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James Fallows

James Fallows

James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States, and once worked as President Carter's chief speechwriter. His latest book, China Airborne, will be published in May.
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James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the US Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His two most recent books, Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009), are based on his writings for The Atlantic; he is at work on another book about China. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

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Adventures in Translation, Part 2,148

translateservererror.jpgEveryone's favorite illustration of the perils of computerized (mis)translation has been the scene at right, from a restaurant in China in the mid-2000s.

Below we have a new candidate, courtesy of a friend in Australia, who in turn relays it from a friend in the Middle East.

Ah, Babel. Ah, computers and their programmers.

(Update: I see that the Guardian is on the case too.)

DSC00604.jpeg

The Great James Rowe Memo

250px-DrawingHands.jpgThere is enough self-referential content to this post to justify the apposite Escher illustration. But not enough to keep me from doing it at all!

My friend Timothy Noah has an excellent item at TNR today, about the options ahead for Barack Obama. The self-referential part is that he is responding to my own cover story about Obama. The payoff is how far he advances the argument about Obama's political choices, past and future -- and extra insight he provides on an item I mentioned in my story, a fascinating memo written by James H. Rowe Jr.

You don't often see the phrase "a must-read 66-year old memo," but it applies in this case. As I said in my article, I learned about the memo from Samuel Popkin of UCSD, who discusses it in his forthcoming book The Candidate. Tim Noah has a link to the text of this long memorandum, from the Truman Library's site, and he explains both why Rowe deserves more attention in general and why his advice for a president confronting an opposition-held Congress is so surprisingly up-to-date. Rowe told Truman that the Republicans who had taken control of the Congress in 1946 would claim they wanted to cooperate with him. "The purpose of this memorandum is to examine whether such 'cooperation' is feasible." As Noah says about the resulting prescription:
It includes a list of Don'ts. Among these are "The creation of joint or bipartisan policy committees" (can you say "supercommittee"?) and "The increase in Congressional supervision of the President's managerial agencies, or the transfer of their functions to a Congressional agency" (translation: Don't even think about letting Congress get its mitts all over the Consumer Financial Protection Bureau).

Rowe also included a handy list of presidents who had to contend with one or more houses of Congress in the hands of the opposite party. One thing I noticed almost immediately was that of the three presidents most often named as America's greatest (Washington, Lincoln, FDR), only one--Washington--ever had to deal with this problem, and I'm not sure he should even be included because, though he leaned Federalist, our first president never actually belonged to any political party.
Worth reading -- Noah's item, Rowe's memo, Popkin's book. And, what the hell, our current issue, which is full of interesting stuff.

Science Speaks on the Crucial Canned Beer Question!

In response to previous installments one and two, an Actual Scientist writes to set us straight about what really happens to precious droplets of beer when they are housed in amber-colored glass bottles as opposed to metal cans:
Sure, cans will keep out light better than bottles. But I want to correct something one of your readers wrote regarding ultraviolet light getting through amber bottles. The reason for the amber coloration is that it allows longer-wavelength, low-energy light to pass through, but blocks the high-energy photons including virtually all of the UV. Here's one spectrum I could find online, here. (My students would look at me funny if I walked into the lab with empty beer bottles to take their spectra.)
DuranGraph.gif

Amber glass transmits some visible light, so yes you can still see the beer--and since beer has some color, it does absorb some visible light and in principle this can trigger some reactions. But it's UV light that does some serious photochemistry, and if your beer is in an amber bottle, you don't need to worry about UV. (You can neglect that tiny hump around 340 nm.) I would expect that the difference between amber glass and aluminum cans is minimal as far as photodegradation is concerned.
So there. Granted, this chart is from a company that makes protective glass, but at face value it suggests that no UV light at all makes its way through amber glass. I will turn to my bottles of Lagunitas or Victory or Sierra Nevada or [name your brown-bottle-using brewery] with hope and trust restored.

Further on the trail of error, a veteran of the beer industry writes to chastise not me but one of the readers I quoted.
Your post admitting a wrong opinion of beer cans contained the following quote from a reader:

>>As someone in Colorado put it, "New Belgium Brewing in Ft. Collins has their flagship brew "Fat Tire" available in cans as well as their "Ranger IPA" [JF: I have had this, and it's great] and "Sunshine Wheat".  Great for traveling.  And don't forget, ALL draft beer is packaged in aluminum kegs." <<

I work for a beer distributor and can assure you that beer kegs are not aluminum. The industry standard is steel, although some craft breweries have turned to plastic to cut costs.  I'm not aware of any beer kegs made of aluminum. Steel is used for its durability. Most kegs remain in circulation for many, many years.
Now, back to self-criticism as it applies to me. I mentioned yesterday that can-protected Dale's Pale Ale, of Colorado, had been in the "top ten" of a NYT tasting panel, rather than "winning" it, as a loyalist reader in Colorado had claimed. And in the most recent testing I was talking about, from 2010, that was indeed true. But the reader has come back to point out that in an earlier taste-test, in 2005, DPA had been the NYT's winner. So we're all right. And just as we still address George H.W. Bush and Jimmy Carter as "Mister President," even though someone else later got more votes than they did, so too can we refer to Dale's Pale Ale as a "national champion" beer, as at least once in its career it has been.

Bonus international comment after the jump.

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It Appears That I Was Very, Very Wrong About Canned Beer

surly-2-300x199.jpgA week ago I confessed my bias against beer that came out of cans, rather than from a tap or one of the brown glass bottles that have come to be associated with America's craft-brew renaissance. Reminder, on the counting-our-blessings principle: for us Yanks this truly is the Golden Age of Beer.

I have the additional blessing of being able to rely on the reading public to set me straight. In case you shared my confusion on this topic, the sampling of messages below may be useful to you as well. Visual aid at right: a can of Surly Furious, one of the fine products of Surly Brewing company of Minnesota, which many readers touted.

From a reader in Pennsylvania:
Snob! Throwback! Don't you read Consumer Reports? Cans are much superior to bottles in protecting beer from light, its worst enemy. All the classy European beers come in cans. If you've ever ordered beer on an airplane, it was in a can because a canned beer weighs only 2/3 as much as a bottled one. It also doesn't shatter if dropped. The idea that the beer tastes of aluminum is an urban legend. After all, draft beer comes in a big can.
Many people wrote to hammer home the point made in that last sentence. As someone in Colorado put it, "New Belgium Brewing in Ft. Collins has their flagship brew "Fat Tire" available in cans as well as their "Ranger IPA" [JF: I have had this, and it's great] and "Sunshine Wheat".  Great for traveling.  And don't forget, ALL draft beer is packaged in aluminum kegs."

Similarly:
I remember a brewer telling me once that cans are just as good as bottles for storing beer -- in fact maybe better since they don't let light in.

The problem, he said, is that your sense of taste comes partly through your nose, by way of smell.  When you drink beer from a can, your nose is buried in the aluminum can.  When you drink from a bottle, you're not smelling aluminum.  When you pour a beer in a glass, your nose is in the glass, and you can smell the beer as well as taste it.  He held that preference for tap beer is largely rooted in this fact.

So pour your Dale's Pale Ale in a glass, and see how it stacks up.  I'm not sure a glass can help your Texas Pride, however.  The theory has its limits.
Yes, I agree. Except in conditions of duress, I drink my beer out of a glass, not a bottle or can. Seeing it is part of the enjoyment! Except perhaps for Texas Pride. Also:
Aluminum canning has a ton of advantages over bottling. First, it's lighter and stronger than bottles, which means easier transportation. Weight also means that cans are supposedly more environmentally friendly than bottles (this Slate article explores the issue). Second, aluminum blocks light and glass doesn't. Even though amber glass does a reasonably good job, you can still see the liquid, right? Ultraviolet light exposure is probably the worst thing that can happen to your brew. Lastly, cans are just easier to handle on the consumer end. Lightweight, less breakable, easy to recycle, just a lot nicer on that end.

So why don't more craft brewers can beers? According to my friends, it's because it costs a hell of a lot of money to set up a canning operation. Filling bottles is relatively easy by comparison (obviously, filling kegs is even easier). That's basically the long and short of it, as far as I can tell.
After the jump, one more omnibus in-praise-of-canned-beer message. This is just a small fraction of what came in, but for now I say: Uncle! Thanks! And I'm looking for Surly.

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'State of the WaPo' Watch: Two Articles Worth Reading

I assume it was by serendipity rather than design that both the New York Times and the Washington Post had bracing articles today on the way the way the Post is being forced to, or is deciding to, "right size" its news staff to cope with unending business pressures.

High up in the Times story is an eye-opening quote from Robert Kaiser, a mainstay of the Post since the early 1960s and co-author with Len Downie, the Post's long-time editor, of a book on the future of the news business. As journalistically sophisticated a figure as Kaiser must have known exactly how it would sound for him to say the following, on the record, to a reporter from the traditional-rival news organization:
"The survival of the institution is not guaranteed," Mr. Kaiser said in an interview... Over the course of his five-decade career with The Post, he has been a summer intern, a metro reporter, a foreign correspondent and the No. 2 to Len Downie, Mr. Brauchli's [the current editor's] predecessor.

"When I was managing editor of The Washington Post, everything we did was better than anyone in the business," he said. "We had the best weather, the best comics, the best news report, the fullest news report. Today, there's a competitor who does every element of what we do, and many of them do it better. We've lost our edge in some very profound and fundamental ways."
Meanwhile, in this morning's Post, the paper's current Ombudsman, Patrick Pexton [disclosure: formerly of National Journal, part of the Atlantic's corporate family], has what is overall an even tougher item. It discusses the latest round of buy-outs for reporters, editors, and designers at the paper and ends this way:
But in looking at this buyout, I worry that The Post is moving away from local news and toward a publication that covers only national politics and government and the Redskins, one that relies too much on columnists....

Ultimately, readers, online and print, will be the judges of the downsized Post. The staff here is not happy. They ask, Where is the bottom? They hate the less-is-more bromides from senior editors, so I'll not quote those. I'll quote Brauchli's most telling statement from The Post's town-hall meeting on the buyouts: "This is painful."
I've never worked at the Post. But anyone in the news business knows that the phrases I've emphasized are extremely stinging judgments. Pexton, like Kaiser, is a veteran of this business who must have chosen his words knowing exactly how they would sound.

The Post's travails are not good news for anyone, including "competitors" like the Times and the WSJ. These two articles are worth absorbing as measures of the challenges the paper now faces. This will sound glib, but like Pexton and Kaiser I am also choosing my words carefully and am sincere: I hope that five years from now some big NYT feature on the Post can refer to them as marking an early-2012 nadir from which the Post as a first-tier news-gathering organization managed to rebound.

Super-Cool Obama, Super-Hot Christie, and a Book by Harper Lee

Following my cover story in the current issue, and this message from an African-American professional woman, Nancy Wallace, about the Jackie Robinson-like pressure on Obama not to "let down his race," a few more. One reader writes: s-OBAMA-large.jpg
Obama is also demeanor-constrained in the opposite direction from showing hot anger:  he can't even be seen wearing sunglasses in public, since that would be seen as looking "too cool" - in  the Malcolm X sense.   
As it happens, Obama has actually been criticized on this score!

Reader Michael Harrington writes:
I  am glad you ran that supplemental post that mentions how the president's demeanor may be sort of a construct due to the possible unfortunate implications of him getting too angry or emotional and fulfilling some awful stereotype. I am assuming that he is walking quite the tightrope a lot of the time, lest he scares America with his fury and we as a country decide he might not be able to "deal with the pressures of the job".

This is something I have been thinking about lately, partly because I am a Black man that works mostly with non-Black people in a leadership capacity and have to walk that tightrope, partly due to discussions I have been having with white associates outside of those professional settings, and partially due to reading Toure's latest book (Who's Afraid of Post-Blackness?) and thinking about what he said about some of the most recent Black politicians, including President Obama.

I do not know if you read that book (I think everyone should, regardless of ethnic origin) [JF: I have not yet], but he makes the salient point that to be successful in politics or business as a black person (I feel this applies to Latinos as well), you have to be as inoffensive as possible, lest you make people feel uncomfortable or guilty. I am not surprised that the woman who emailed you the other day had a nervous breakdown, since this puts a lot of strain on Black people that I assume (I don't know if it is true) most white people don't have to deal with. I also found that talking about this with non-white people, even in a casual setting upsets them a lot. I brought up this point in regards to the president, and I was either scoffed at, talked over, or was ignored. I cannot imagine what the president and his family are going through, but I assure you that he knows very well that it is in his best interest to seem as rational and objective in public as possible, since it is apparent that many people in this country still have deep issues with race and the perception of how certain groups play out their "racial roles"...

Even though I am Black, I don't blindly support the president because of his race; I support the president because I am an American citizen and I am glad that the representative of the country is a rational, brilliant person who seems to want to learn more. I suppose most people that become the POTUS are exceptional by definition, but it is interesting that Barack Obama has to be both exceptional and for all intents and purposes, as flawless as possible. It almost seems like he has to stifle his humanity due to the color of his skin.
After the jump, one more, on the Chris Christie/Harper Lee angle.

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Super-Cool Obama and the Spectre of the Angry Black Man

I'll start posting some of the reactions I've gotten to my current cover story that tries to make sense of President Obama's successes and failures in his first three years in office.

Not many people who have written in about the piece have said, "But gee, it was so short!" It's all of 12,000 words long -- but even at that scale, we left lots of stuff out. Among the cutting-room floor material was an attempt to address the issue this reader's message raises: how much of Obama's super-cool demeanor, which can seem so icily effective when it works and so ineffectively passive when it doesn't, is due to the pressures on him as America's first non-white president. If I, as a middle-aged white guy, am aware of the perils awaiting him at the slightest flash of being an Angry Black Man, I can barely imagine how much more profoundly he must have wrestled with this question.

I am therefore glad that Nancy Wallace, whose name I'm using with her permission, has written in about the issue:
I wanted to write to you because I think there's an important element of Obama's emotional responses and the perception of those responses that you didn't mention: race. I grew up in a family that was black middle-class; we actually were kind of the Cosbys. From the time I was in elementary school, I was aware, even though no one ever said it out loud, that was supposed to be "a credit to the race". I had a responsibility to be a role model which meant studying hard and going to church and getting into a good college and going on to professional school and marrying someone of the opposite gender. I was taught to deal with emotions by hiding them, because tears or anger would immediately slot me into a stereotype of Mammy or Jezebel.

In 1995, I had a nervous breakdown in the office where I worked at Harvard. I was on medical leave for two months. When I came back, I couldn't shake the sense that as the only black woman in my office, my failure to handle an unreasonable and excessive workload would reflect poorly on all black women, everywhere. It took a long time and a lot of therapy to realize that I was carrying a burden that wasn't mine, and that by repressing my emotions to avoid being seen as "too angry" or "hysterical,"  I'd just made everything worse.

Unlike me, Barack Obama IS a role model. Everything he does and says is, on some level, viewed through the prism of "First Black President". Knowing that has to constrain his public emotional responses, especially anger. If he raises his voice the slightest bit, then he'll be seen as an Angry Black Man, and Angry Black Man is scary. Jan Brewer claimed that the president was being "threatening" toward her, and I believe she probably did feel threatened because there was a tall black guy in front of her who didn't look all that pleased. At any moment, he could have whipped out a gun, or overwhelmed her with his brute animal strength!

Even the media narrative is quick to slap Obama with the "angry" label. After his speech during debt ceiling crisis where he directly criticized the GOP, his demeanor was described in some headlines as "angry", when in reality, he managed to hold it down to vaguely irritated. Can you imagine what would happen if he'd said, "Look, these clowns in the House? Dumb as a box of hammers. If they want to stop dicking around and get serious, I'm here; otherwise they need to stop acting like a bunch of spoiled whiny brats."

Jackie Robinson agreed that during his first year with the Dodgers, he wouldn't respond to any of the abuse he received from players, officials or fans, because even just yelling back would be seen as proof that "they" can't handle the pressure. I suspect Barack Obama is fairly laid back in general, but we'll never know because he can't be anything else.

Today's 'Even Aerospace Engineers Have a Sense of Humor' Entry

Check out Flight Aware's track of the route of the Boeing Commercial Aircraft Group's flight 236 yesterday. This is the route the plane actually took, as logged by Air Traffic Control radar. Look at it for a minute, if you don't get the point immediately. Hint: the aircraft in question was a "Dreamliner," aka Boeing 787. Another hint is in the upper left hand corner of this page.

787flight.png

I recall a similar flight track a while back by a Boeing 747, without the fancy curvilinear fillip* at the end.

As a feat of flight planning, and of exhaustive Lat/Long entry into the plane's GPS-based autopilots, this is quite something. The coordinates for the route are after the jump, if you'd like to try it yourself (and have a plane with the range of a 787.) Nicely done, and thanks to JDK and TMF for the tip.
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* Yes, I know it's not just a curlicue...

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Obama Story Is Online

Much of this past fall I was interviewing political figures to get their judgments on what-we-know, and how-we-know it, about President Obama's successes and failures in office so far.

The results are now online here (but of course it's always best read on paper!) plus a short video q-and-a with Corby Kummer, who was my editor on this piece as he has been for nearly all other Atlantic articles I've done since the early Reagan years.

Will have more to say about the background of this article, implications, cutting-room-floor info (yes, even with a 12,000-word piece, there's a lot left out!), and so on in the days ahead.
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Also, for the record, the Reddit AMA session I did yesterday was interesting, at least to me, and the results are here.

If You Are Feeling Sorry for Mitt Romney After the Results Last Night

To lift your spirits you might watch this now-famous bit from Jon Stewart four years ago, after Romney dropped out of that year's race against John McCain. The part from time 2:50 to 4:15 is the heart of it. (Via Steve Benen.)

The Daily Show With Jon StewartMon - Thurs 11p / 10c
Mitt Drops Out
www.thedailyshow.com
Daily Show Full EpisodesPolitical Humor & Satire BlogThe Daily Show on Facebook

I was indeed feeling sorry for Romney in human terms -- losing every county! - and then I reflected on the kind of person who would find solace, in time of trial, in sentiments like the ones we hear from him.

Never imagined I would end up saying this, but: Go Santorum!

YellowShirtGirl: Finale on 'Ominous Asian' Imagery

Finale, at least from me. A few incoming items on the "we take your jobs" / "YellowShirtGirl" discussion.

1) From Julia Kim Smith, a further HTML exploration. 
hoekstra.jpg
[If you're tempted to write in: No, that's not what the HTML actually shows. <blog class="joke" > ]

2) From Funny-or-Die, a parody that is not exactly Oscar Wilde-like in its rapier subtlety but that has its moments. My favorite is in the first 20 seconds, a joke on the theme of "my excellent math ability!" Plus a Jeremy Lin reference right after that.

3) From a reader who notes our old friend "false equivalence" in an NYT item on the controversy:
While I think this is a relatively minor offense, I just thought it was interesting that the New York Times article you linked to in today's blog made certain to include this:
>Senator Stabenow has done some China-blaming of her own. From her Senate Web site: "China has a clear pattern of flagrantly violating trade rules and it is long past time to stand up to them."  And on Monday, in a conference call with reporters, she said, "We can't continue to sit back and let China's policies cost us jobs.''<
How is this even remotely comparable to the offensive commercial in question?  Why does it deserve inclusion?  It just serves to tar Senator Stabenow, unfairly, with the same brush.
I liked the NYT item but the reader has a point. It's one thing to talk about trade rules, currency valuation, etc and something else to run "me likee!" ads. The "to be sure" reflex really is deep, for all of us in the journalism business.

4) From Chauncey DeVega at Daily Kos, a clip that exactly matches the "visual dog-whistle" that I said the video was evoking, with its use of a smiling but treacherous young Asian beauty, issuing broken-English come-ons to the unsuspecting Yanks. This is a scene not from Apocalypse Now but from Full Metal Jacket -- a movie made 25 years ago about events 20 years before that, but whose imagery left a mark in the public mind. Someone involved with this ad had seen this movie. Really, the scene is a remarkable match to the Hoekstra ad:


Up-to-date bonus: The Nancy Sinatra soundtrack can be a hipster allusion to today's Lana Del Rey controversies.

5) From a reader of the Vietnam Generation, with extensive experience in China -- and it's not me! -- spelling out the imagery:
*  The ad is actually aimed at angry, declining Vietnam-era people.  The imagery is of southeast Asia.  The young lady looks far more Vietnamese than she does Chinese.  If the ad agency is that smart (and not simply guilty of "seen one Asian/seen 'em all"), they aimed at a specific demographic in Michigan, the fat droopy-mustached "men" left over and falling into the shadows ever since Vietnam.

*   The young lady is overwhelmingly Asian American. [Versus actually foreign.]  Just listen to her.  This ad's real insult is to millions of American young women of Asian descent,who look and speak like this young woman.

*   Most important, Hoekstra with this pathetic loser's cri-de-coeur hands to the cynics and the tough hombres in Beijing the tool with which to bolster their own grip; they point to stupid China-bashing artifacts like this one (and all the others at the TPM site) and say, whenever some American rightly calls attention to some rotten thing they're doing, "There they go again!  It's just more China-bashing."  Thanks, Pete, for making all the things you don't like about China all the more likely to succeed.
I think that's it; thanks to all.

In-House News: Reddit Session Today Noon - 1pm EST

For devotees of Reddit IAMA sessions, I will be doing a live question-and-answer session there today starting at noon east coast time. FYI it will be at Reddit.com/r/iama.

Thanks to the Atlantic's Jared Keller, whose long-time entreaties have gotten me off the ball here. See you on line.

Bomb-Iran Drumbeat Watch: An Ongoing Series

Today's installment comes from Mike Lofgren, familiar in these pages for his observations after a career working mainly for Republicans in the Congress. He begins:
For most of my three-decade career handling national security budgets in Congress, Iran was two or three years away from obtaining a nuclear weapon. The idea of an Islamic bomb exerts a peculiar fascination on American political culture and shines a searchlight on how the gross dysfunctionality of American politics emerges synergistically from the individual dysfunctions of its component parts: the military-industrial complex; oil addiction; the power of foreign-based lobbies; the apocalyptic fixation on the holy land by millions of fundamentalist Americans; US elected officials' neurotic need to show toughness, especially in an election year. The rational calculus of nuclear deterrence, which had guided US policy during the cold war, and which the US government still applies to plainly despotic and bellicose nuclear states like North Korea, has gone out the window with respect to Iran.
You can read the rest here.

Also from Peter Beinart, an argument I don't have the same personal standing to make, about the potential for American Jewry to help spare Israel a rash error:

Beinart.png
Yes, Iran's acquisition of a nuclear weapon would create a lot of dangers and complications. But according to the latest testimony from the most authoritative American intelligence expert, the U.S. is not sure that Iran is even trying to build a bomb. It says nothing good about our current political/strategic climate that there is so much loose talk about "preventive" war at this stage. Eisenhower would not have talked this way, or Rabin, or other strong leaders from those two countries' modern history.

HTML to the Rescue! The Saga of Hoekstra and 'Yellow Shirt Girl'

Who says that the people behind Pete Hoektra's "Your economy get very weak" ad are insensitive?

They haven't changed the ad itself, or the "Debbie Spend It Now" site festooned in nonsense Chinese and even more nonsense economics. (Best headline about all this, from the NYT: "Asia Bad. Take Many Jobs. Not Fair." )

But fortunately they have changed the HTML code! Here's what we saw last night, as part of the code referencing the comely and smiling "we take your jobs" Asian woman:

Yellow1.png

But now:
Hokestra2.png

Who wouldn't call that progress! I know that I feel better. As I bet does the actress who appeared in the spot. I'm looking forward to hearing about it from her side some day.

Girl2.png

Promised 'Red Tails' Update: Go See It

As anticipated last month, I finally saw the George Lucas adventure movie about the Tuskegee Airmen, Red Tails. Here is how some of the real Tuskegee Airmen looked:

Thumbnail image for Tuskegee-Airmen1.jpg

And??? OK, it's not Shakespeare. The dialogue is sometimes laugh-out-loud corny -- I mean really, several times I actually burst out laughing in the theater --  and the characters have a kind of comic-book obviousness. The naturally talented virtuoso who takes one risk too many; the college boy weighed down by parental expectations; the doomed sweethearts; the bigot who sees the error of his ways -- and the ones who don't; etc. Still, I'm glad I saw it, and I hope it registers as a success.

Reason one: It's not supposed to be Shakespeare! If put in its real artistic class -- not just contemporary aerial-Westerns like Top Gun and even Star Wars itself but also World War II standards like 30 Seconds Over Tokyo or Sands of Iwo Jima, all of whose real message is, "See how brave and good our people are! And how they must cope with personal problems, and how they miss their loved ones at home, as they resolutely fight for us"--  it's no cornier or thinner than the others.

Reason two: It's fun to watch. At least if you have any interest in seeing good guys vs. bad guys as they zoom around, engage in derring-do, and blow things up. Or, as a veteran flyer put it when defending the movie against nit-picking critiques of its accuracy:
None of them seem to understand that the film is for an audience of teenage boys--particularly African-American boys--and not 60-year-old rivet-counters.
Reason three: I hope it is officially considered a success, so that when movie people talk about "another Red Tails" that will be a green-light signal rather than a kiss of death. Lucas has said that he imagines the current film as part of a trilogy, which he'll make if the first one succeeds. For all the complaints about thin characters, I would actually would like to see a "prequel" movie explaining, for instance, how "Lightning" and some other rural-South characters ended up as fighter pilots (yes, I realize that this pattern was common among rural-Southern whites at the time) or how "the old man," Colonel Bullard, got to that rank. Or a sequel showing what happened to the flyers when they went back home. Including "Easy," who struggles with a drinking problem and his father's expectation that he'll follow him into professional life. Also, it wouldn't be bad to have Hollywood take it for granted that a movie with a nearly all-black cast could have mainstream success.

So: if you have a chance, check it out. Think of it not as Henry V but as a precursor to Top Gun
and you'll be set for a good time.

This Is So Classy: 'Yellow Girl'

Thanks to TPM for a tip to what you see if you examine the HTML code* of the Pete Hoekstra / Fred Davis "we take your jobs" video.

The image of the "Chinese" girl in the video, who speaks American-accented English, is labelled as ... well, see for yourself:

Yellow1.png

Now, in context, they could have been referring to the color of her shirt, as seen in the picture below. Perhaps. Although in that case "orange girl" is the term that might occur to most people. (As illustrated by comparison with the actually yellow lettering in front of her.)

I suppose it's as if you were using a picture of Colin Powell or President Obama wearing a black shirt. If you were producing one of these ads, by the same logic you could just label it "black boy," right? I mean, why not?

Girl2.png

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* Either you know how to do this, or you can look it up.

More on the 'We Take Your Jobs' Hoekstra Commercial

Maybe everyone else in politics-land knew this, but I was interested to learn:

Thumbnail image for Fred-Tie.jpg- The brains behind the ad belonged to Fred Davis, shown in a picture from his bio at his company's site.

- Davis was also the creator of two other memorable political ads, Christine O'Donnell's "I'm Not a Witch" and Carly Fiorina's "Demon Sheep" ads, clips of both of which can be found on his site ("Witch" here and "Sheep" here). Plus other greatest hits, as listed by the WaPo.

- Last year he did those weirdo pre-announcement ads for Jon Huntsman, and at the time said that Huntsman was "the only GOP candidate who has a prayer of beating Barack Obama."

- His uncle is ... Senator Jim Inhofe!  I'd love to be there at Thanksgiving. It's kind of like the Adams, Taft, or Roosevelt lineages of leadership.

On the merits of the ad, two reader comments. First, about its cinematography:
You have probably already noticed that the opening and the ending are stock footage from SE Asia somewhere.  I am guessing that the meat of it was shot in Kern County somewhere.
Now, about the possibility of an extra dog-whistle, an American reader with a Chinese last name adds:
You mentioned the visual dog-whistle this ad provides, and I would add to that characterization.  In addition to the Vietnam imagery of films like Apocalypse Now, Full Metal Jacket, or The Quiet American, it also evoked the specter of Vincent Chin, the Chinese American who was killed 30 years ago by a Detroit-area auto plant superintendent who thought Chin was Japanese.  This was during the period of American paranoia about Japanese domination of business, especially the automobile industry.  The killer allegedly said to Chin, ""It's because of you little m***s that we're out of work!" even though Chin was not Japanese.  Chin was beaten to death and the perpetrators were given very lenient sentences for what is in my view, a hate-based and pre-meditated crime. 

I'm sure I won't be the first or last reader to point this out, but the Hoekstra ad served as another, perhaps unintentional dog-whistle.  As someone whose ancestors came from southern China, just as Vincent Chin's ancestors had done, maybe from a place similar to the setting of this advertisement, this resonated loudly and unequivocally: don't let Asians take your jobs.
And, from a Michigander now living in the South:
As a Son-of-Michigan-In-Exile, I am appalled at Hoekstra's ad.  It's so bad, I won't be able to make fun of South Carolina politics for the rest of the week, and I'm sure there will be something wonderful said by someone down here - they never disappoint.

The ad is flat out racist, and there is no idea behind it except racism.  What, you say?  The ad is supposed to show how China is getting ahead in global competition?  Then why is the word "China" never mentioned in the ad?  This as has only one message: vote for Hoekstra if you hate Asians (although it's probably phrased a little more offensively than that).
Finally, from a veteran of Republican politics:
Liberals are without doubt hyperventilating over the racist implications of Pete Hoekstra's political ad against Debbie Stabenow. But believe me, that's not a very effective way of attacking Hoekstra. Most of his potential voter base (including socially conservative industrial union members in Michigan) simply won't care, and he will in any case spin it that he is being persecuted by the politically-correct thought police.

The more interesting angle is one of hypocrisy. Hoekstra voted for permanent MFN for China in 1999, and China's creditor status vis-à-vis the U.S. simply reflects all those good-paying union jobs Hoekstra shipped there (yes, I know international economics is more complicated than that, but would certainly put Hoekstra on the defensive.)

'Where's My Flying Car?'

It is humanity's deepest question. Or at least for the one seven-billionth of humanity represented by me. Today AVweb answers the question in an unexpected way.



For previous installments in the "Where's My Flying Car?" saga, see here and here, including this action shot of the charming Terrafugia (which AVweb says will not turn out to be the Flying Car you're looking for).

terrafugia5_1668959c.jpg

Keep hope alive.

Today's Bomb-Iran Reading List

1) The weakest case anyone has made in public for going to war, from a celebrity professor. Reflect upon this being published in a leading magazine.

2) Historical analysis worth reflecting on (including the comments), from a less publicly-known professor who makes a more serious contribution. This essay, by James Fearon of Stanford, argues that today's existing nuclear powers have, overall, been less militarily aggressive after acquiring nuclear weapons than they were beforehand. One of his sample charts:
NukesFearon.jpeg

Fearon is obviously not contending that such correlations prove cause-and-effect, and he is not complacent about the possible consequences of Iran's getting the bomb. But he addresses one crucial part of the argument for pre-emptive strikes on Iran: that, if its regime had control of nuclear weapons, it might behave in an "irrational," necessarily suicidal, non-"deterrable" way, unlike the other nine countries that have had nuclear weapons. That is: Iran will be "different," or more precisely that Israel and the United States cannot tolerate the risk that it might be different. A sample of his case:
The fact that the other members of the nuclear club generally didn't get much more aggressive in their foreign policy behavior after they tested [nuclear weapons] doesn't mean that Iran won't.  But I think it's astonishing how weak a case for this we are hearing from the preventive war advocates...

To be clear, I'd strongly prefer that the Iranian regime not get the bomb, mainly because of the risks of further proliferation in the region and attendant risks of preventive war and loss of control of weapons.  But attacking Iran seems likely to guarantee pursuit till acquisition, to more effectively license future attacks on Israel, and to greatly increase popular support for the current Iranian regime and a course of nuclear self-defense.
Very much worth reading, and comparing closely with dashed-off cases for war like the other article. Especially in light of the recent statement from the U.S. intelligence community that they are not sure that Iran is even trying to build a bomb.

Superbowl Special! My Nominee for Most Revolting Ad

During the 2010 midterm-election campaign, I said that the "Chinese Professor" ad was the bit of political persuasion/propaganda most likely to be remembered long after the campaign. Of course, that was before I knew about "I'm Not a Witch."

I considered the "Chinese professor" ad skillfully done. It was ominous but just short of race-baiting (since the "villains" were not Chinese but Americans collectively, and its triumphalism was incidental, as an ending touch, rather than central); and it was in the long-standing American tradition of using external threat as a vehicle for addressing internal concerns. If you'd like to see how the same approach looks when carried out by people who don't worry for a second about what lines they cross, consider one that lucky viewers in Michigan will see later today.

It's for this year's campaign for the U.S. Senate seat in Michigan, now held by Debbie Stabenow, a Democrat. Her Republican challenger, former Rep. Pete Hoekstra, works a "clever" play on her name to show how she's actually advancing the interests of the wily Chinese.
 


Let's not even get into the logic of the ad -- eg, the fact that China's formula for creating jobs has involved more public spending and more public "guidance" of industry than America's. Let's skip to the bonus points for racial imagery in the ad, apart from the obvious.
 
1) The "Chinese" woman speaks in American-accented English, and I would bet she is actually an Asian-American. But the script has her make pidgin grammar errors, "Me likee!!"-style.

2) The ad's words are about trade, budgets, and jobs, but its images are about -- 'Nam!!  Of course some parts of southern China look the way this ad does, with rice paddies, palm trees, no big buildings, people wearing conical straw hats and bicycling along dike tops. But this is nothing like how the typical big-factory zone looks in China, or the huge cities that would exemplify Chinese wealth and the country's rise -- ie, the subjects of this ad. So why this rural setting? I think it's because it offers a kind of visual dog-whistle, for those Americans who, either through experience or through Apocalypse Now-style imagery, associate smiling-but-deceptive Asians in a rice-paddy setting with previous American sorrow.

This ad is embarrassing for America! Regardless of party, I hope it loses Hoekstra more votes than it wins him. For an earlier illustration of a comparable approach, see this one from Nevada Arizona. [Apologies to Arizonans.]  Update: Politico has more on the ad. (And thanks to YA for the tip.)
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