Principled Pork

"Sustainable farming" is now open to debate and commercial exploitation. But sustainable pork certainly tastes the way pork should

Not long ago I found myself in a New York City hotel room reaching for slice after slice of leftover roast pork. I had brought it with me on the plane after a dinner at Chez Panisse, in Berkeley, held in part to honor Laughing Stock Farm, where the meat had been produced. I had thought at the dinner that this was an exceptionally nice roast, but I'd been distracted by the sight of the turning spit in the kitchen and the many other dishes. Alone in my room, I concentrated fully on what seemed to be a new kind of meat. Its creamy texture and deep flavor were distantly familiar. I wondered which meat it tasted like as I kept eating, enjoying the fat as much as the lean. As the last piece disappeared, I remembered: pork—the kind I had first tasted in Italy, dispensed from roadside trailers in slices on bland, puffy rolls.

When last I wrote about pork, it was the very lean pork the industry had spent decades developing for consumers worried about fat. The cooks I talked to were almost uniformly in despair over "the other white meat." Bring back the old pork! they cried. After talking with scientists specializing in food safety, I had come up with the seemingly heretical notion of cooking pork pink—to an interior temperature of only about 160°, which keeps in as much flavor and tenderness as the lean meat allows.

Real, full-flavored pork doesn't need to be cooked pink. It can withstand the braising and long roasting that are all but impossible with the other white meat, which requires brines, bacon coats, and other tricks to become palatable. In recent years I have been impressed by the number of restaurants serving pork from Niman Ranch, a northern-California-based company that sells meat from animals raised under humane conditions on relatively small-scale farms in many parts of the country. It's good enough to win people back to pork, and even to risk cooking pork chops—a cut I had given up on. The flavor of Laughing Stock's pork, though, was something else again. I resolved to find out why it tasted so much better by traveling to the farm, in southern Oregon, and also to visit Iowa—historically pork territory, and home of the farmers who produced the first Niman Ranch pork.

Little of this pork is strictly organic, but it is raised by farmers who pay closer attention than does "Big Pig"—the pork industry—to the long-term well-being of land, water, air, and (though the industry would especially protest this) animals. This approach is loosely referred to as sustainable agriculture. Niman Ranch's farmers and the idealistic owner of Laughing Stock, Paul Atkinson, say that they follow sustainable practices. Their interpretations of what that means mesh but don't quite match.

"Sustainable" is the latest of the imprecise do-good terms, like "lowfat" and "natural," at risk of being cynically exploited to the point of irrelevance. Even the hard-won establishment of federal standards to define "organic" has had a not entirely happy result: the marketing of bland organic food grown by conglomerates on huge farms and trucked thousands of miles to chain supermarkets. Any definition of sustainable agriculture takes into account the current and future health of all the species affected by farming—especially the human beings doing it, whose economic as well as physical survival must be assured. Short-term reliance on, say, pesticides that break down naturally can be contemplated. Long-term reliance on fossil-fueled transport cannot.

On meat the "organic" label does guarantee that the animals were not fed animal meal—an important reassurance, given that at this writing no such enforceable prohibition applies to animals raised conventionally in the United States, despite the discovery of mad-cow disease within U.S. borders. But organic meat comes with few guarantees regarding the scale of farming or even animal welfare. My own priority is always fresh food carefully raised by people I can talk to about it.

Paul Atkinson recognizes that no one has defined just what sustainable agriculture is, but he has a clear idea of what it isn't: raising just one kind of animal or crop, trucking in feed from afar, and selling to distant markets that require yet more long-haul transport. Atkinson, a compact and trim man with an open, friendly demeanor, grew up on a farm where the goal was economic sustainability. In his parents' case it was unreachable, and his father worked at other jobs to subsidize the farm.

In an effort to realize a profit, Atkinson began making goat cheese from the dairy goats his father had always kept. Throwing out the whey went against his principles, so he bought pigs to feed with it. The animals suited him, he told me when I visited Laughing Stock in its storybook setting of rolling hills. He liked their intelligence and personality. Whey, he discovered, gave pork exceptional flavor—a unique, sweet roundness. (This will not surprise anyone who has tasted Parma hams, which became famous for the pigs' diet—high in whey from Parmigiano-Reggiano cheese making.) Atkinson's pork drew the admiration of a traveling "forager" from Chez Panisse, who tasted it at a Eugene meat market and was soon ordering as much as the farm could produce. Pigs paid, cheese didn't.

Atkinson led me to his barns, where there were goats, a few cows, and two sows who had given birth just the night before to about a dozen piglets each. The farrowing sows had been moved to fenced-off enclosures with extra-deep straw and special light bulbs to keep them warm. They lumbered toward Atkinson, whom they clearly recognized, and nuzzled both of us. The enclosure smelled of warm straw and the wet loam of early spring. I expected to look up and find a web spelling out "Some Pig!"

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Corby Kummer, a senior of The Atlantic, is the author of The Pleasures of Slow Food (2002) and The Joy of Coffee (revised 2003). More

Corby Kummer's work in The Atlantic has established him as one of the most widely read, authoritative, and creative food writers in the United States. The San Francisco Examiner pronounced him "a dean among food writers in America." Julia Child once said, "I think he's a very good food writer. He really does his homework. As a reporter and a writer he takes his work very seriously." Kummer's 1990 Atlantic series about coffee was heralded by foodies and the general public alike. The response to his recommendations about coffees and coffee-makers was typical--suppliers scrambled to meet the demand. As Giorgio Deluca, co-founder of New York's epicurean grocery Dean & Deluca, says: "I can tell when Corby's pieces hit; the phone doesn't stop ringing." His book, The Joy of Coffee, based on his Atlantic series, was heralded by The New York Times as "the most definitive and engagingly written book on the subject to date." In nominating his work for a National Magazine Award (for which he became a finalist), the editors wrote: "Kummer treats food as if its preparation were something of a life sport: an activity to be pursued regularly and healthfully by knowledgeable people who demand quality." Kummer's book The Pleasures of Slow Food celebrates local artisans who raise and prepare the foods of their regions with the love and expertise that come only with generations of practice. Kummer was restaurant critic of New York Magazine in 1995 and 1996 and since 1997 has served as restaurant critic for Boston Magazine. He is also a frequent food commentator on television and radio. He was educated at Yale, immediately after which he came to The Atlantic. He is the recipient of five James Beard Journalism Awards, including the MFK Fisher Distinguished Writing Award.

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