Innocent Bystander July/August 2004

Wonders Never Cease

Updating Philon of Byzantium's famous list

It is often a plus, in advancing some novel proposition, to be able to say that the whole world backs you up. In 2002, when the manufacturers of M&Ms wanted to add a new color to their candies, they gave the choice to consumers, who cast some 10 million votes and chose purple (over aqua and pink). A few years ago, in advance of the millennium, Barnes & Noble compiled a list of the most significant books published in each year of the twentieth century, and asked customers to vote on which work should represent each year. (Umberto Eco's The Name of the Rose was the choice for 1980, Zane Grey's Riders of the Purple Sage for 1912.) Meanwhile, the editors of Time magazine decided that the New Year 2000 issue should bear a portrait of the Person of the Century, and in addition to selecting a winner (Albert Einstein, with runners-up Franklin Delano Roosevelt and Mohandas Gandhi) by means of internal discussion, they decided to poll the planet, encouraging people everywhere to submit nominations. Time's Web site eventually logged about 4.5 million submissions, and although Einstein, Roosevelt, and Gandhi received substantial global support, the person who emerged at the top of the list (after Jesus was disqualified by the editors) was Elvis Presley.

Now a Swiss filmmaker named Bernard Weber has launched an effort to survey humanity for its views on designating the New Seven Wonders of the World, an updated version of the list compiled by Philon of Byzantium in 200 B.C. The original Seven Wonders included four structures that many people today can name or recognize (the Pyramids of Egypt, the Hanging Gardens of Babylon, the Colossus of Rhodes, the Lighthouse of Alexandria) and three that never seem to stick in anyone's memory (the Mausoleum at Halicarnassus, the Temple of Artemis at Ephesus, and the Statue of Zeus at Olympia). Weber, motivated by equal measures of idealism and a sense that the Ancient Wonders no longer fire the imagination, began soliciting Internet votes for a New Seven Wonders in June of 2000, and he will keep the site open until November of 2005. Already ballots have been cast by more than 16 million people from all over the world, and Weber expects to have at least 60 million votes by the time the polls close.

But for all that, the final roster of New Wonders is likely to be as unsurprising as Time's roster of finalists for Person of the Century. In the balloting thus far the Great Wall of China has garnered 11.29 percent of the vote, followed by the Potala Palace at Lhasa, the Roman Colosseum, Chichén Itzá, the statues of Easter Island, the Leaning Tower of Pisa, and the Taj Mahal. Move down the list a little and you find the Eiffel Tower, the Alhambra, Angkor Wat, and the Sydney Opera House. All these things are worthy of recognition, to be sure; they are even downright wondrous. But many of them are not exactly new, and there is also something dutiful and leaden about the collection, as if it had been drawn up by UNESCO.

Of course, it's easy to play the naysayer—to criticize, to carp and cavil, to tear down. The responsible path is to offer some constructive alternatives. What might a more compelling New Seven Wonders of the World consist of? I have not yet solicited global comment, though people everywhere have an open invitation to weigh in. But to start the discussion, let me offer a few possibilities.

I. The Molasses of Roads. The U.S. interstate highway system is one of the glories of our age, and no stretch is more emblematic than the Santa Monica Freeway near the I-5 interchange, site of perhaps the worst traffic jams in North America. Larry McMurtry once described a driver's first impression: "After years on the tributaries, he had finally reached the Father of Waters." Traffic-control experts estimate the amount of time lost annually to congestion on the Santa Monica Freeway at upwards of 18.6 million hours.

II. The Hanging Polyps of Virtual Colonoscopy. It is a truism that mortality from cancer of the colon can be greatly reduced by regular checkups for people over the age of fifty, and it is a truism as well that the procedure involved is a profoundly unpleasant one. But wait! Scientists have now developed a process involving a CT scanner and virtual-reality software that can look inside without going inside. Another breakthrough involves a pill-sized camera that, after ingestion, can snap two pictures every second during its eight-hour path of exploration, sending images back to emission control.

From the archives:

"We Will Bury You" (March 2003)
How the caretakers of Lenin's corpse have made a killing in post-Soviet Russia. By Keith Gessen.

III. The Mausoleum of Zbarsky. Let it not be said that the arts of corporeal conservation died with the ancient Egyptians. Boris Zbarsky was one of the embalmers originally entrusted with the task of preserving the reliquiae of V. I. Lenin, a job that later fell to his son and other Soviet technicians. Many details of Lenin's maintenance are still closely held by this scientific priesthood, but it is known that every eighteen months the body is removed from the mausoleum and submerged for thirty days in glycerol and potassium acetate. There is wide agreement that Lenin looks better today than when he died, in 1924. "Some viewers say Lenin appears to be sleeping," one newspaper observed last year after examining the results of an extensive makeover. "Others say he looks like waxed fruit."

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Cullen Murphy is The Atlantic's managing editor. More

Says Cullen Murphy, "At The Atlantic we try to provide a considered look at all aspects of our national life; to write, as well, about matters that are not strictly American; to emphasize the big story that lurks, untold, behind the smaller ones that do get told; and to share the conclusions of our writers with people who count."

Murphy served as The Atlantic Monthly's managing editor from 1985 until 2005, when the magazine relocated to Washington. He has written frequently for the magazine on a great variety of subjects, from religion to language to social science to such out-of-the-way matters as ventriloquism and his mother's method for pre-packaging lunches for her seven school-aged children.

Murphy's book Rubbish! (1992), which he co-authored with William Rathje, grew out of an article that was written by Rathje, edited by Murphy, and published in the December, 1989, issue of The Atlantic Monthly. In a feature about the book's success The New York Times reported that the article "was nominated for a National Magazine Award in 1990 and became a runaway hit for The Atlantic Monthly, which eventually ran off 150,000 copies of it." Murphy's second book, Just Curious, a collection of his essays that first appeared in The Atlantic Monthly and Harper's, was published in 1995. His most recent book, The Word According to Eve: Women and The Bible in Ancient Times and Our Own, was published in 1998 by Houghton Mifflin. The book grew out of Murphy's August 1993 Atlantic cover story, "Women and the Bible."

Murphy was born in New Rochelle, New York, and grew up in Greenwich, Connecticut. He was educated at Catholic schools in Greenwich and in Dublin, Ireland, and at Amherst College, from which he graduated with honors in medieval history in 1974. Murphy's first magazine job was in the paste-up department of Change, a magazine devoted to higher education. He became an editor of The Wilson Quarterly in 1977. Since the mid-1970s Murphy has written the comic strip Prince Valiant, which appears in some 350 newspapers around the world.

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