretty but soulless adventure.
Not long after the novel Miss Peregrine’s Home for Peculiar Children was published in 2011, it starteddrawingcomparisons to Harry Potter and Lemony Snicket’s A Series of Unfortunate Events. On the one hand, many popular young-adult books get compared to one of those series at some point. But on the other, it made a lot of sense: Miss Peregrine is at its heart a dark, Gothic-tinged story about an ordinary boy discovering an extraordinary dimension to his life, one that whisks him away to a marvelous new world populated with marvelous inhabitants.
Given all the eerie fantasy elements at work, it’s little surprise then that Tim Burton was tasked with directing the film adaptation of Ransom Riggs’s first Miss Peregrine book. The director seems completely at home telling a story about a an enchanted wartime children’s orphanage, terrifying invisible monsters, and waif-like youths with giant eyes. The result is 124 minutes worth of CGI-embellished, time-traveling adventure that’s ambitious in scope and exasperating in execution. Part of that is because of the sheer amount of magical logic and backstory there is to explain, and the film’s wildly veering tone and pace. But perhaps most lacking in Miss Peregrine’s Home for Peculiar Children is something the best children’s movies always have—a genuine emotional center. Or, put more simply, heart.