The door banged shut, and then the children were alone with their sixth-grade teacher. It was the first day of school, in the fall of 1963. The habits of Franciscan nuns still shrouded all but their faces, so each of the new nun's features was emphasized, read forty times over in astonishment. Outlined in a stiff white frame of starched linen, Sister's eyes, nose, and mouth leaped out, a mask from a dream, a great rawboned jackal's muzzle.
"Oh, Christ," Toddy Crieder said, just loud enough for Dot to hear.
Dot Adare, a troublemaker, knew Toddy was in love with her and usually ignored him, but the nun's extreme ugliness was irresistible.
"Godzilla," she whispered.
The teacher's name was Sister Mary Anita Groff. She was young, in her twenties or thirties, and so swift of movement, for all her hulking size, that walking from the back of the room to the front, she surprised her students, made them picture an athlete's legs and muscles concealed in the flow of black wool. When she swept the air in a gesture meant to include them all in her opening remarks, her hands fixed their gazes. They were the opposite of her face. Her hands were beautiful, as white as milk glass, the fingers straight and tapered. They were the hands in the hallway print of Mary underneath the cross. They were the hands of the Apostles, cast in plastic and lit at night on the tops of television sets. Praying hands.
Ballplayer's hands. She surprised them further by walking onto the graveled yard at recess, her neckpiece cutting hard into the flesh beneath her heavy jaw. When, with a matter-of-fact grace, she pulled from the sleeve of her gown a mitt of dark mustard-colored leather and raised it, a thrown softball dropped in. Her skill was obvious. Good players rarely stretch or change their expressions. They simply tip their hands toward the ball like magnets, and there it is. As a pitcher, Mary Anita was a swirl of wool, as graceful as the windblown cape of Zorro, an emotional figure that stirred Dot so thoroughly that as she pounded home plate—a rubber dish mat—and beat the air twice in practice swings, choked up on the handle, tried to concentrate, Dot knew she would have no choice but to slam a home run.
She did not. In fact, she whiffed, in three strikes, never ticking the ball or fouling. Purely disgusted with herself, she sat on the edge of the bike rack and watched as Sister gave a few balls away and pitched easy hits to the rest of the team. It was as if the two had sensed from the beginning what was to come. Or, then again, perhaps Mary Anita's information came from Dot's former teachers, living in the red-brick convent across the road. Hard to handle. A smart-off. Watch out when you turn your back. They were right. After recess, her pride burned, Dot sat at her desk and drew a dinosaur draped in a nun's robe, its mouth open in a roar. The teeth, long and jagged, grayish-white, held her attention. She worked so hard on the picture that she barely noticed as the room hushed around her. She felt the presence, though, the shadow of attention that dropped over her as Mary Anita stood watching. As a mark of her arrogance, Dot kept drawing.
She shaded in the last tooth and leaned back to frown at her work. The page was plucked into the air before she could pretend to cover it. No one made a sound. Dot's heart beat with excitement.
"You will remain after school," the nun pronounced.
The last half hour passed. The others filed out the door. And then the desk in front of Dot filled suddenly. There was the paper, the carefully rendered dinosaur caught in mid-roar. Dot stared at it furiously, her mind a blur of anticipation. She was not afraid.
"Look at me," Mary Anita said.
Dot found that she didn't want to, that she couldn't. Then her throat filled. Her face was on fire. Her lids hung across her eyeballs like lead shades. She traced the initials carved into her desktop.
"Look at me," Mary Anita said to her again, and Dot's gaze was drawn upward, upward on a string, until she met the eyes of her teacher, deep brown, electrically sad. Their very stillness shook Dot.
"I'm sorry," she said.
When those two unprecedented words dropped from her lips, Dot knew, beyond reason and past bearing, that something terrible had occurred. She felt dizzy. The blood rushed to her head so fast that her ears ached, yet the tips of her fingers fell asleep. Her eyelids prickled and her nose wept, but at the same time her mouth went dry. Her body was a thing of extremes, contradicting itself.
"When I was young," Sister Mary Anita said, "as young as you are, I felt a great deal of pain when I was teased about my looks. I've long since accepted my ... deformity. A prognathic jaw runs in our family, and I share it with an uncle. But I must admit, the occasional insult, or a drawing such as yours, still hurts."
Dot began to mumble and then stopped, desperate. Sister Mary Anita waited, and then handed her her own handkerchief.
"I'm sorry," Dot said again. She wiped her nose. The square of white material was cool and fresh. "Can I go now?"
"Of course not," Mary Anita said.
Dot was confounded. The magical two words, an apology, had dropped from her lips. Yet more was expected. What?
"I want you to understand something," the nun said. "I've told you how I feel. And I expect that you will never hurt me again."
The nun waited, and waited, until their eyes met. Then Dot's mouth fell wide. Her eyes spilled over. She knew that the strange feelings that had come upon her were the same feelings that Mary Anita had felt. Dot had never felt another person's feelings, never in her life.
"I won't do anything to hurt you," she blubbered passionately. "I'll kill myself first."
"I'm sure that will not be necessary," Sister Mary Anita said.
Dot tried to rescue her pride then, by turning away very quickly. Without permission, she ran out the schoolroom door, down the steps, and on into the street, where at last the magnetic force of the encounter weakened, and suddenly she could breathe. Even that was different, though. As she walked, she began to realize that her body was still fighting itself. Her lungs filled with air like two bags, but every time they did so, a place underneath them squeezed so painfully that the truth suddenly came clear.
"I love her now," she blurted out. She stopped on a crack, stepping on it, sickened. "Oh, God, I am in love."
Toddy Crieder was a hollow-chested, envious boy whose reputation had never recovered from the time he was sent home for eating tree bark. In the third grade he had put two crayons up his nose, pretend tusks. The pink one got stuck, and Toddy had to visit the clinic. This year, already, his stomach had been pumped in the emergency room. Dot despised him, but that only seemed to fuel his adoration of her.