Palate at Large July/August 2002

Il Trappeto & la Peschiera

Restaurants worth building a trip around

Sometimes food can taste so shockingly good that you have to glance away, hoping your tablemates won't notice the look on your face. Or so it is with me. Recently a spoonful of whole-wheat noodles and chickpeas in broth had that effect. The noodles were handmade by a woman who had been rolling pasta all her life, with flour made from wheat grown in the same region of Italy where I had the soup—Apulia, the heel of the Italian boot, and long the country's breadbasket. But it was the chickpeas that provoked my sybaritic moment. They made the canned version seem like salty pellets. These had the texture of milk-fed veal, and a light but authoritative flavor of the earth. They were noble.

Italians shop for bottles of Apulia's artichokes, mushrooms, wild asparagus, and red peppers preserved in oil or vinegar, knowing that the hot sun, dry volcanic soil, and salty Adriatic breezes make for intense flavor. I go to the region as often as possible, for the beauty of its olive groves, carpeted with wildflowers and separated by waist-high stone walls, and for the odd charm of its trulli, houses topped by clusters of cone-shaped domes made of gray fieldstone with whimsical white-stucco finials. And, of course, for the vegetables.

I also go to stay at my favorite hotel—Il Melograno, a resort on a former farm that incorporates the original white-stucco buildings, which look almost Mexican in their rectangular simplicity. The new parts were literally built around centuries-old olive trees. Camillo Guerra, the owner, has a severe case of the Italian mania for construction. Since I first visited, in 1986, he has turned the old farm into a miniature city, with a convention center, a spa, and even a helipad. I recently watched Guerra, who is also an antiques dealer, supervise the furnishing of a new suite with elegant armoires and tables and argue good-naturedly with a workman over the size and placement of a light fixture. He was in his element.

Happily, the constant construction has in the past three or four years resulted in Il Melograno's two restaurants, both close to the main highway south of the city of Bari. From October through early June the chef, Onofrio Serio, presides over Il Trappeto ("The Olive Mill"), a former olive press built in one of the many large caves nearby, which in medieval times were used as underground churches by Christians fearing Turkish invasions. From mid-June through mid-September Serio is at La Peschiera ("The Fish Pond"), a series of tented white-stucco pavilions accented with Apulia blue, the color of wisteria, at the hotel's private beach a few miles down the coast. Guerra, true to form, has just opened eleven guest rooms at La Peschiera, each one facing both the beach and a new Olympic-size pool. At both restaurants guests are greeted by several members of the wonderful and winning Guerra family.

Antipasti can easily ruin a meal. Here antipasti can easily—and should—be most of a meal, because they include many of Apulia's vegetable specialties. At a late-spring Trappeto supper Serio sent out warm narrow slices of what he called an onion calzone—not like the big pillows we think of but a flat covered pie with a thin yeast crust made with wine and olive oil and a filling of spring onions, olives, capers, anchovies, tomatoes, and wild fennel. Every ingredient in the filling was local. The fruity olive oil, powerful enough to make clear why it is a folk medicament (I considered each crisp tarallo, a small baked bread ring fragrant with olive oil, a step toward a therapeutic dose), is pressed from the olives of the hotel's trees, and in summer many of the vegetables come from the hotel's garden. The antipasti platter included razor-thin slices of zucchini sautéed with darkened bits of garlic and garnished with vinegar and mint; orange-yellow peppers baked with bread crumbs and grated sheep's-milk cheese; deep-fried wedges of floured artichoke; and sporchie, fat purple wild asparagus that grows near the roots of fava plants. Even so, I had to have a second piece of the onion calzone.

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Corby Kummer's work in The Atlantic has established him as one of the most widely read, authoritative, and creative food writers in the United States. The San Francisco Examiner pronounced him "a dean among food writers in America." More

Corby Kummer's work in The Atlantic has established him as one of the most widely read, authoritative, and creative food writers in the United States. The San Francisco Examiner pronounced him "a dean among food writers in America." Julia Child once said, "I think he's a very good food writer. He really does his homework. As a reporter and a writer he takes his work very seriously." Kummer's 1990 Atlantic series about coffee was heralded by foodies and the general public alike. The response to his recommendations about coffees and coffee-makers was typical--suppliers scrambled to meet the demand. As Giorgio Deluca, co-founder of New York's epicurean grocery Dean & Deluca, says: "I can tell when Corby's pieces hit; the phone doesn't stop ringing." His book, The Joy of Coffee, based on his Atlantic series, was heralded by The New York Times as "the most definitive and engagingly written book on the subject to date." In nominating his work for a National Magazine Award (for which he became a finalist), the editors wrote: "Kummer treats food as if its preparation were something of a life sport: an activity to be pursued regularly and healthfully by knowledgeable people who demand quality." Kummer's book The Pleasures of Slow Food celebrates local artisans who raise and prepare the foods of their regions with the love and expertise that come only with generations of practice. Kummer was restaurant critic of New York Magazine in 1995 and 1996 and since 1997 has served as restaurant critic for Boston Magazine. He is also a frequent food commentator on television and radio. He was educated at Yale, immediately after which he came to The Atlantic. He is the recipient of five James Beard Journalism Awards, including the MFK Fisher Distinguished Writing Award.

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