Why Americans Hate the Media

Why has the media establishment become so unpopular? Perhaps the public has good reason to think that the media's self-aggrandizement gets in the way of solving the country's real problems

No one contends that every contribution makes every politician corrupt. But financial disclosure has become commonplace on the "Better safe than sorry" principle. If politicians and officials are not corrupt, the reasoning goes, they have nothing to fear from letting their finances be publicized. And if they are corrupt, public disclosure is a way to stop them before they do too much harm. The process may be embarrassing, but this is the cost of public life.

How different the "Better safe than sorry" calculation seems when journalists are involved! Reporters and pundits hold no elected office, but they are obviously public figures. The most prominent TV-talk-show personalities are better known than all but a handful of congressmen. When politicians and pundits sit alongside one another on Washington talk shows and trade opinions, they underscore the essential similarity of their political roles. The pundits have no vote in Congress, but the overall political impact of a word from George Will, Ted Koppel, William Safire, or any of their colleagues who run the major editorial pages dwarfs anything a third-term congressman could do. If an interest group had the choice of buying the favor of one prominent media figure or of two junior congressmen, it wouldn't even have to think about the decision. The pundit is obviously more valuable.

If a reporter is sued for libel by a prominent but unelected personality, such as David Letterman or Donald Trump, he or she says that the offended party is a "public figure"—about whom nearly anything can be written in the press. Public figures, according to the rulings that shape today's libel law, can win a libel suit only if they can prove that a reporter knew that what he or she was writing was false, or had "reckless disregard" for its truth, and went ahead and published it anyway. Public figures, according to the law, pay a price for being well known. And who are these people? The category is not limited to those who hold public office but includes all who "thrust themselves into the public eye." Most journalists would eloquently argue the logic of this broad definition of public figures—until the same standard was applied to them.

In 1993 Sam Donaldson, of ABC, described himself in an interview as being in touch with the concerns of the average American. "I'm trying to get a little ranching business started in New Mexico," he said. "I've got five people on the payroll. I'm making out those government forms." Thus he understood the travails of the small businessman and the annoyances of government regulation. Donaldson, whose base pay from ABC is reported to be some $2 million a year, did not point out that his several ranches in New Mexico together covered some 20,000 acres. When doing a segment attacking farm subsidies on Prime Time Live in 1993 he did not point out that "those government forms" allowed him to claim nearly $97,000 in sheep and mohair subsidies over two years. William Neuman, a reporter for the New York Post, said that when his photographer tried to take pictures of Donaldson's ranch house, Donaldson had him thrown off his property. ("In the West trespassing is a serious offense," Donaldson explained.)

Had Donaldson as a journalist been pursuing a politician or even a corporate executive, he would have felt justified in using the most aggressive reportorial techniques. When these techniques were turned on him, he complained that the reporters were going too far. The analysts who are so clear-eyed about the conflict of interest in Newt Gingrich's book deal claim that they see no reason, none at all, why their own finances might be of public interest.

Last May one of Donaldson's colleagues on This Week With David Brinkley, George Will, wrote a column and delivered on-air comments ridiculing the Clinton Administration's plan to impose tariffs on Japanese luxury cars, notably the Lexus. On the Brinkley show Will said that the tariffs would be "illegal" and would merely amount to "a subsidy for Mercedes dealerships."

Neither in his column nor on the show did Will disclose that his wife, Mari Maseng Will, ran a firm that had been paid some $200,000 as a registered foreign agent for the Japan Automobile Manufacturers Association, and that one of the duties for which she was hired was to get American commentators to criticize the tariff plan. When Will was asked why he had never mentioned this, he replied that it was "just too silly" to think that his views might have been affected by his wife's contract.

Will had, in fact, espoused such views for years, since long before his wife worked for the JAMA and even before he had married her. Few of his readers would leap to the conclusion that Will was serving as a mouthpiece for his wife's employers. But surely most would have preferred to learn that information from Will himself.

A third member of the regular Brinkley panel, Cokie Roberts, is, along with Will and Donaldson, a frequent and highly paid speaker before corporate audiences. She has made a point of not disclosing which interest groups she speaks to or how much money she is paid. She has criticized the Clinton Administration for its secretive handling of the controversy surrounding Hillary Clinton's lucrative cattle-future trades and of the Whitewater affair, yet like the other pundits, she refuses to acknowledge that secrecy about financial interests undermines journalism's credibility too.

Out of Touch With America

In the week leading up to a State of the Union address White House aides always leak word to reporters that this year the speech will be "different." No more laundry list of all the government's activities, no more boring survey of every potential trouble spot in the world. This time, for a change, the speech is going to be short, punchy, and thematic. When the actual speech occurs, it is never short, punchy, or thematic. It is long and detailed, like all its predecessors, because as the deadline nears, every part of the government scrambles desperately to have a mention of its activities crammed into the speech somewhere.

In the days before Bill Clinton's address a year ago aides said that no matter what had happened to all those other Presidents, this time the speech really would be short, punchy, and thematic. The President understood the situation, he recognized his altered role, and he saw this as an opportunity to set a new theme for his third and fourth years in office.

That evening the promises once again proved false. Bill Clinton gave a speech that was enormously long even by the standards of previous State of the Union addresses. The speech had three or four apparent endings, it had ad-libbed inserts, and it covered both the details of policy and the President's theories about what had gone wrong with America. An hour and twenty-one minutes after he took the podium, the President stepped down.

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James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States and once worked as President Carter's chief speechwriter. His latest book is China Airborne. More

James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the U.S. Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His recent books Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009) are based on his writings for The Atlantic. His latest book is China Airborne. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.


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