September 1896 The Civil War

The Awakening of the Negro

An educator’s controversial argument contends that blacks should advance by making themselves useful to whites.

Booker T. Washington used his experiences at Virginia's Hampton Institute—which had been created to educate African Americans after thewar—as a model to establish his own industrial school, the Tuskegee Institute. (Corbis)


In 1895, not long after Frederick Douglass died, an educator and author named Booker T. Washington came to national attention. For the next 20 years, Washington occupied the role once held by Douglass as black America’s leading figure.

Like Douglass, Washington was a former slave who gained distinction through his intellect and political skills. But while Douglass had dedicated his life to achieving equality for black Americans, Washington—whose ideals were forged in the racially tense atmosphere of the post-war South—promoted a vision in which blacks would better their position primarily by making themselves economically useful to whites.

In his September 1895 speech at the Cotton States and International Exposition in Atlanta, Washington assured listeners that the races could be “as separate as the fingers” in “all things that are purely social,” but “one as the hand in all things essential to mutual progress.”

A year later, he outlined for Atlantic readers his vision for racial comity: “Friction between the races will pass away,” he wrote, “in proportion as the black man … can produce something that the white man wants or respects in the commercial world.”

—Sage Stossel

When a mere boy, I saw a young colored man, who had spent several years in school, sitting in a common cabin in the South, studying a French grammar. I noted the poverty, the untidiness, the want of system and thrift, that existed about the cabin, notwithstanding his knowledge of French and other academic subjects. Another time, when riding on the outer edges of a town in the South, I heard the sound of a piano coming from a cabin of the same kind. Contriving some excuse, I entered, and began a conversation with the young colored woman who was playing, and who had recently returned from a boarding-school, where she had been studying instrumental music among other things. Despite the fact that her parents were living in a rented cabin, eating poorly cooked food, surrounded with poverty, and having almost none of the conveniences of life, she had persuaded them to rent a piano for four or five dollars per month. Many such instances as these, in connection with my own struggles, impressed upon me the importance of making a study of our needs as a race, and applying the remedy accordingly.

Some one may be tempted to ask, Has not the negro boy or girl as good a right to study a French grammar and instrumental music as the white youth? I answer, Yes, but in the present condition of the negro race in this country there is need of something more. Perhaps I may be forgiven for the seeming egotism if I mention the expansion of my own life partly as an example of what I mean. My earliest recollection is of a small one-room log hut on a large slave plantation in Virginia. After the close of the war, while working in the coal-mines of West Virginia for the support of my mother, I heard in some accidental way of the Hampton Institute. When I learned that it was an institution where a black boy could study, could have a chance to work for his board, and at the same time be taught how to work and to realize the dignity of labor, I resolved to go there. Bidding my mother good-by, I started out one morning to find my way to Hampton, though I was almost penniless and had no definite idea where Hampton was. By walking, begging rides, and paying for a portion of the journey on the steam-cars, I finally succeeded in reaching the city of Richmond, Virginia. I was without money or friends. I slept under a sidewalk, and by working on a vessel next day I earned money to continue my way to the institute, where I arrived with a surplus of fifty cents. At Hampton I found the opportunity—in the way of buildings, teachers, and industries provided by the generous—to get training in the class-room and by practical touch with industrial life, to learn thrift, economy, and push. I was surrounded by an atmosphere of business, Christian influence, and a spirit of self-help that seemed to have awakened every faculty in me, and caused me for the first time to realize what it meant to be a man instead of a piece of property.

While there I resolved that when I had finished the course of training I would go into the far South, into the Black Belt of the South, and give my life to providing the same kind of opportunity for self-reliance and self-awakening that I had found provided for me at Hampton. My work began at Tuskegee, Alabama, in 1881, in a small shanty and church, with one teacher and thirty students, without a dollar’s worth of property. The spirit of work and of industrial thrift, with aid from the State and generosity from the North, has enabled us to develop an institution of eight hundred students gathered from nineteen States, with seventy-nine instructors, fourteen hundred acres of land, and thirty buildings, including large and small; in all, property valued at $280,000. Twenty-five industries have been organized, and the whole work is carried on at an annual cost of about $80,000 in cash; two fifths of the annual expense so far has gone into permanent plant.

Presented by

Would You Live in a Treehouse?

A treehouse can be an ideal office space, vacation rental, and way of reconnecting with your youth.

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register.

blog comments powered by Disqus

Video

Would You Live in a Treehouse?

A treehouse can be an ideal office space, vacation rental, and way of reconnecting with your youth.

Video

Pittsburgh: 'Better Than You Thought'

How Steel City became a bikeable, walkable paradise

Video

A Four-Dimensional Tour of Boston

In this groundbreaking video, time moves at multiple speeds within a single frame.

Video

Who Made Pop Music So Repetitive? You Did.

If pop music is too homogenous, that's because listeners want it that way.

More in National

More back issues, Sept 1995 to present.

Just In