Brave Thinkers November 2010

Smuggler, Forger, Writer, Spy

Anas Aremeyaw Anas is a Ghanaian investigative journalist with many disguises—from addict to imam—and one overriding mission: to force Ghana’s government to act against the lawbreakers he exposes.
Stephen Voss

The Accra Psychiatric Hospital occupies a sprawling block in the heart of Ghana’s capital. Walls the color of aged parchment rim the compound, with coils of concertina wire balanced on top, making the hospital within appear more labor camp than home for the sick. Anas Aremeyaw Anas spent seven months last year casing it, posing first as a taxi driver and then as a baker. On the morning of November 20, 2009, Anas adopted yet another disguise, matting his hair into dreadlocks and pulling on a black button-up top. Three of his shirt buttons, along with his watch, contained hidden cameras. Escorted by a friend pretending to be his uncle, Anas shuffled through the black metal entrance gate and, feigning madness, into the mental hospital.

None of the doctors or nurses had any idea that this new patient, who called himself Musa Akolgo, was in fact Ghana’s most celebrated investigative journalist. Over the past 10 years, Anas has gone undercover dozens of times, playing everything from an imam to a crooked cop. Hardly anyone in the country knows his face. Photos of him on the Internet are either masked or digitally doctored. (He claims to own more than 30 wigs.) Once, while doing a story about child prostitution, he worked as a janitor inside a brothel, mopping floors, changing bedsheets, and picking up used condoms. Another time, on the trail of Chinese sex traffickers, he donned a tuxedo and delivered room service at a swanky hotel that the pimp frequented with his prostitutes.

Anas’s methods are more than narrative tricks. He gets results. The Chinese sex traffickers were arrested, convicted, and sentenced to a combined 41 years in prison. For that story and the child-prostitution one, the U.S. State Department commended Anas for “breaking two major trafficking rings” and in June 2008 gave him a Heroes Acting to End Modern-Day Slavery Award. Then he received the Institute for War and Peace Reporting’s Kurt Schork Award for “journalism that has brought about real change for the better.” Later that same year, a committee that included Jimmy Carter, Kofi Annan, and Desmond Tutu gave Anas the Every Human Has Rights Media Award. And when Barack Obama visited Ghana in July 2009 on his first trip to sub-Saharan Africa, he singled out Anas in his address to the Ghanaian parliament for “risk[ing] his life to report the truth.”

Reporters have long sneaked into forbidding places. In 1887, Nellie Bly, on assignment for Joseph Pulitzer’s The World, acted insane and spent 10 days in the Women’s Lunatic Asylum on Blackwell’s Island, New York. She ate spoiled food and bathed with buckets of ice-cold water. She wrote later: “What, excepting torture, would produce insanity quicker than this treatment?” Bly’s articles prompted a boost in New York’s budget for prisons and mental hospitals.

But today, under pressure from shrinking budgets and professionalized ethics that developed over the 20th century, serious undercover journalism in the United States has nearly disappeared. When Ken Silverstein posed as a Capitol Hill consultant determined to polish Turkmenistan’s dismal international image, for a 2007 Harper’s cover story titled “Their Men in Washington: Undercover With D.C.’s Lobbyists for Hire,” Howard Kurtz, media columnist for The Washington Post, objected: “No matter how good the story, lying to get it raises as many questions about journalists as [about] their subjects.” Pundits, bloggers, and the American Journalism Review chimed in to debate where the line stands between pursuing stories in the public interest and avoiding damage to the public trust.

Anas doesn’t let such heady intellectual arguments slow him down. As he told me without apology in his office in Accra earlier this year, he had never heard of Nellie Bly—much less Howard Kurtz. When I asked him about his role models, he named only one, Günter Wallraff, a German undercover reporter with more than four decades of muckraking experience. But despite his admiration for Wallraff, Anas is certain that undercover reporting is more difficult in Accra than it is in, say, Berlin or New York. “I cannot just do a story and go to sleep, when I know my country’s institutions won’t take care of it,” said Anas, who is surprisingly soft-spoken, to the point of being inaudible at times. “I cannot give the government an opportunity to say this or that is a lie. They love to hide and say, ‘Show me the evidence.’ So I show it to them. If I say, ‘This man stole the money,’ I give you the picture from the day he stole it and show what he was wearing when he stole it. And because of my legal background”—Anas finished law school in 2008 but hasn’t taken the bar exam—“I follow up to ensure there’s prosecution.”

Over lunch one day at an upscale Accra hotel, I asked David Asante-Apeatu whether Anas had ever interfered with police work. Asante-Apeatu, who previously directed the criminal-investigations division for the national police and was now stationed at Interpol headquarters in Lyon, France, shook his head. He told me that Anas often “feels that it’s better to do things all by himself,” because he, like many Ghanaians, doesn’t trust the police. “I don’t blame him” for acting on his own, said the cop. “Anas is a hero.”

Anas was born in 1978 in Accra, a coastal city with about 2 million inhabitants, and raised by a career soldier and a nurse. He is tall, with bony elbows and a droopy posture. He boasts of having a “very innocent face” and told me that, without his glasses, “no one will ever suspect me.” From a young age, Anas thrived on theatrics and disguises. Kojo Asante, the president of the National Association of Pan- African Clubs, remembers Anas, who presided over the club at his school, reenacting major events in African history. “You had these plays, it was pretty casual, but Anas took it very seriously,” he told me. “If you wanted him to play the role of the rebel, he would go out and look for costumes, and then come in full regalia, ready to play the part.”

Presented by

Nicholas Schmidle is a fellow at the New America Foundation and the author of To Live or to Perish Forever.

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