On the night Murphy Brown became an unwed mother, 34 million Americans tuned in, and CBS posted a 35 percent share of the audience. The show did not stir significant protest at the grass roots and lost none of its advertisers. The actress Candice Bergen subsequently appeared on the cover of nearly every women's and news magazine in the country and received an honorary degree at the University of Pennsylvania as well as an Emmy award. The show's creator, Diane English, popped up in Hanes stocking ads. Judged by conventional measures of approval, Murphy Brown's motherhood was a hit at the box office.
Increasingly, the media depicts the married two-parent family as a source of pathology. According to a spate of celebrity memoirs and interviews, the married parent family harbors terrible secrets of abuse, violence, and incest. A bumper sticker I saw in Amherst, Massachusetts, read unspoken traditional Family Values: Abuse, Alcoholism, Incest. The pop therapist John Bradshaw explains away this generation's problems with the dictum that 96 percent of families are dysfunctional, made that way by the addicted society we live in. David Lynch creates a new aesthetic of creepiness by juxtaposing scenes of traditional family life with images of seduction and perversion. A Boston-area museum puts on an exhibit called "Goodbye to Apple Pie," featuring several artists' visions of child abuse, including one mixed-media piece with knives poking through a little girl's skirt. The piece is titled Father Knows Best.
No one would claim that two-parent families are free from conflict, violence, or abuse. However, the attempt to discredit the two-parent family can be understood as part of what Daniel Patrick Moynihan has described as a larger effort to accommodate higher levels of social deviance. "The amount of deviant behavior in American society has increased beyond the levels the community can 'afford to recognize,'" Moynihan argues. One response has been to normalize what was once considered deviant behavior, such as out-of-wedlock birth. An accompanying response has been to detect deviance in what once stood as a social norm, such as the married-couple family. Together these responses reduce the acknowledged levels of deviance by eroding earlier distinctions between the normal and the deviant.
Several recent studies describe family life in its postwar heyday as the seedbed of alcoholism and abuse. According to Stephanie Coontz, the author of the book The Way We Never Were: American Families and the Nostalgia Trap, family life for married mothers in the 1950s consisted of "booze, bowling, bridge, and boredom." Coontz writes: "Few would have guessed that radiant Marilyn Van Derbur, crowned Miss America in 1958, had been sexually violated by her wealthy, respectable father from the time she was five until she was eighteen, when she moved away to college." Even the budget-stretching casserole comes under attack as a sign of culinary dysfunction. According to one food writer, this homely staple of postwar family life brings back images of "the good mother of the 50's . . . locked in Ozzie and Harriet land, unable to move past the canvas of a Corning Ware dish, the palette of a can of Campbell's soup, the mushy dominion of which she was queen."
Nevertheless, the popular portrait of family life does not simply reflect the views of a cultural elite, as some have argued. There is strong support at the grass roots for much of this view of family change. Survey after survey shows that Americans are less inclined than they were a generation ago to value sexual fidelity, lifelong marriage, and parenthood as worthwhile personal goals. Motherhood no longer defines adult womanhood, as everyone knows; equally important is the fact that fatherhood has declined as a norm for men. In 1976 less than half as many fathers as in 1957 said that providing for children was a life goal. The proportion of working men who found marriage and children burdensome and restrictive more than doubled in the same period. Fewer than half of all adult Americans today regard the idea of sacrifice for others as a positive moral virtue.
It is true that many adults benefit from divorce or remarriage. According to one study, nearly 80 percent of divorced women and 50 percent of divorced men say they are better off out of the marriage. Half of divorced adults in the same study report greater happiness. A competent self-help book called Divorce and New Beginnings notes the advantages of single parenthood: single parents can "develop their own interests, fulfill their own needs, choose their own friends and engage in social activities of their choice. Money, even if limited, can be spent as they see fit." Apparently, some women appreciate the opportunity to have children out of wedlock. "The real world, however, does not always allow women who are dedicated to their careers to devote the time and energy it takes to find--or be found by--the perfect husband and father wanna-be," one woman said in a letter to The Washington Post. A mother and chiropractor from Avon, Connecticut, explained her unwed maternity to an interviewer this way: "It is selfish, but this was something I needed to do for me."
There is very little in contemporary popular culture to contradict this optimistic view. But in a few small places another perspective may be found. Several racks down from its divorce cards, Hallmark offers a line of cards for children--To Kids With Love. These cards come six to a pack. Each card in the pack has a slightly different message. According to the package, the "thinking of you" messages will let a special kid "know how much you care." Though Hallmark doesn't quite say so, it's clear these cards are aimed at divorced parents. "I'm sorry I'm not always there when you need me but I hope you know I'm always just a phone call away." Another card reads: "Even though your dad and I don't live together anymore, I know he's still a very special part of your life. And as much as I miss you when you're not with me, I'm still happy that you two can spend time together."