In a rare image of President Lincoln at Gettysburg, he is shown hatless at the center of a crowd on the orators’ platform. (Library of Congress)
In the summer of 1863, General Robert E. Lee pushed northward into Pennsylvania. The Union army met him at Gettysburg, and from July 1 to July 3, the bloodiest battle of the war ensued. By the time it was over, the Confederates were in retreat, and the battlefield was strewn with more than 50,000 dead and wounded.
Four months later, thousands gathered at Gettysburg to witness the dedication of a new cemetery. On the program was the standard assortment of music, remarks, and prayers. But what transpired that day was more extraordinary than anyone could have anticipated. In “The Words That Remade America,” the historian and journalist Garry Wills reconstructed the events leading up to the occasion, debunking the myth that President Lincoln wrote his remarks at the last minute, and carefully unpacking Lincoln’s language to show how—in just 272 words—he subtly cast the nation’s understanding of the Constitution in new, egalitarian terms. Wills’s book Lincoln at Gettysburg, from which the essay was adapted, won the Pulitzer Prize in 1993.—Sage Stossel
IN THE AFTERMATH of the Battle of Gettysburg, both sides, leaving fifty thousand dead or wounded or missing behind them, had reason to maintain a large pattern of pretense—Lee pretending that he was not taking back to the South a broken cause, Meade that he would not let the broken pieces fall through his fingers. It would have been hard to predict that Gettysburg, out of all this muddle, these missed chances, all the senseless deaths, would become a symbol of national purpose, pride, and ideals. Abraham Lincoln transformed the ugly reality into something rich and strange—and he did it with 272 words. The power of words has rarely been given a more compelling demonstration.
The residents of Gettysburg had little reason to be satisfied with the war machine that had churned up their lives. General George Gordon Meade may have pursued General Robert E. Lee in slow motion, but he wired headquarters that “I cannot delay to pick up the debris of the battlefield.” That debris was mainly a matter of rotting horseflesh and manflesh—thousands of fermenting bodies, with gas-distended bellies, deliquescing in the July heat. For hygienic reasons, the five thousand horses and mules had to be consumed by fire, trading the smell of decaying flesh for that of burning flesh. Human bodies were scattered over, or (barely) under, the ground. Suffocating teams of Union soldiers, Confederate prisoners, and dragooned civilians slid the bodies beneath a minimal covering as fast as possible—crudely posting the names of the Union dead with sketchy information on boards, not stopping to figure out what units the Confederate bodies had belonged to. It was work to be done hugger-mugger or not at all, fighting clustered bluebottle flies black on the earth, shoveling and retching by turns.
The whole area of Gettysburg—a town of only twenty-five hundred inhabitants—was one makeshift burial ground, fetid and steaming. Andrew Curtin, the Republican governor of Pennsylvania, was facing a difficult reelection campaign. He must placate local feeling, deal with other states diplomatically, and raise the funds to cope with corpses that could go on killing by means of fouled streams or contaminating exhumations.
Curtin made the thirty-two-year-old David Wills, a Gettysburg lawyer, his agent on the scene. Wills (who is no relation to the author) … meant to dedicate the ground that would hold the corpses even before they were moved. He felt the need for artful words to sweeten the poisoned air of Gettysburg. He asked the principal wordsmiths of his time to join this effort—Longfellow, Whittier, Bryant. All three poets, each for his own reason, found their muse unbiddable. But Wills was not terribly disappointed. The normal purgative for such occasions was a large-scale, solemn act of oratory, a kind of performance art that had great power over audiences in the middle of the nineteenth century. Some later accounts would emphasize the length of the main speech at the Gettysburg dedication, as if that were an ordeal or an imposition on the audience. But a talk of several hours was customary and expected then—much like the length and pacing of a modern rock concert. The crowds that heard Lincoln debate Stephen Douglas in 1858, through three-hour engagements, were delighted to hear Daniel Webster and other orators of the day recite carefully composed paragraphs for two hours at the least.
The champion at such declamatory occasions, after the death of Daniel Webster, was Webster’s friend Edward Everett. Everett was that rare thing, a scholar and an Ivy League diplomat who could hold mass audiences in thrall. His voice, diction, and gestures were successfully dramatic, and he habitually performed his well-crafted text, no matter how long, from memory. Everett was the inevitable choice for Wills, the indispensable component in the scheme for the cemetery’s consecration. Battlefields were something of a specialty with Everett—he had augmented the fame of Lexington and Concord and Bunker Hill by his oratory at those Revolutionary sites. Simply to have him speak at Gettysburg would add this field to the sacred roll of names from the Founders’ battles.
Everett was invited, on September 23, to appear October 23. That would leave all of November for filling the graves. But a month was not sufficient time for Everett to make his customary preparation for a major speech. He did careful research on the battles he was commemorating—a task made difficult in this case by the fact that official accounts of the engagement were just appearing. Everett would have to make his own inquiries. He could not be ready before November 19. Wills seized on that earliest moment, though it broke with the reburial schedule that had been laid out to follow on the October dedication. He decided to move up the reburial, beginning it in October and hoping to finish by November 19.