Robert
Byrd, a little-known, fiddle-playing West Virginian, is the Senate’s Democratic
whip, probably its next majority leader, and just possibly a favorite son at the
1976 Democratic Convention. Says he: “I believe that a big man can make a small job
important.” Some of his colleagues think Byrd also proves the converse: that
big job can help a small man to grow.
“Bobby
Byrd is a member of the early morning health club,” says the master of
ceremonies. “Every morning, early, he gets up, calls Mike Mansfield, and asks
him, ‘How’s your health?’”
The
occasion is a luncheon “roasting” in honor Robert Carlyle Byrd, fifty-seven,
junior senator from West Virginia, and the Democratic whip of the Senate. It is
given by the P. T. Barnum Tent of the Circus Saints & Sinners Club of
America—one those slick and seamy Washington events where early everyone is
called a “VIP,” the food is inedible, and the true aficionados arrive early to catch
a striptease show over pre-lunch cocktails before the more worldly political
hoopla begins. Byrd, the fall guy for the day, does not ordinarily travel in
these hell-raising stag circles. He has a standing rule against attending
downtown (off Capitol Hill) lunches and, in fact, proclaims himself to have “no
time to socialize” at all; there is too much work for that. During twenty-three
years in Washington, he has been to one football game (to crown the queen at
half time), three baseball games (two of them in one day, a doubleheader), and
one movie (he found it dull and left in the middle). He does watch television
now and then, however, and once protested on the Senate floor when Gunsmoke, a favorite of his, was
canceled.
But
such are the responsibilities of power and acceptance on the national scene
that Byrd has reluctantly agreed to be feted by the Saints & Sinners, to
try to enjoy himself. Business on the Senate floor makes him unavoidably but
conveniently late—it would hardly do if a statesman soon to speak at a national
Baptist convention in Atlantic City appeared at a striptease. Once on hand, in
a vast ballroom of the Shoreham Hotel, he sits through interminable
introductions of other people, some very unfunny skits about moonshine liquor
in “West By-God Virginia,” and a nightclub comic whose routine consists largely
of imitating drunken men coming home late at night to their angry wives. Given
his turn, Byrd allows as how the affair “is an honor for a country boy from the
hills and hollows of West Virginia,” and he announces that the $500 charitable
contribution in his name which is part of the day’s honors will go to the
family of a police officer recently killed in Beckley, West Virginia. He
surprises many people in the audience by telling a few off-color jokes himself.
Then the usually dour Senator picks up his most reliable prop, his fiddle, and
plunks out “Rye Whiskey,” complete with hoots and lyrics. That brings the house
down, so he plays another, “Goin’ Up Cripple Creek,” which he dedicates to Mike
Mansfield.
Byrd’s
lusting after Mike Mansfield’s job as majority leader has become one of the
central factors and favorite jokes of Democratic politics in the Senate. It is
all “an exaggerated assumption,” says he; “I don’t have the consuming desire
that people attribute to me”—although, “if the position were to open up, I
would be compelled to run for it. I believe in advancing forward, moving up.”
For the moment, Byrd insists, he is content to work under Mansfield, whom he
names without a trace of hesitation as the colleague he most respects: “I
admire his patience, his fairness and his honorableness, his integrity. ... This
may appear to be self-serving, but that is how I feel.”
The
relationship, by all accounts and appearances, works very well indeed.
Mansfield plays the senior statesman, the venerated elder from Montana who
makes broad policy pronouncements and worries about the future of the republic,
while Byrd runs the Senate. Through a series of procedural changes he has
initiated or supervised during the past few years, including a shortening of
the Senate’s “morning hour” and of the speeches that may be given during it,
Byrd controls the floor and, most of the time, who may have it and how it may
be used. (One rule, which has other senators depending upon him and their aides
detesting him, bans all senatorial staff from the chamber except when the man
they work for is speaking.) He hammers out the “consent agreements” that keep
the Senate running smoothly and efficiently—and, some argue, without its old
charm and unpredictability—and he stays on the floor most of the time to be
sure that the agreements are carried out. In a word, he is probably as powerful
as anyone in the legislative branch, because of the access he controls and the
shrewdness with which he uses it.
Most
senators in both parties seem to feel that Byrd performs his tasks fairly,
although he has been known to pull a few fast ones on liberal Democrats he
considered to be advocating extreme positions and on Republicans he suspected
of exploiting procedure for partisan advantage. During the recent debate over
how to solve the disputed New Hampshire Senate election, for example, he said
he would happily go along with a GOP suggestion to have the proceedings
televised, but on the strict condition that the Republicans agree to set a time
limit on the debate. The Republicans, who wanted to filibuster until the
Democrats agreed to send the whole issue back to New Hampshire for a new
election, quickly backed out.
“This
never would have happened if Lyndon Johnson were still with us,” said an aide
to one liberal Democratic senator when three conservative southern members of
the party repeatedly foiled attempts by the Democratic leadership to invoke
cloture and cut off debate on the dispute over how to settle the New Hampshire
election deadlock this summer. Sooner or later Johnson would have forced a
resolution of the issue, whether by discipline or backroom deal. Indeed, there
could be no greater contrast between the Johnson style of Senate leadership—in
which arms were twisted and egos bruised if necessary to work out compromises
and pass critical legislation—and the soft, easygoing Mansfield style, which
places full confidence in the ability of the Senate eventually to “work its
will.” The question is how Byrd will handle the majority leadership if he
succeeds to it. “There are advantages to both [the Mansfield and Johnson]
styles,” he says diplomatically, “but if I had to choose between the two, I
prefer the Mansfield approach. ... You have to remember, you have a different
Senate now from when Mr. Johnson was the leader. He was in a position to
utilize discipline more than it can be used now, and there is no longer a very
cohesive southern bloc.” That cohesiveness was one of the key constants in
Johnson’s formula for working his will on the Senate. One important difference
is that the Democrats today have a far larger, more unwieldy, and somewhat less
pragmatic majority in the Senate than in the Johnson days of the 1950s; a growing
number of senators are inclined to vote their conscience on this matter or
that. But many senators suspect that Byrd would try to assert greater authority
over his troops than he is prepared to admit.
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