James Fallows

James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States, and once worked as President Carter's chief speechwriter. His latest book, China Airborne, was published in early May. More

James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the US Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His two most recent books, Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009), are based on his writings for The Atlantic. His latest book, China Airborne, was published in early May. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

 
Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

Filtered by "appreciations" (Clear filter)

With Sidney Rittenberg, in Seattle

RittenbergArmy.jpgSidney Rittenberg's The Man Who Stayed Behind (with Amanda Bennett) is a genuinely astonishing book. To be more precise, it is a dramatic account of a genuinely astonishing life.

Rittenberg, who grew up in Charleston, South Carolina in the 1920s, went to China in the 1940s as a language expert with the U.S. Army (right) -- and stayed for decades, as a committed believer in Chinese Communism and the new path being blazed by Chairman Mao. His loyalty to the country and its leaders survived his two long stretches, totaling 16 years, in solitary confirement as a political prisoner there in the early 1950s and again in the late 1960s. He still travels back and forth to China and, in his 90s, is actively involved in US-China affairs.

This evening -- Tuesday, May 14 -- I will have a chance to talk with Sidney Rittenberg about China then and now, at an event in Seattle sponsored by the Washington State China Relations Council. It's at 6pm at the ACT Theater; details here. I understand that C-SPAN intends to film his remarks, but if you're in the vicinity, please consider coming. I have met him before but am tremendously excited to have a chance to ask him about his experiences and views. It is an opportunity to hear about history, first-hand.

Today's Google Doodle Is My Favorite in a Long Time

I don't know who at Google had the wit to think that the 93rd birthday (?) of the late Saul Bass (??) was an occasion calling for celebration via a "Doodle" -- a one-day tribute on the home page. 

But whoever that person was, was right. The click-to-play montage of Bass's classic movie-title sequences that now occupies Google's home page is sublime, especially as set to Dave Brubeck's Unsquare Dance.* Anyone who knows the movies of what we now consider the Mad Men era will recognize the visual references, including Psycho, Spartacus, West Side Story, North by NorthwestAnatomy of a Murder (source of the initial static shot below, which opens and closes the number), and more:


It's worth recognizing small touches of elegance that shine out from the chaos and dross that often surround us. The execution of this Doodle is such a touch. I had not realized that just one person had been responsible for so many of the design elements that played a large part in setting the style of an era, let alone been aware that the person was Saul Bass. Now I do know, thanks to whoever thought up and produced this feature. I am glad, too, that the powers that be at Google** have decided an ongoing investment in Doodles, and an allowance for their quirkiness, is worthwhile. 
_
* Brubeck's Take Five is so universally known that its 5/4 time signature now seems almost normal. The less-well-known Unsquare Dance is written in much-less-familiar-sounding 7/4 time.

** Routine disclosure: many of my friends work at Google, as does one of my sons.

Rauch, Runciman, Rowe: Three Rs for Today's Reading

Here are three pieces of writing very much worth reading -- not necessarily right at the moment, between emails and hassles, but when you have time to digest each of them.

MayIssue2013.png1. Jonathan Rauch, "How Not to Die," in the hot-off-the-press issue (subscribe!) of our magazine. Quite a few articles in this issue illustrate the kind of journalism that has long been The Atlantic's distinctive strength. This is what we sometimes refer to as "breaking ideas," as opposed just to "breaking news," and by that we mean an article whose author does a lot of traveling, reporting, and interviewing; takes care to present the material in a narrative structure rather than as a straight-out essay; and does all this toward the end of presenting a new concept or way of seeing the world. The cover story, by Charles Mann, obviously is a full-length demonstration of the "breaking ideas" approach, and I will say more about that later. But Jonathan Rauch's piece also deserves careful attention.

Its essential point is that if people could see and fully imagine what the end of life is like, when it occurs under today's hyper-medicalized circumstances, they would make very different choices about their loved ones and themselves than they do when just confronted with over-familiar facts like "most of medical spending is in the last few months of life," etc. As he explains, Jonathan Rauch came to grips with this reality in watching his father's demise. The same experience with my own father had a similar effect on me. (In our family's case, my father was spared the worst extremes only because one of my sisters had the strength and wisdom to make a last-minute, split-second call against the momentum of high-tech-but-dehumanizing medical-industrial intervention.) Please don't miss this article. 

2. David Runciman, writing about Ira Katznelson's history of the New Deal, Fear Itself, in the London Review of Books (subscribe! -- and in any case you will need to do a free registration to read the article). Runciman, who is a political scientist and writer based at Cambridge University, uses the review to lay out the long background of regional and racial politics in the United States that affects the news even to this day. For instance: Today's legislative paralysis is largely due to the willingness of smaller-state senators to band together as a blocking minority. The party lineup was different in the 1930s (the "Solid South" was Democratic then) but the phenomenon was very similar (emphasis added):
The second weapon Southern senators had at their disposal was their longevity. Control of Senate committees went by seniority and because the South was a one-party state, Southerners were invariably the ones who had been there longest. In the 1920s, when the Democratic Party was being battered by Republicans in national elections, the South was immune. During this period, 67 per cent of all Democrats in the Senate and 72 per cent in the House came from the South. When a new raft of Northern and Western Democrats were returned on FDR's coat tails in the 1930s, the same Southerners were still around. So it didn't matter whether the Democrats were down or up, the South still ended up on top. When the party was down, Southern representatives were the only ones standing; when the party was up, Southern representatives were the ones with all the experience. There was no way for a Democratic president to legislate without letting the South get its fingerprints all over his bills.
And, about the results of that era -- and especially of FDR's decision that he could not/would not challenge the racial order in the South:
Katznelson's argument is that the distinctive character of the postwar American state was determined by the compromises that riddled the New Deal from its outset until its demise under Eisenhower. The result was a 'Janus-faced' politics: outwardly assertive, interventionist, crusading, moralising, always looking to take the fight to the enemy; inwardly constrained, laissez-faire, decentralised, protective of private interests, reluctant to uphold the public good. Katznelson sees this dual state - mixing nearly unconstrained public capacity with nearly unconstrained private power - as both enduring and pathological.
Thumbnail image for JonRowe.jpg3. Jonathan Rowe, in his posthumous book Our Common Wealth (buy!). As I mentioned two years ago at the time of his sudden and unexpected death, Jon Rowe was a wonderful and original-minded writer who found a way to express concerns and ideas that made instant sense -- once he had pointed them out. His main contribution to The Atlantic was a 1995 cover story, with Ted Halstead and Clifford Cobb, on why GDP growth was a crude-at-best, destructive-at-worst way for a society to measure its overall progress and well-being.

At the time of his death Jonathan Rower was working on a set of ideas that now have taken form in a book edited (from his papers) by his friend Peter Barnes. Its power is, again, to give voice and form to a concept many people sense but that doesn't clearly make its way into political, journalistic, or academic discussion. That is the value of all the things to which we can't attach an immediate profit-and-loss value but that clearly matter to individuals, families, and entire societies in distinguishing satisfaction and happiness from malaise. Which is also a point Jonathan Rauch and David Runciman are addressing.

Please find the time to read these three works.

The Glamour Has Always Been There: David Broder Edition

Recently I posted a couple of pictures illustrating the role that airport-terminal floors play in the Atlantic's article-production process.

My friend Matt Broder, son of the late Washington Post columnist David Broder, reminded me that floors have long played an important role in journalism. He said that the LAX photo made him think of the one below, showing his father at work. From various clues in the photo I would guess it was taken in the mid-to-late 1970s or the early-to-mid 1980s.

DavidBroder.png

Matt Broder adds:
The category, I guess, is "It Was Ever Thus for Journalists, Even Before The Internet."

This is, by the way, my all-time favorite photo of my dad.  How happy I am to find it on The Atlantic's own website! [In an item about David Broder by Ron Brownstein.]
In turn, one lovely detail in this photo made me think of a famous shot from the historical archives. It's of Adlai Stevenson, during his 1952 presidential campaign:

AdlaiShoes.jpg

There is a related great picture of Obama-and-shoes, from the 2008 campaign, that I'll let you find. Working hypothesis: three striking photos of politically involved figures who are too busy to tend to their shoes all involve people from Illinois. Discuss.

Housekeeping Notes, Plus Classic Air Travel Video

In a day or two I will resume normal programming here.

BootsClip.jpgIn the meantime, many people have written to ask whether I was being literal and sincere in saying that Nancy Sinatra's "Boots" video was "the best part of the 1960s."

For clarity: No. 

If Andrew Sullivan hadn't already patented the concept of the Hathos Alert, I would have applied it here. By those terms, the video is pretty great. 

Also, as several readers have pointed out, "Boots" had in its time a distinct political connotation, beyond just being an object of hathos. Details below*.

Let me now switch to completely sincere mode in endorsing this classic parody video, via the Atlantic's own John Tierney. If you see nothing else, watch the part from time 0:26 to 1:12, which is taken from a Nicoderm commercial that made a star of Anna Silk. But you probably should see other parts too.  For instance, starting at 4:24, or 2:28, or ...


Now back to work, including filing that tax extension.

* Eg about Boots, from Wikipedia
>>During television news coverage in 1966/67, the song was aired as a soundtrack as the cameras focused on US Infantrymen on patrol during the Vietnam War. Later, during that same time frame, Sinatra traveled to South Vietnam to perform for U.S. servicemen. It was used on the soundtrack to Stanley Kubrick's Full Metal Jacket (1987). Sinatra also sang it on an episode of China Beach in the late-1980s. In 2005, Paul Revere & the Raiders recorded a revamped version of the song using Sinatra's original vocal track. It appeared on the CD Ride to the Wall, Vol. 2, with proceeds going to help Vietnam veterans.

In addition, the Fembots were introduced to the strains of the opening and closing notes of the song in Austin Powers: International Man of Mystery.<<

Video Tribute to 2 Decades

The best part of the 1980s:

The best part of the 1960s—OK, there were a lot of them, but this is one that is particularly unbelievable in retrospect.

The "Hah!" at time 1:50 is the part that I always thought would make Frank Sinatra proudest of his daughter's ability to express the meaning of a song.

For myself, I am proud to be an American.

___

Update OK, here is a third video tribute-to-a-decade. It is of toddler-aged pandas playing on a slide at the Panda Base in Chengdu, and it is from the 2010s. I am still proud to be an American, but I'm glad to have seen animals like this at Sichuan province panda reserves.

Thanks to DL for this one, and thanks to the world for providing such riches.

Airline Captains, Judgment Calls, Corporate Culture

I really intended to let this subject sit for a while, but I have seen two things that I think are worth passing on. They make this a long item, so consider "classic view."

The two items do not include a response from United to the stranger-the-longer-you-think-about-it case of a pilot who diverted his whole planeload of passengers to Chicago, on a trip from Denver to Baltimore, so that police could board the plane and remove a mother and father and their two young sons. The parents' offense was to have complained about what they considered an overly violent and salacious movie being shown on the overhead screens. I've heard nothing back from the United press office, not even "message received" or "no comment," and at this point I'll be surprised if I do get a response. [UPDATE 12:10pm I have just now heard from Megan McCarthy, Managing Director for External Communications at United. She said she would look into the episodes I've been describing and provide a response. I told her that when she did I would put it up promptly and call attention to it. UPDATE-UPDATE 5:00 pm You can read the United statement here.]

Instead the two items are contrasting accounts of the judgment calls that go with any position of responsibility and that collectively create and express a "corporate culture."

The first is from Chris Manno, an American Airlines captain who blogs under the name JetHead. In "Airline Pilot Confidential: The Teddy Bear Incident" he describes a decision he made, in violation of corporate incentives/pressures and perhaps even rules, because he thought it was the right thing to do. It was "right," he thought, not simply on its specific merits but also for its general representation of corporate and personal values.

This is truly a remarkable tale, and I thank reader ER for alerting me to it. By the end of it you'll understand the power of what Manno means when he says, Not on my watch. This captain has the same job as the one who diverted to Chicago, but not the same profession.

The second is an account from a reader in Australia. It is very long but has a payoff. Also, it includes an on-the-job picture of an airline employee, which I have obviously altered. I've blanked out the employee's face, but in the original you would see that his eyes are closed and he is in blissful repose. Now, the reader:
>>I'm 58 years old, a 2 million mile flyer with United, at the 1K level for 10+ years.  Although we live in Australia now, my wife and I are both Chicagoans originally and we still have a condo there.

I've stuck with United thru the bankruptcies, merger with Continental (which actually helped us as CO and now United fly into [the city in Australia] where we live).  What you've described is employee malfeasance - a problem that all the airlines struggle to address.

And it should be noted that most frequent flyers have, since 9/11, severely moderated their personalities WHEN ONBOARD THE FLIGHT.  I had routinely seen passengers chastising flight attendants and even arguing with them prior to 9/11.  After?  Pilots and flight attendants have clearly formed a "pact" where the pilots are used (willingly and unwillingly) to "get square" with passengers.  As a result passengers have become meek as sheep onboard.  And I would anecdotally opine that the ground agents are getting more abuse than before, because of this and other capacity-related issues.

In October of 2010, I boarded a UA flight from Geneva, Switzerland to Dulles.  I had been upgraded to business class (along with two other colleagues who had been at the same engineering conference).  As is my custom, I changed from my business casual clothing to dark, knee-length shorts and a t-shirt.  This was, for any frequent traveler, a "sleeping" flight.  

Shortly after I had changed my wardrobe (in the lavatory), a pilot came up to me and said "you can't travel dressed that way".  I turned to him with a stunned look and of course asked "why not?".  He said it was inappropriate and walked away.  A flight attendant came up shortly afterward and said "you'd better change back because the pilot isn't going to let you travel that way".  I asked her why that was, and she just rolled her eyes - which told me this pilot might be trouble.  There were what looked like elderly Europeans in business class, dressed for travel like it was 1960.  They may have lodged the complaint, I don't know.  I sat down in my seat, used my blanket to cover my legs, and waited.  

The pilot returned, and was clearly agitated.  During his diatribe he poked me, which I considered assault.  But what does one do about this kind of incident in a foreign country?  Should I stand my ground and likely be ejected from the flight at a port where United had no employees (only contract staff)?  Even my colleagues witnessing this incident were cowed into silence.  I was unsurprised.

I changed back into my boarding clothing.  

I toyed with returning to my shorts after departure, because I thought it would be much harder for the pilot to explain a diversion disrupting 250 passengers.  And I'm a "Type-A" person, who worked on film production as a sound engineer for 20+ years, where my tactlessness was honed to a knife edge.  I'm usually not loathe to speak-out, even on behalf of others.  

When we arrived at Dulles I used my express card to race thru immigration, and found a police officer.  I explained briefly what had happened onboard the plane, and said I wanted the pilot identified and perhaps a report filed for assault.  As the pilot came out of immigration, three police officers stopped him and ID'd him for me.  (His name is XX).  He saw me standing with another officer 20 feet away and shouted "you'll never fly on United again".

I of course notified United Airlines via the "1K Voice" email address, and as I would be staying in Chicago for a week or so I drove out to their headquarters building in Schaumburg.  I eventually told the story to both the customer service rep that I had been in contact with previously, as well as the chief pilot.  United also interviewed my colleagues, so they were clearly satisfied that the story I told was accurate and even more importantly, I DIDN'T CAUSE A RUCKUS. And subsequently I was provided with upgrade and discount certificates. But of course I never was told what happened, if anything, to this pilot or why he had acted so irrationally.

So why are these things happening?  

Let's use as an example Singapore Airlines, who's onboard staff are among the best in the world.  These flight attendants are given one five year contract, and then except for a handful who move up to management, they're out.  They are paid much less than US legacy carrier flight attendants, can be fired easily, and more importantly aren't there to make a career.  

The US legacy carriers in particular are saddled with many long-serving flight attendants.  These (mostly) women were sold on the idea that this job was a career, and a "glamorous" one at that, with long layovers in exotic places, traveling with intelligent, wealthy people.  But this idea flies in the face of what the job actually is.  A job that requires no education, not even any computer skillls, and has little pathway for advancement.  And a job that is protected by still powerful unions.  I've spoken to hundreds of flight attendants over the years, and have a good understanding of their thinking.  A great many are angry - angry at themselves for thinking this was going to be a career, angry at the airline for going bankrupt and stripping them of wages and benefits.  This anger manifests itself exactly as you've described - telling white lies to avoid any further work, reporting passengers as "disruptive" to the pilot, and even more egregious behavior. Many flight attendants refer to vacation-destination flights as "the flying Clampetts".  If they hate their job and their passengers, they should go.  But they can't, or don't.

If you look at what was Continental Micronesia, a separate company owned by Continental prior to the merger, and their labor situation it's like night and day.  This company was based in Guam, which while ostensibly the USA is more akin to the Philippines.  The Continental (and now United) flight attendants based in Guam are largely Chamorro or Filipino, and look at these jobs as a tremendous opportunity given their low educational level.  I've never heard a cross word or seen a scowl from these flight attendants.  They weren't sold a "dream" to be a "flight attendant" and see the world!  They were offered a great job, provided with the skills to do it, and pay that is much above what their fellow Guamians would receive under similar circumstances.

The legacy carriers; United and American especially, have a difficult situation.  They have a large number of angry flight attendants - the worst of which, because of seniority rules, get the longest, most profitable international routes where UA has to compete with happy flight attendants.  For the first time after the merger however I am sensing that UA management is now working to weed out the real troublemakers, something I can't recall them doing at all the last ten years.

This photo, UA 483 on October 23, 2012 from LAX/SFO had a purser who sat in this position the entire 80 minute flight, leaving only one of his colleagues to serve the full business class section.  I reported this incident (with photo) to UA, who for the first time in many years seemed generally concerned about fixing this problem.

Pursure.png


As for the inappropriate programming on the video.  I was successful in getting the "survival in the wild" show with Bear Grylls removed from the entertainment system - the bug eating during meal time was I thought a bit over the top.  However I know who to lodge a complaint with.  I'm quite convinced that a complaint to the general email complaint line gets barely a look, and usually a "pat on the ass" response.  This more than anything is something that United should consider fixing.  Jeff Smisek would discover a lot about his employees if they actually read and processed the complaints properly.<<
That really is it for a while, unless I do hear from United.

Michael Kelly

Kelly.jpegTen years ago today Michael Kelly, then the editor of the Atlantic, was killed while serving as an embedded reporter with the Third Infantry Division during the early stages of the invasion of Iraq. 

He and I disagreed about many things, notably including the war in Iraq, of which he was a passionate supporter. His advocacy of that war was based on what he had seen Saddam Hussein do in the aftermath of the first Gulf War, which Michael chronicled in his book Martyrs' Day. As all the elegies and commemorations noted after his death, Michael was a powerful, very talented, enormously big-hearted figure, whose death in Iraq was an almost unimaginable tragedy. He was a wonderful editor of this magazine. Like everyone at the Atlantic and many other people in journalism, I remember exactly where I was -- in my case, on an Amtrak train back from New York to Washington, the morning after I'd done some anti-war TV program -- at the moment I heard this news.

I don't have the heart to include this among the "Ten Years After" reckonings of the decision to go to war in Iraq. His colleagues -- and readers -- reflect on what they lost, the loss being greatest for his wife and sons. 

Two Appreciations: Neal Conan, Timothy Noah

The journalism world is a scene of unending flux, but I was particularly sorry to hear of upheaval that affects two of my DC-based colleagues, Neal Conan and Timothy Noah.

Conan_Neal.jpgFor the past 11-plus years, Neal Conan has been the urbane, omni-informed, unflappable, approachable host of NPR's show Talk of the Nation. The TOTN program had been running for a decade before that, with a range of skilled hosts including John Hockenberry (now of The Takeaway) and Ray Suarez (now of the PBS NewsHour). But Conan really made the show his own through what turns out to be its final run. NPR announced last week that it would replace the show with "Here and Now," out of WBUR in Boston. I like that show a lot too, but it is worth noting how good a job, and over a sustained period, Conan and his team have done. My thanks to them -- for the handful of times I was on the show as a guest, and the many many times I enjoyed it as a listener.

TimNoah.pngSince 2011, Timothy Noah has written the TRB column at the New Republic. Before that he was a stalwart at Slate, the Wall Street Journal, the NYT, and at US News when I worked there (and when we became good friends). Last year he published an excellent book, The Great Divergence, on attempts to explain -- and offset -- the ever-growing economic polarization that underlies our other political problems. Last week he learned that his column no longer "fit" the emerging direction of the New Republic under its new owner. You can get a look at his final TRB column here. It is a typically clear-headed essay that explains why one fast-spreading political catch-phrase, the idea that "welfare" costs are driving everything else in federal spending, is wrong.

Another part of the endless-flux, itinerant-labor nature of the journalistic life is that people find new outlets for their work. I look forward to that stage for both Conan and Noah, so as to keep hearing and reading their interpretations of what matters in the world. (Photo sources: Conan, Noah.)

'What Is the Deal With Donald Trump?' Or With Buzz Bissinger?

Thumbnail image for ScottishNewsHeadline.JPG

I mentioned earlier today that our new Atlantic issue has a lot of very strong stories. One of them, by William D. Cohan, is a delightful profile of America's favorite birth-certificate skeptic, under the title "What Exactly Is Donald Trump's Deal?"

A friend in Scotland sent a photo of this front page from the Daily Record, about Trump's latest dispute with the Scottish government. You'll appreciate it all the more after reading Cohan's article. I have seen this particular "hell toupee" news-headline pun popping up in different places over the years, but this rendition offers a nice words/picture combo.

Speaking of "What Exactly Is the Deal?", I have gone back and forth about Buzz Bissinger's extended "shopaholic" confession in GQ. This is either one of the most subtly skillful and elaborate April Fool's Day hoaxes anyone has ever pulled off ... or one of the most unintentionally embarrassing, you-have-to-turn-away-because-it's-cruel-to-keep-watching acts of unaware self-humiliation anyone has ever committed. Because I so greatly admire Bissinger's A Prayer for the City -- yes, even more than Friday Night Lights -- I am really hoping it's the former. And, 51-49, betting that way too.

Photo of Bissinger, after a (spoofed? this can't really be true?? can it???) leather-pants buying spree, from GQ below.

Bissinger1.png

Anthony Lewis

LewisAnthony.jpgAs I've written repeatedly in this space, journalism is fleeting, and so too is the renown and influence of nearly all its practitioners. Thus it is possible that, even though Anthony Lewis was a powerful twice-weekly presence on the New York Times's op-ed page for more than 30 years, many of today's readers may not recognize his name or, on the occasion of his death at age 85, fully appreciate what he brought to journalism and public life. (CPJ photo.) He deserves to be remembered.

I first learned about and followed Tony Lewis's work when I was a college student, during the late Vietnam War years, when through his NYT column he was a leading critic of the LBJ and Nixon approaches to the war. Then I learned about his book Gideon's Trumpet, which (as Andrew Cohen has very eloquently explained) had a profound effect on prevailing understanding of the law itself, of the Supreme Court's role in interpreting the law, and on the potential of truly literary journalism to improve the law and civic life more generally.

Over the years I came to understand a part of his influence that most of the public wouldn't have known about but that is being noted in many of the appreciations of him, including Andrew Cohen's. Tony Lewis was a remarkably generous, patient, and good-humored mentor and sponsor to young people trying to make their way across the often-discouraging and always-uncertain terrains of journalism and the law. I benefited from his taking time to offer counsel at several tricky times when I was in my 20s -- and he didn't have any particular reason to be helpful to me. I have heard enough similar stories to believe that he just assumed he should make time for young people, and be of use. All this was at a period in his own life and eminence when he could instead easily have considered himself too busy, too important, or too intent on extending his own influence to make space for other people.

David Halberstam was a very different sort of person, writer about the Civil Rights and Vietnam eras, and journalistic standard-setter from Lewis. But on the news of his death in a car crash six years ago, I was struck by a similar point: how often he had been willing to go out of his way to listen to, take under his wing, and help people from the next generation. J. Anthony Lukas, author of the monumental Common Ground and many other works (and a contemporary, friend, and rival of Halberstam's), lived the same message. You would never have described any of these people as "easy-going" or "uncomplicated," but they made time for others. Now these three writers are gone, and the newspaper journalism through which they originally made their names is, like all journalism, perishable. Each of them wrote books that may last; but I think an even more important legacy may be their example of making time to help and encourage.

The Rise of Hangar 24

Five years ago today, while I was living in Beijing, I came across news that gave me renewed pride in my "native village," as Chinese people might put it (jiāxiāng, 家乡). A young entrepreneurial couple in the little city of Redlands, California, had decided to open a craft brewery -- at the local airport! For me, the ideal combo. On-scene pic:

Thumbnail image for Hang242A.png

Off and on in the time since then I have chronicled the growth of this Hangar 24 craft brewery, for instance in 2008, 2009, 2011, and 2012.  I don't know what I was doing in 2010.

Now here is the 2013 report: Hangar 24 beer, flagship brew of Redlands, is now a featured item in the Trader Joe's in a chic shopping area of LA (the Farmer's Market on Fairfax and 3rd). That's its Columbus IPA and Double IPA as they appeared this afternoon, alongside the big-time brews:

TraderJoeHangar24A.png

Some people say that the pride of Redlands should be Landon Donovan, the talented-and-controversial U.S. soccer star. Some say ESRI, king of the geospatial-info business. Some say Brian Billick, Redlands High graduate and Super Bowl-winning coach. No offense to any of them, but today I'm nominating Ben and Jessica Cook and their teammates at Hangar 24.

For St. Patrick's Day, Dancing Hungarians!

Turn to me for your seasonal Magyar/Hibernian connections. I mention the item below purely because I love it. But if you imagine the dancing figures in the video not as folk dancers from Sapientia Hungarian University of Transylvania, performing a Hungarian dance, but rather as Irish country cloggers, you can make this seem wholly relevant to St. Patrick's Day. 

What I love is that this is simultaneously preposterous and erudite. It's an accurate-while-ridiculous animation of the way the computer algorithm known as "quicksort" works. The logic behind quicksort is to put a list of items into order through a recursive series of "greater than / less than" tests. You could read all about it here or here. Or you could just watch the video. 


I also love this comment on the YouTube version: "It would have been cool if it was multithreaded." That's true -- you would have had dancers on both sides doing simultaneous "pivot" tests after the first partition --  but it's a full success as is. My admiration goes to whoever had the weird imagination to think this was worth the effort. It was.

 PS The video itself is recursive, so you get the point pretty quickly. It just repeats the sorting process all the way to the end.

The Phoenix's Role in Climate Coverage

I seem to be one of the few people in journalism who never worked or wrote for the Boston Phoenix. I certainly read and admired it, and feel the same general malaise at news that it is gone.

Wen Stephenson, an Atlantic veteran who was closely involved in our first online versions (called "Atlantic Unbound") nearly 20 years ago, says that the Phoenix has played an increasingly important role in climate coverage, and thus its absence will be felt there as well as in other fields. I turn it over to him:

A Death in the Family
By Wen Stephenson

We got the news, of course, on Twitter: "Thank you Boston. Good night and good luck."

That tweet came yesterday afternoon from the Boston Phoenix, the storied but struggling alt-weekly, for which the current print issue will be its last. There will be an online-only issue next week, containing an important piece by my friend and fellow climate activist-journalist Bill McKibben. And then the rest is silence.

But a lot of us can't stay silent, and won't. There are a great many people in Boston right now, and around the country, who care deeply about everything the Phoenix has always represented, right down to the end -- smart, fearless, fiercely independent journalism -- and want to say a few things about what this means for our impoverished media landscape.  Many thanks to Jim for lending me this space to offer a few words of my own.

PhoenixCover.jpegI was proud to be associated with the Phoenix, even if briefly. My cover story last fall, called "A Convenient Excuse" (right), took serious issue with the way our mainstream media has covered -- or failed to cover -- the climate crisis. One of the places I criticized was The Atlantic (though I spent seven years as an editor at the magazine, from 1994 to 2001, and still have friends there). [JF note: see my discussion of that piece.]

The Phoenix has run three more of my pieces on climate and the climate movement in these past four months (you can find them, for now at least, here); the last one was just this week, an online piece about a stunning student-led protest against the Keystone XL pipeline at the TransCanada office in Westborough, MA, in which 25 (mostly young) climate activists were arrested for peaceful civil disobedience (a remarkable local story, with national resonance, that the Boston Globe, incredibly, has failed to cover).

There's a reason I'm mentioning these pieces, and it's not to promote my own work (ok, maybe just a little; I'm a freelance writer who just lost my main outlet!).  In all sincerity, it's to pay heartfelt tribute to my editor, the guy who commissioned and expertly edited these pieces -- the last editor-in-chief of the Boston Phoenix -- Carly Carioli.

To put it simply and bluntly: Carly championed not only the climate issue but, equally important, the young and increasingly powerful grassroots climate movement, at a time when virtually no one else (outside of environmental blogs and magazines) could be bothered to give them a serious thought. Those pieces of mine -- to my utter amazement -- went somewhat viral, garnered national attention to the Phoenix, and put the climate movement on the map for a lot of readers. I know an awful lot of people right now who feel a piercing sense of loss, and powerlessness, and quite frankly, real anger, knowing that the only widely-circulated publication in Boston paying serious attention to climate change has gone away.

In today's paper, the Globe's editorial page had an eloquent euology for the Phoenix, where editorial page editor Peter Canellos, like a long list of other accomplished journalists, spent some formative years of his career.  Acknowledging the Phoenix's "proud journalistic tradition," the editorial notes that the alt-weekly's audience "was anyone who believed that powerful institutions and other engines of society deserved a kind of scrutiny that went beyond mere reporting, and who wanted to see the fundamental ills of the social order exposed." And it concludes:

Now, with Thursday's announcement of the Phoenix's demise, much will be written about the paper's impact on local politics, music and film criticism, and the various journalistic careers it launched. It's a substantial legacy, by any measure. But better to focus on the careers that might not be launched, the questions that might not be asked, and the stories that might not get told.

Yes, it's a little ironic to read that on the Globe's editorial page, in whose offices (as I described in the Phoenix) I protested the paper's lack of climate coverage.  We can only hope that the Globe -- or somebody -- will fill the void now left on Brookline Ave. in Boston.

Today's Inspiring Aerospace News: Hello Kitty Touches the Face of God

You might already have seen this. I hadn't until just now, thanks to reader RJ of California (and in his case via The Register; also, NY Daily News). It's an absolutely charming video and set of photos from a science project by Lauren Rojas, a 13-year-old in Antioch, California, east of San Francisco. She decided to send a Hello Kitty "catonaut" nearly 100,000 feet into space, with a high-altitude balloon, and to record the results.

Those results really are amazing. You'll see the whole thing laid out in the video -- with a dramatic climax around time 2:15. At that point the balloon that has carried its passenger into "near space" finally explodes -- and the spacecraft's descent, under a small parachute, begins.

Ms. Rojas obviously had help with the balloon rigs and photographic systems -- which is another great lesson from the experiment, in that innovation and discovery involve both collaboration and individual pondering. Here is just one of the stills from the flight -- not some CGI recreation but an actual photo, from the high-def camera that went aloft with H. Kitty.

hello_kitty_2.jpg


And here is the video. Congrats to all. Finally I see a reason for Hello Kitty having come into existence.


__
* Before anyone gets huffy about the headline: "Touch the face of God" is an allusion to the most famous bit of poetry about aerial exploration, either moving or trite depending on your outlook. You can look it up, learn its heroic-tragic military origin, and also trace its role in American politics. Or you can just enjoy this video.

A Reader on Stanley Karnow

karnow.jpgA reader with experience in Asia writes, in a note with the subject line "Karnow in the Harvard journalism pantheon":
I don't believe you can understand the period [Vietnam and the Sixties] without reading Karnow, Halberstam, and Teddy White basically at same time.

Adding Robert Caro is probably needed as well.*

Any university course on the early 60's, LBJ, and Vietnam is really quite vacuous without these 4 writers.
He is referring of course to Stanley Karnow, who died over the weekend at age 87 (Library of Congress photo). Here is my favorite part of the NYT obituary:
Early in his career he lived in Paris for a decade, and in 1997 he published a memoir, "Paris in the Fifties." A nostalgic reporter's notebook of life among the cafe philosophers, berated [??]** musicians and pseudo-revolutionary artistes, it danced with digressions about taxes, restaurants, the guillotine, Hemingway, Charles de Gaulle and the Devil's Island penal colony.

In its range, learning and appetite for fun, Bernard Kalb, the former CBS reporter and Mr. Karnow's friend since Vietnam, told The Associated Press in 2009, the memoir was vintage Karnow. "Stanley has a great line about how being a journalist is like being an adolescent all your life," he said.
____

* For the record, Theodore White (born 1915), Stanley Karnow (b 1925), and David Halberstam (b 1934) all went to Harvard, though obviously not at the same time. Robert Caro, Halberstam's contemporary, went to Princeton.

** Thanks to reader VM who pointed out that this is probably supposed to be "bereted," as in "wearing a beret."

Taylor Branch on King, LBJ, Obama, and College Sports

Taylor Branch is known to the world as author of the monumental "America in the King Years" trilogy. He's additionally known to Atlantic readers for his definitive cover story "The Shame of College Sports" in late 2011. He is additionally known to me as my immediate predecessor as a writer and editor at The Washington Monthly in the early 1970s. I was just out of graduate school and looking for a job, and he was leaving the job and headed to Texas to work with a young aspiring politico from Arkansas [yes, Yale law student Bill Clinton] on the McGovern campaign there.

This afternoon I had an opportunity to interview Taylor Branch at the Aspen Institute's offices in Washington on his new book The King Years, as part of Aspen's Alma and Joseph Gildenhorn Book Series. This was about as interesting an hour-plus as I can remember spending. The video of the session is below. When you have some time to listen to Taylor's full account, I think you will be glad to have done so. If you want to feel both better and worse, contrast the way you hear Taylor discuss the currents and contradictions in America's politics with the way you usually hear them presented by practitioners and analysts today. Better, because of the context he adds; worse, because of what is normally left out.



If you can hear only a little bit of this, listen to the first 10-minute discussion, in which Taylor Branch explains why he thinks we should be kicking off a series of week-by-week observations of the 50th anniversary of fateful moments of 1963. Here is the YouTube link as well.

A Fascinating Look Inside North Korea

If you haven't yet seen Sophie Schmidt's chronicle of her recent high-level visit to North Korea, by all means check it out. It's full of atmospheric photos like this one (from her site) and acute observations.

SchmidtNK.JPG

Part of what she reports reminds me very much of China back in the early days of its opening up. Eg:
I can't express how cold it was... The cold was compounded by the fact that none of the buildings we visited were heated, which meant hour-long tours in cavernous, 30-degree indoor environments. It is quite extraordinary to have the Honored Guest Experience in such conditions: they're proudly showing you their latest technology or best library, and you can see your breath.
Part of it is like nothing most of us have ever seen or experienced before. Schmidt, who is in her 20s, made the trip in the company of her father Eric, of Google, and former ambassador/governor Bill Richardson. Very much worth reading.
__
Routine disclosure: my wife and I first met the Schmidts when Sophie was a young girl, and we've been in touch and have followed her accomplishments since then. But this will be interesting to anyone.

Today's Diverting Aerial-Undersea Footage

As a break from some dark-toned discussion, I give you the Italian skydiver, jumper, conservationist, and model Roberta Mancino -- in China, under the waves, and elsewhere. You may recognize some of the settings from these previous installments. I will say no more -- except, wing suits plus whale sharks, in the same clip!


I'm still here to add that I do find the look of these wingsuits in full descent, as shown most clearly between times :40 and :50 and again 1:40 to 2:00, to be strangely, dreamily compelling, in a Night Kitchenish way.

Aaron Swartz

From my friends in the tech world I have over the years heard about someone I hadn't ever met, Aaron Swartz. I feel as if I had been hearing about him forever, but it couldn't have been all that long, since Swartz was only 26 years old when he killed himself yesterday in New York. But starting at age 14, Swartz had won a large number of friends, admirers, followers, and mentors, plus a small but important number of enemies, through his combination of tech-world virtuosity and expansive civic and social imagination. 

When we think of someone who at age 14 is already making important coding contributions, as Swartz did, we often think of someone who has offsetting social or temperamental limitations. And indeed in his late teens Swartz had written about emotional problems and depression; I don't know where this fell on the spectrum between a real medical issue and the strain many people feel at that stage of life. But if you watch even a few minutes of his address at the Freedom to Connect conference less than a year ago, in the clip below, you'll have a sense of the maturity and winningness of his explanation of technological, social, and governmental issues, and their interaction. 
 

Cory Doctorow posted that video as part of an appreciation of Swartz early this morning. I urge you as strongly as possibe to read Doctorow's  full description of why he felt so close to and protective of Swartz, and will miss him so much.

There is a clear political aspect to Swartz's story as well, which Cory Doctorow explains carefully and well, and about which I am sure we'll hear more. Swartz was a strong and effective advocate of the untrammeled flow of information and knowledge in all directions, and vigilance against control or de-facto censorship efforts by corporate or governmental interests. This ranged from his efforts on the "Stop SOPA" campaign a year ago, which pitted much of the online/tech world against (mainly) the Hollywood interests trying to extend copyright in new ways, to the incident that got him in serious legal trouble and caused disagreements with some of his friends, the JSTOR case. You can read more about the merits of that issue from Doctorow (and from Lawrence Lessig, at the time, and here, here, and here) and the many others who I am sure will be sharing remembrances of Swartz soon. (His own website is here. Two early tributes by friends are here and here and here.)

I am sorry for whatever pains led Swartz to end his life, and sorry for his family. He had a big effect in a very brief time, and I look forward to hearing more from people who knew him.

The Biggest Story in Photos

Photos of Tornado Damage in Moore, Oklahoma

Subscribe Now

SAVE 65%! 10 issues JUST $2.45 PER COPY

Newsletters

Sign up to receive our free newsletters

(sample)

(sample)

(sample)

(sample)

(sample)

(sample)

James Fallows
from the Magazine

The Art of Staying Focused in a Distracting World

The tech-industry veteran Linda Stone on how to pay attention

Jerry Brown's Political Reboot

In his reprise as governor, he's been as ruthlessly practical as he's been reflective,…

Mars, Our First Outpost on the Final Frontier

James Fallows talks with space entrepreneur Eric Anderson about the next wave of space exploration.