Editor’s Choice March 2011

A Remembrance of Things

A new memoir uses an exquisite collection of figurines to evoke one family's devastating history.
Edmund De Waal

The author, a celebrated British ceramicist, has written a winning hybrid: a rueful family memoir, a shimmering meditation on loss and the reverberating significance of cherished objects, and a vividly episodic history of 19th- and 20th-century Europe. De Waal’s matrilineal antecedents, the Ephrussi clan, were pan-European Jewish grain merchants and bankers, originally from Odessa. Charles Ephrussi—art critic; boulevardier; one of the models used by his friend Proust for Charles Swann; patron of Degas, Manet, Monet, and Renoir (he appears in top hat in Luncheon of the Boating Party)—succumbed to the French enthusiasm for Japonisme, and bought an exquisite collection of 264 netsuke (lifelike figurines, such as the hare of this book’s title, carved from wood, bone, and ivory, used as toggles on kimono sashes). In 1899 Ephrussi made the collection a wedding present for his favorite cousin, Viktor, of the Viennese branch of the family, and his bride, Emmy, who installed the figurines in her dressing room, where they became beloved playthings for her children as they watched their mother prepare for soirees and balls. With the Anschluss, the Nazis seized all the Viennese Ephrussis’ money, property, books, and art (the choicest treasures were photographed and cataloged for Hitler, so he could select among them)—except the netsuke, which were hidden by a loyal servant. A few months later, Emmy, trapped in Slovakia, killed herself. Her daughter—the author’s grandmother—made it to Britain, and after the war retrieved the collection. De Waal dexterously interweaves his family story with political, social, and art history, as he re-creates the oriental exoticism of 19th-century Odessa, the decadent charm of Belle Époque Paris, the febrile glamour of late Hapsburg Vienna, and the looming dread possessing that city in the late 1930s. De Waal, whose father was the dean of Canterbury, has in this book also written a contemplation of the potentialities and limitations of Jewish assimilation, as well as a plangent consideration of the pleasures and fleetingness of aesthetic and familial happiness.

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Benjamin Schwarz is The Atlantic's literary editor and national editor. More

His first piece for the magazine, "The Diversity Myth," was a cover story in 1995. Since then he's written articles and reviews on a startling array of subjects from fashion to the American South, from current fiction to the Victorian family, and from international economics to Chinese restaurants. Schwarz oversees and writes a monthly column for "Books and Critics," the magazine's cultural department, which under his editorship has expanded its coverage to include popular culture and manners and mores, as well as books and ideas. He also regularly writes the "leader" for the magazine. Before joining the Atlantic's staff, Schwarz was the executive editor of World Policy Journal, where his chief mission was to bolster the coverage of cultural issues, international economics, and military affairs. For several years he was a foreign policy analyst at the RAND Corporation, where he researched and wrote on American global strategy, counterinsurgency, counterterrorism, and military doctrine. Schwarz was also staff member of the Brookings Institution. Born in 1963, he holds a B.A. and an M.A. in history from Yale, and was a Fulbright scholar at Oxford. He has written for a variety of newspapers and magazines, including The New York Times, The Washington Post, The Los Angeles Times, Foreign Policy, The National Interest, and The Nation. He has lectured at a range of institutions, from the U.S. Air Force Special Operations School to the Center for Social Theory and Comparative History. He won the 1999 National Book Critics Circle award for excellence in book criticism.

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