A description of a lavish wedding in the Caucasus.
TO: STATE DEPARTMENT
DATE: AUGUST 6, 2006
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During lunch, Gadzhi took a congratulatory call from Dagestan's president, Mukhu Aliyev. Gadzhi told Aliyev how honored he would be if Aliyev could drop in at the wedding reception. There was a degree of tension in the conversation, which was between two figures each implicitly claiming the mantle of leadership of the Avars. In the event, Aliyev snubbed Gadzhi and did not show up for the wedding, though the rest of Dagestan's political leadership did.
¶11. (C) Though Gadzhi's house was not the venue for the main wedding reception, he ensured that all his guests were constantly plied with food and drink. The cooks seemed to keep whole sheep and whole cows boiling in a cauldron somewhere day and night, dumping disjointed fragments of the carcass on the tables whenever someone entered the room. Gadzhi's two chefs kept a wide variety of unusual dishes in circulation (in addition to the omnipresent boiled meat and fatty bouillon). The alcohol consumption before, during and after this Muslim wedding was stupendous. Amidst an alcohol shortage, Gadzhi had flown in from the Urals thousands of bottles of Beluga Export vodka ("Best consumed with caviar"). There was also entertainment, beginning even that day, with the big-name performers appearing both at the wedding hall and at Gadzhi's summer house. Gadzhi's main act, a Syrian-born singer named Avraam Russo, could not make it because he was shot a few days before the wedding, but there MOSCOW 00009533 003 OF 005 was a "gypsy" troupe from St. Petersburg, a couple of Azeri pop stars, and from Moscow, Benya the Accordion King with his family of singers. A host of local bands, singing in Avar and Dargin, rounded out the entertainment, which was constant and extremely amplified.
¶10. (C) The main activity of the day was eating and drinking -- starting from 4 p.m., about eight hours worth, all told -- punctuated, when all were laden with food and sodden with drink, with a bout of jet skiing in the Caspian. After dinner, though, the first band started an informal performance -- drums, accordion and clarinet playing the lezginka, the universal dance of the Caucasus. To the uninitiated Westerner, the music sounds like an undifferentiated wall of sound. This was a signal for dancing: one by one, each of the dramatically paunchy men (there were no women present) would enter the arena and exhibit his personal lezginka for the limit of his duration, usually 30 seconds to a minute. Each ethnic group's lezginka was different -- the Dagestani lezginka the most energetic, the Chechen the most aggressive and belligerent, and the Ingush smoother.
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