Lynda Obst

Lynda Obst is a producer and writer who has made 15 films in her producing career, at almost every major studio. More

Lynda Obst was recruited to Hollywood from the New York Times Magazine in 1979 by Peter Guber, for whom she developed Flashdance and Clue, as well as beginning the development of Carl Sagan’s Contact. In 1985, Obst partnered with producer Debra Hill, forming Hill/Obst Productions at Paramount Pictures. They soon made the iconic teen pic Adventures in Babysitting. Then the duo produced Terry Gilliam’s Oscar-nominated The Fisher King, starring Robin Williams and Jeff Bridges.

Obst then began a solo-producing career, where she produced Nora Ephron’s directing debut, This Is My Life, and executive produced Ephron’s second film, Sleepless in Seattle. Obst then produced The Siege, Hope Floats, One Fine Day, and Someone Like You. One of Obst’s earlier projects came full circle when she came on Contact for Warner Bros. in 1997, directed by Robert Zemeckis and starring Jodie Foster. In 1999, she executive produced NBC’s Emmy Nominated, two-part miniseries The 60s. Then Lynda moved back to Paramount Pictures, where she produced such films as How to Lose a Guy in 10 Days and Abandon.

Obst’s most recent film was the September Warner Bros. release of Ricky Gervais/Matthew Robinson's directorial debut The Invention of Lying, starring Gervais and Jennifer Garner. Her notable upcoming projects include Steven Spielberg’s Interstellar, a sci-fi feature from The Dark Knight scribe Jonathan Nolan, based on a story by Obst, Nolan, and Dr. Kip Thorne; What Was I Thinking, starring Leslie Mann, Elizabeth Banks & Jennifer Garner; and Getting Rid of Matthew, starring Jennifer Aniston.

She has long written about the movie business for magazines and blogs, including a long running Oscar dialogue with New York Magazine critic David Edelstein.

Lynda Obst’s magazine writing, as well as more information on her films, can be found on her website: visit http://lyndaobstproductions.com/.

Filtered by blog articles (Clear filter)

Old People and the Oscars: Is 'The Social Network' Doomed?

Old People and the Oscars: Is 'The Social Network' Doomed?

How aging Academy members could affect this year's awards races More »

Is China Killing American Comedies?

Is China Killing American Comedies?

Funny movies are harder and harder to get made in Hollywood because foreign audiences don't like them More »

In Hollywood, Autumn Is Oscar Season

In Hollywood, Autumn Is Oscar Season

The first sign of fall in Los Angeles isn't seeing the leaves turn—it's getting Academy screeners in the mail More »

The Ronni Chasen Mystery: Making Sense of the Publicist's Murder

The Ronni Chasen Mystery: Making Sense of the Publicist's Murder

A Hollywood producer reacts to the death of Chasen, who was shot and killed after attending a film premiere More »

'Big Girls Don't Cry': How the 2008 Election Changed the World for Women

'Big Girls Don't Cry': How the 2008 Election Changed the World for Women

Rebecca Traister's new book explores the aftermath of Hillary Clinton's failed run More »

Selling 'Inception': How Hollywood Marketing Works

Selling 'Inception': How Hollywood Marketing Works

Industry insiders wrote off this long, difficult film as a niche movie. How it defied expectations and became a huge summer blockbuster. More »

The Last of the Old-Style Hollywood Agents

The Last of the Old-Style Hollywood Agents

No one in the movie industry will ever wear a cape to the office anymore. Remembering Ed Limato, who died over the weekend. More »

Hate Your Movie Choices? Blame the Recession

Hate Your Movie Choices? Blame the Recession

With studios low on cash, the only way films get made is if they are based on comic books or viral YouTube videos More »

In Defense of the Chick Flick

In Defense of the Chick Flick

Why are some female critics responding to Kathryn Bigelow's thrilling Oscar win for 'The Hurt Locker' by denouncing romantic comedies? More »

What This Year's Oscars Mean for Hollywood

What This Year's Oscars Mean for Hollywood

'Avatar' didn't win Best Picture or Director, but it's changed the industry. Plus, there's a new hottest party in town. More »

Who Will Win Best Picture: Avatar or Hurt Locker?

Who Will Win Best Picture: Avatar or Hurt Locker?

The biggest-grossing movie ever goes up against an indie. A Hollywood producer weighs each film's Oscars odds. More »

Other Oscar Races to Watch

Other Oscar Races to Watch

From Best Director to Best Screenplay, an insider predicts the winners—and offers her opinion on the biggest non-story of the awards season. More »

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