Media March 2005

J-School for Jerks

How you, too, can learn to behave like Bill O'Reilly
More

As the second George W. Bush administration gets under way, holdovers from the first one seem to include not only a handful of cabinet secretaries but also the fierce divide that characterized American politics for much of Bush's first term. For evidence of both look no further than the political shoutfests on cable television: Hardball, Crossfire, Hannity & Colmes, and the reigning king, The O'Reilly Factor. Each features an endless procession of motormouths, the most successful of whom display their shaky grasp of current affairs with the belligerent energy of a loutish barfly. Yet the format has spread.

It's easy to assume that all this vitriol flows naturally from the contentious politics of a difficult time. But that isn't quite true. As more shows adopt an adversarial format, people who wish to appear on them must be equipped to survive the ordeal. (Any channel-flipper has surely seen Bill O'Reilly steamroll an overmatched guest.) The idea that someone would create a school to train aspirants in hand-to-hand political combat may sound farfetched—but not in Washington.

Rich Masters, forty-two, is the managing director of media relations at Qorvis Communications, a mid-sized public-relations firm in Washington, and a Jedi master to television pundits. Last year a Qorvis partner spotted an unmet demand—hardcore pundit training—and hired Masters to devise a cutting-edge program to fill it. Qorvis built a faux television studio in downtown Washington solely for this purpose, identical to the real thing in every detail, including decorative books and a rubber ficus.

Masters is an energetic, fast-talking Louisianan, a former television reporter and senatorial staffer who favors alligator-skin boots regardless of the occasion. He is also a player-coach, as rare in the political-talk-show world as in sports: in addition to training clients, he appears regularly on television himself. Were his métier football and not feuding, Masters would be said to prefer a "smash-mouth" style of play; a Democrat, he is a frequent and enthusiastic guest in the enemy territory of Fox News, and gives as good as he gets.

I first met Masters when we sat next to each other on a plane to New York for the Republican convention last summer. It wasn't long before he'd convinced me that pundit training had a bright future. "Even business shows and legal shows require CEOs, lawyers, and accountants to be just as skilled a debater as a political consultant or political-party leader," he pointed out. "Heck, any one of these days you're going to see Emeril hosting a debate on the Food Network over the merits of natural sugar versus a chemical substitute like Splenda." Before we'd landed I'd resolved to put myself in the hands of this master.

Until recently, media-training programs catered largely to a business clientele. With the stock-market boom and the proliferation in the 1990s of business-oriented cable networks like CNBC, the duties of the typical CEO grew to encompass more than just running the company; they now include representing it on television as well. Shrewd public-relations executives realized that hard-charging business leaders didn't always go over as well on television as they did in the boardroom. So as early as the 1960s an industry sprouted up to soften the rough edges—to train executives to speak in plain English rather than in business jargon, to hold their egos in check, and above all to smile and behave agreeably on camera.

The subsequent rise of political-debate shows, however, called for an entirely different skill set—one more or less the opposite of polite and agreeable. On Hardball and its like, egos run rampant, insider jargon predominates, and agreeability, if any can be detected, is strictly limited to commercial breaks.

Many people might think it unusual to seek professional help in order to spend time on television in the company of such bar-emptiers. But Washington is teeming with fixers, and even the most ignoble demands can usually be met for the right price. Occasionally this is problematic for the fixer. On the morning I had arranged for training, Masters appeared flustered and apologized for not being better prepared. Two days earlier the FBI had raided his office and confiscated his computer, he explained with a weary shake of the head—all part of the cost of doing business with another Qorvis client: the kingdom of Saudi Arabia.

Masters led me to a studio jammed with state-of-the-art equipment: cameras, teleprompters, video monitors, and sleek plasma-screen televisions on which to track and critique my performance. Qorvis gives its clients a choice of goals that, as best I can determine, range from politely assertive, for nonpartisan reporters simply wishing to sneak a word in edgewise, to partisan jerk, for aspiring cable-TV mainstays. I opted for the full-blown-jerk treatment, and Masters seemed pleased.

We began with a video presentation titled "How to Feed the Media Beast Without Getting Eaten," which ticked through the basics. When answering a question, look directly into the camera, put your message in sound-bite format, and never pitch it above a seventh-grade level. (Also sit up straight: "Better breathing equals better sound bites.") To this Masters has brought his own innovation: the Message Diamond. "People think and process information in groups of three," he explained. "Larry, Curly, Moe. Beginning, middle, end. Anytime you answer a question, first hit your message, then enhance it with a story or an anecdote, then hit it again. Narrow, wide, narrow." He made a diamond with his fingers.

Jump to comments
Presented by

Joshua Green is a former senior editor at The Atlantic.

Get Today's Top Stories in Your Inbox (preview)

A Fascinating Short Film About the Multiverse

If life is a series of infinite possibilities, what does it mean to be alive?


Elsewhere on the web

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register. blog comments powered by Disqus

Video

The Death of Film

You'll never hear the whirring sound of a projector again.

Video

How to Hunt With Poison Darts

A Borneo hunter explains one of his tribe's oldest customs: the art of the blowpipe

Video

A Delightful, Pixar-Inspired Cartoon

An action figure and his reluctant sidekick trek across a kitchen in search of treasure.

Video

I Am an Undocumented Immigrant

"I look like a typical young American."

Video

Why Did I Study Physics?

Using hand-drawn cartoons to explain an academic passion

Writers

Up
Down

More in National

More back issues, Sept 1995 to present.

Just In