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![]() Contents | November 2003 More on books from The Atlantic Monthly. |
The Atlantic Monthly | November 2003
Books & Critics
Books
A Stone of Hope: Prophetic Religion and the Death of Jim CrowNew & Noteworthy What to read this month by Benjamin Schwarz ..... by David L. Chappell North Carolina Current Affairs
Madam Secretaryby Madeleine Albright Miramax This memoir's publication provides ample evidence of the peculiarities of the book business, which is governed neither by the iron law of the bottom line nor by a high-minded commitment to producing literary works of lasting value—or at least of passing significance. Albright had been out of office less than a week when Harvey Weinstein, the thuggishly glamorous co-chairman of Miramax Films (no doubt just off the phone with Gwyneth Paltrow), tracked her down at a spa in Mexico to urge her to choose Miramax Books as her publisher. That any publisher would so ardently pursue this quarry is quite odd; that the tinseliest would is unfathomable. Nearly all high officials' memoirs are as unrevealing as they are self-serving. (Albright's, no surprise, lacks a forthright account of the Clinton Administration's complicity, or acquiescence, in Croatia's ethnic cleansing of the Krajina Serbs; of the decision to expand nato, the most sweeping expansion of America's security commitments since the late 1940s; or of the causes and conduct of the war against Yugoslavia—the first war the U.S.-led nato waged, and one fought against a country that, however unsavory, posed no threat to any member of the alliance, least of all the United States. Readers will, however, find much State Department spin circa 1998, complete with the inevitable invocation of the lessons of Munich.) Moreover, such books promise to be boring, for when a former Cabinet officer—unlike, say, a record producer—reminisces, she perforce adopts the sonorous and bloated tone of one writing A Work of History, as she chronicles, for example, her speech endorsing "intercultural communications." So Madam Secretary won't be flying off the shelves at Costco, nor does it rival Memoirs of the Prince de Talleyrand. It's neither better nor worse than others of its ilk, although the former secretary's unwinning attitude and demeanor, which uniquely combine the attributes of the Democratic Party hack and the self-righteous Wilsonian, prove as irrepressible in print as they were when she sought and held office. Literary Studies
Goethe, Volume IIby Nicholas Boyle Oxford Few readers—even Atlantic readers—will actually attempt Boyle's entire biography of Goethe. This, his second of a projected three volumes (which covers the years 1790 to 1803, and has just been released in paperback), runs 958 pages, and life, after all, is short. For years I shied away from Volume I (848 pages), and I read Volume II only when forced—I sat on a book-prize jury that was considering it. Once finished, however, I couldn't wait to open the first volume. Even if you don't read this opus, you should know about it: Boyle's will remain one of the few towering works of biography and history of our time. Recognized as the sovereign intellect of his age—he was a poet, a playwright, a theater director, a philosopher, a botanist, and an expert in politics, mining (!), and optics—Goethe knew or corresponded with nearly every important European mind. This is a suitably rich study: Boyle writes with dexterous authority on the French Revolution's impact on the Continent's intellectual and political life; with emotional acuity about "the utter ordinariness" of Goethe's love for his plump mistress (the mother of his son), and on Goethe's ambivalent friendship with Schiller; with novelistic vividness on the Prussians' horrifyingly chaotic campaign against the French revolutionary armies; with stylish engagement in summoning the "philosophical crucible" of late-eighteenth-century Jena ("intellectually speaking ... the most exciting place in the world," where Goethe, Schiller, Hegel, Fichte, Schelling, Humboldt, Hölderlin, and the Schlegel brothers were all writing); with fluency and originality in dissecting Kantian philosophy and the ideas of nearly all the major figures Goethe moved among (for those, like myself, far more familiar with English and French intellectual history, Boyle, the head of the German department at Cambridge, is a discerning and sympathetic guide to the intricacies of German thought and literature); and with deftness and sureness as he interweaves his (almost daily) account of Goethe's life with an astute and innovative critical assessment of Goethe's writings. Rarely is a definitive and magnificent work of scholarship so engrossing: Boyle's very amplitude captivates the reader, as he slowly, commandingly envelopes you in Goethe's mind and age. The Scofield Study Bible, King James Version 2003 Edition Oxford Frustration confronts the general reader shopping for an annotated edition of the King James Version of the Bible. It's the single greatest work of English literature (even the most ungodly H. L. Mencken pronounced it "probably the most beautiful piece of writing in all the literature of the world"), and no one who hasn't read it thoroughly should be considered well educated. But, of course, the Bible generally is a recondite book, full of obscure religious, historical, ethnographic, calendrical, even agricultural references. Moreover, some of the vocabulary and usage in the KJV, specifically, is archaic, and the translation itself is not infrequently inaccurate. In short, just as most serious readers would want an intelligently and meticulously annotated edition of Shakespeare's work (say, the Arden or the Pelican edition), so they'd also want the same for the KJV. The difficulty for the reader approaching the KJV as a literary work is that none of the most detailed annotated editions are objective. That is, they all advance a particular theological viewpoint—and the best ones (the Scofield Study Bible, the Ryrie Study Bible, and the King James Study Bible) uphold a fundamentalist viewpoint that often heavily colors the notes, glosses, and cross-references. For instance, although Oxford University Press publishes this new edition of the Scofield, it's not a neutral scholarly work; rather, it adheres strongly to a dispensational premillennialist theological orientation, and its notes lay out an elaborate chronology of dispensations (it holds that the Bible contains the key to prophecies about the Second Coming, and in fact the original, 1909 edition contributed enormously to solidifying dispensationalist dogma among fundamentalists and evangelicals). Interspersed with its sometimes stridently assertive interpretive notes are clearly written, objective annotations, enlightening maps, and even a table of biblical weights and measures. The annotations, though, don't approach the scope and depth of those in the New Oxford Annotated Bible and the HarperCollins Study Bible, which represent the best in ecumenical British and American Bible scholarship but use the New Revised Standard Version as their text—a far more accurate translation, but one that utterly lacks literary distinction. Here's an idea for—or, rather (from this secular reader), a plea to—Oxford University Press or HarperCollins: print the KJV text, have a scholar of seventeenth-century English literature annotate the obsolete vocabulary and usage, and add the New Oxford Annotated Bible's or the HarperCollins Study Bible's unsurpassed notes, concordances, and glosses. This would give us an authoritative and illuminating edition, perfect for those who wish to read the Bible as literature. The Afterlife by Penelope Fitzgerald Counterpoint Fitzgerald, who died in 2000, was a very English novelist—quiet, restrained, precise. She admired those who eschewed "making too much of things," and her ideals were of the sort that, as she discerned, George Eliot esteemed: "work, steadiness, harmony, peace." The editors of this unusually intelligent and sensitively selected collection of her criticism have chosen mainly those pieces that explore the authors of the "books of her heart"—mostly minor, often overlooked writers who were, as she lovingly describes E. M. Delafield, "accurate, calm, and lucid," and who composed books that could be considered "somber" if they "were less witty, and less deceptively mild." Taken as a whole, Fitzgerald's pieces on Delafield, Sylvia Townsend Warner, the Punch writers, Mrs. Oliphant (who excelled at what she called the "tragi-farce," a form Fitzgerald clearly loved), J. L. Carr, and Barbara Pym define a writerly sensibility of which Fitzgerald herself was, sadly, among the last adherents. This book is worth its price just for Fitzgerald's spot-on description of Pym's mordant vision of the distance between the sexes: "If men are less than angels, Barbara Pym's men are rather less than men, not wanting much more than constant attention and comfort. Their theses must be typed ... endless dinners cooked, remarks listened to ... and the forces of nature and society combine to ensure, even in the 1980s, that they get these things. Women see through them clearly enough, but are drawn toward them by their own need and by a compassion which is taken entirely for granted." History
Governor Reaganby Lou Cannon PublicAffairs Cannon's fifth book on Ronald Reagan is far from his best —largely because Cannon is covering ground (Reagan's rise to political prominence and his eight years as California's governor) tilled rather assiduously in two of his previous volumes. Still, Cannon—whose Official Negligence, an examination of the Rodney King case and the 1992 Los Angeles riots, remains among the two or three most meticulous, nuanced, and honest works of reportage I've read—is such a smooth storyteller, with insights so keen and a subject so fascinating, that readers will hardly care. He is especially trenchant in his assessments of the Communists' squalid attempts to infiltrate the Hollywood unions, the transformation of the national Republican Party, the internecine squabbles that infected the California Republican Party, Reagan's progressive environmental policies as governor (as opposed to the rather retrograde policies he pursued as President), and the reaction of Middle American Californians (represented by the Illinois transplant Reagan) to the Kulturkampf of the 1960s. The story of Reagan's ascendancy as a political figure is, of course, the story of the ascendancy of the New Right in modern American politics, but this book confirms Cannon's previous verdict (equally unpalatable to the knee-jerk left and right) that Reagan's "conservatism was tempered and pragmatic during his eight years as governor and eight years as president." Benjamin Schwarz is the literary editor of The Atlantic. Copyright © 2003 by The Atlantic Monthly Group. All rights reserved. The Atlantic Monthly; November 2003; New & Noteworthy; Volume 292, No. 4; 143-146. | [an error occurred while processing this directive] |
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