Video: "The Cosby Crusade"
Ta-Nehisi Coates explores Bill Cosby's transformation from TV dad to outspoken social critic.
Last summer, in Detroit’s St. Paul Church of God in Christ, I watched Bill Cosby summon his inner Malcolm X. It was a hot July evening. Cosby was speaking to an audience of black men dressed in everything from Enyce T-shirts or polos to blazers and ties. Some were there with their sons. Some were there in wheelchairs. The audience was packed tight, rows of folding chairs extended beyond the wooden pews to capture the overflow. But the chairs were not enough, and late arrivals stood against the long shotgun walls, or out in the small lobby, where they hoped to catch a snatch of Cosby’s oratory. Clutching a cordless mic, Cosby paced the front of the church, shifting between prepared remarks and comic ad-libs. A row of old black men, community elders, sat behind him, nodding and grunting throaty affirmations. The rest of the church was in full call-and-response mode, punctuating Cosby’s punch lines with laughter, applause, or cries of “Teach, black man! Teach!”
He began with the story of a black girl who’d risen to become valedictorian of his old high school, despite having been abandoned by her father. “She spoke to the graduating class and her speech started like this,” Cosby said. “‘I was 5 years old. It was Saturday and I stood looking out the window, waiting for him.’ She never said what helped turn her around. She never mentioned her mother, grandmother, or great-grandmother.”
“Understand me,” Cosby said, his face contorted and clenched like a fist. “Men? Men? Men! Where are you, men?”
Audience: “Right here!”
Cosby had come to Detroit aiming to grab the city’s black men by their collars and shake them out of the torpor that has left so many of them—like so many of their peers across the country—undereducated, over-incarcerated, and underrepresented in the ranks of active fathers. No women were in the audience. No reporters were allowed, for fear that their presence might frighten off fathers behind on their child-support payments. But I was there, trading on race, gender, and a promise not to interview any of the allegedly skittish participants.
“Men, if you want to win, we can win,” Cosby said. “We are not a pitiful race of people. We are a bright race, who can move with the best. But we are in a new time, where people are behaving in abnormal ways and calling it normal … When they used to come into our neighborhoods, we put the kids in the basement, grabbed a rifle, and said, ‘By any means necessary.’
“I don’t want to talk about hatred of these people,” he continued. “I’m talking about a time when we protected our women and protected our children. Now I got people in wheelchairs, paralyzed. A little girl in Camden, jumping rope, shot through the mouth. Grandmother saw it out the window. And people are waiting around for Jesus to come, when Jesus is already within you.”
Cosby was wearing his standard uniform—dark sunglasses, loafers, a sweat suit emblazoned with the seal of an institution of higher learning. That night it was the University of Massachusetts, where he’d gotten his doctorate in education 30 years ago. He was preaching from the book of black self-reliance, a gospel that he has spent the past four years carrying across the country in a series of events that he bills as “call-outs.” “My problem,” Cosby told the audience, “is I’m tired of losing to white people. When I say I don’t care about white people, I mean let them say what they want to say. What can they say to me that’s worse than what their grandfather said?”
From Birmingham to Cleveland and Baltimore, at churches and colleges, Cosby has been telling thousands of black Americans that racism in America is omnipresent but that it can’t be an excuse to stop striving. As Cosby sees it, the antidote to racism is not rallies, protests, or pleas, but strong families and communities. Instead of focusing on some abstract notion of equality, he argues, blacks need to cleanse their culture, embrace personal responsibility, and reclaim the traditions that fortified them in the past. Driving Cosby’s tough talk about values and responsibility is a vision starkly different from Martin Luther King’s gauzy, all-inclusive dream: it’s an America of competing powers, and a black America that is no longer content to be the weakest of the lot.
It’s heady stuff, especially coming from the man white America remembers as a sitcom star and affable pitchman for E. F. Hutton, Kodak, and Jell-O Pudding Pops. And Cosby’s race-based crusade is particularly jarring now. Across the country, as black politics has become more professionalized, the rhetoric of race is giving way to the rhetoric of standards and results. Newark’s young Ivy League–educated mayor, Cory Booker, ran for office promising competence and crime reduction, as did Washington’s mayor, Adrian Fenty. Indeed, we are now enjoying a moment of national self-congratulation over racial progress, with a black man running for president as the very realization of King’s dream. Barack Obama defied efforts by the Clinton campaign to pigeonhole him as a “black” candidate, casting himself instead as the symbol of a society that has moved beyond lazy categories of race.
Black America does not entirely share the euphoria, though. The civil-rights generation is exiting the American stage—not in a haze of nostalgia but in a cloud of gloom, troubled by the persistence of racism, the apparent weaknesses of the generation following in its wake, and the seeming indifference of much of the country to black America’s fate. In that climate, Cosby’s gospel of discipline, moral reform, and self-reliance offers a way out—a promise that one need not cure America of its original sin in order to succeed. Racism may not be extinguished, but it can be beaten.
Has Dr. Huxtable, the head of one of America’s most beloved television households, seen the truth: that the dream of integration should never supplant the pursuit of self-respect; that blacks should worry more about judging themselves and less about whether whites are judging them on the content of their character? Or has he lost his mind?
From the moment he registered in the American popular consciousness, as the Oxford-educated Alexander Scott in the NBC adventure series I Spy, Cosby proffered the idea of an America that transcended race. The series, which started in 1965, was the first weekly show to feature an African American in a lead role, but it rarely factored race into dialogue or plots. Race was also mostly inconspicuous in Cosby’s performances as a hugely popular stand-up comedian. “I don’t spend my hours worrying how to slip a social message into my act,” Cosby told Playboy in 1969. He also said that he didn’t “have time to sit around and worry whether all the black people of the world make it because of me. I have my own gig to worry about.” His crowning artistic and commercial achievement—The Cosby Show, which ran from 1984 to 1992—was seemingly a monument to that understated sensibility.