The Time Has Come

Thinking about the logical next step in the funeral industry's evolution

WHEN Jessica Mitford died, in 1996, at the age of seventy-eight, a rumor went around that she had left behind an unfinished sequel to her 1963 nonfiction classic The American Way of Death, an acerbic study of American funerary practices at mid-century. It was perhaps Mitford more than anyone else who established in popular culture the images of the soothing, mercantilist funeral director and the vast commercial enterprise, by turns pathetic, futile, and grand, of which the funeral director is the embodiment -- images that may be somewhat short of the truth even as they are now effectively beyond parody. Lending substance to the rumor of a sequel was the companion rumor of a persuasively Mitfordian title: Death Warmed Over.
Alas, the rumor turned out to be mostly just that -- no fresh work awaited publication. But with an eye to a new edition Mitford had undertaken a certain amount of revision, and the result, under the title has just been published.

A revised edition was long overdue, for two reasons. The first is that owing in some measure to the influence of The American Way of Death, funeral customs in America have during the past three decades become far more personalized and freewheeling than ever before. Communities around the country have loosened regulations governing attendance upon the dead, allowing families rather than funeral homes to arrange for the ultimate disposition of remains. In some places embalming services have been organized into collectives, on the model of food cooperatives. A brochure that recently came to my house suggests that a thriving mail-order business in coffins now exists. The choices I was offered by a company called Casket Royale ranged from the understated and inexpensive Canterbury model to the costly but elegant Buckingham; a box on the order form could be checked for "24 Hour Rush Delivery." Though still the destiny of a majority, burial is the option desired by fewer and fewer Americans these days. A company called Relict Memorials, in Mill Valley, California, specializes in turning cremated remains into customized granitelike slabs. Kits are available for swabbing and preserving samples of the departed's DNA, and a company now exists to provide "perpetual care" for one's Web site. A Kentucky bookbinder and printer, Timothy Hawley Books, offers a line of what it calls bibliocadavers -- handsomely bound volumes whose blank or printed pages are created from a pulp containing the ashes of a loved one. The advent of bibliocadavers will, if nothing else, add a new facet to the idea of a book's being remaindered.

A dawning recognition of expanded options is also evident in England, the land of Jessica Mitford's birth, where American funerary practices have been a subject of merriment (see Evelyn Waugh's mordant 1948 novel The Loved One) even as local custom verges on desuetude. Lamenting the fact that funerals in England are so often "miserable and disappointing" affairs, the National Funerals College, which operates training programs for undertakers, has issued a twenty-four-point Dead Citizens' Charter. Among the recommendations: that funeral homes reveal their prices in advance; that the clergy try to learn something about the people whose funerals they conduct; and that owners of crematoria be less peremptory as they rush each mourning party through "the slot" (the time period allotted before the conveyor belt must roll). One of the drafters of the Dead Citizens' Charter is also a co-editor of a new academic journal, which, according to an inaugural editorial, was founded in part in response to "the variety of reform groups created to improve the social rituals" surrounding death. In the East London district of Walthamstow a "death-care supermarket" has opened its doors. The store, named Regale, whose employees are forbidden to wear black, sells everything from tombstones and garden trowels to coffins that can serve as bookcases or wine racks until needed for another purpose. "This," the store's owner told an English newspaper, "was an industry stuck in Victorian times."

*  *  *

Of course, in its economic rather more than in its aesthetic aspects the funeral industry is far from being stuck in Victorian times -- which brings up the second reason why revision of the Mitford book was overdue.

Presented by

Cullen Murphy

Says Cullen Murphy, "At The Atlantic we try to provide a considered look at all aspects of our national life; to write, as well, about matters that are not strictly American; to emphasize the big story that lurks, untold, behind the smaller ones that do get told; and to share the conclusions of our writers with people who count."

Murphy served as The Atlantic Monthly's managing editor from 1985 until 2005, when the magazine relocated to Washington. He has written frequently for the magazine on a great variety of subjects, from religion to language to social science to such out-of-the-way matters as ventriloquism and his mother's method for pre-packaging lunches for her seven school-aged children.

Murphy's book Rubbish! (1992), which he co-authored with William Rathje, grew out of an article that was written by Rathje, edited by Murphy, and published in the December, 1989, issue of The Atlantic Monthly. In a feature about the book's success The New York Times reported that the article "was nominated for a National Magazine Award in 1990 and became a runaway hit for The Atlantic Monthly, which eventually ran off 150,000 copies of it." Murphy's second book, Just Curious, a collection of his essays that first appeared in The Atlantic Monthly and Harper's, was published in 1995. His most recent book, The Word According to Eve: Women and The Bible in Ancient Times and Our Own, was published in 1998 by Houghton Mifflin. The book grew out of Murphy's August 1993 Atlantic cover story, "Women and the Bible."

Murphy was born in New Rochelle, New York, and grew up in Greenwich, Connecticut. He was educated at Catholic schools in Greenwich and in Dublin, Ireland, and at Amherst College, from which he graduated with honors in medieval history in 1974. Murphy's first magazine job was in the paste-up department of Change, a magazine devoted to higher education. He became an editor of The Wilson Quarterly in 1977. Since the mid-1970s Murphy has written the comic strip Prince Valiant, which appears in some 350 newspapers around the world.

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