The 15th New York aka "The Harlem Hellfighters." Regiment of black and Puerto-Rican soldiers. Winners of the Croix de Guerre in World War I. (The National Archives)
We are doing a house-swap in order to spend these eight weeks in Paris. House-swapping is the trusted method of travel for those of us with European dreams and a Baltimore budget. I didn't even know house-swapping existed until last summer when I first began plotting my way out. This might be pedestrian for the folks here, but for those who were like me, house-swapping is what it sounds like--you live in someone else's home and they live in yours. I know a family that does this, every summer, sight unseen. Keys are left in appointed places, supers are informed, and whole families from other continents make moves. For others it's like dating--personal ads, vague guarded e-mails, g-chat, then video-skype to see if you like the look of your paramours.
My connection was as old fashion as you can imagine in these times. A sharp, learned journalist on this side was a fan of my blog and a native New Yorker. We exchanged a few e-mails, then dined together in Paris and instantly liked each other. He wanted to get home with his son for the summer. I wanted to get out with mine and my wife. Et voilà. C'est ça.
Before he left, my new found homeboy plugged me into to a number of Parisians--most of them people of color with some kind of immigrant connection. Their job, I suspect, is to get me out of the Sixth and into the underbelly of things. I saw some of it yesterday riding the RER. The further out you go on the train, the more African and Asiatic the world becomes. The kids look like our kids with their headphones and haircuts. They talk loud and boastfully, as I once did, so that you might know that they are alive.
"Here is the thing," my buddy said to me, just before leaving. "I am not trying to get you to hate France. I want you to love France. But I want you to love it for the right reasons."
"Yeah, yeah, yeah," I thought. "Pass me a pain au chocolat and let's get this swap-joint popping."
And popping it was. Yesterday, when I went out to get milk, I saw a man outside the store preparing le poulet et pommes de terre. I want to pause here and point out that "Pomme de terre"--"apple of the earth"--is beautiful name for a potato. The man was preparing this in a rotisserie oven. At the bottom the potatoes were roasting in the juices. I came back, told my wife, and I had found dinner.
After we dropped off our son we picked up dinner along with a salad and some chocolate for desert. We drank a bottle of wine together--it's becoming a tradition--and ate an awesome dinner. I got up this morning and hit La Seine for my morning run. I came back, showered, and was immediately felled by food poisoning. So this is loving France, wholly, right reasons and all.
Illness aside, there is always the danger in falling in for a distant lover who seems magically free of all the complications back home. I was raised by a generation that--to varying degrees--found this out. My friend Brendan Koerner just published a book which is getting raves everywhere--The Skies Belong To Us. The most bracing portion, to me, is Brendan's hard look at the New Left. I got my first lessons in skepticism and counter-intuitiveness from a lot of these guys. But it's worth remembering that there was when they sung the praises of Kim il Sung.
I don't want to take this too far. If America has the right to be wrong, then so do its reformers. It mirrors our discussion here where we find people attacking other countries for not being "democratic" without understanding our own long, ugly and sometimes dishonorable path. More, I would say that because of my particular background, my canon was a little different than most, and whatever differences you might find in my voice are attributable to that.
It's also attributable to discovering the Western canon, and the significance of the West, almost as something exotic since my roots seemed elsewhere. That allows me to be fascinated, to be blown away. Nothing is more fascinating than finding your allegedly foreign roots are common. I thought of this recently digging through Rousseau:
This passage from the state of nature to the civil state produces a most remarkable change in man, by substituting justice for instinct in his behaviour and endowing his actions with the morality they previously lacked before. Only then when the voice of duty succeeds physical impulsion and law succeeds appetite, does man, who until now had thought only of himself, find himself forced to act according to other principles, and to consult his reason before heeding his inclinations. Although in this state he denies himself a number of advantages granted him by nature, he gains others so great in return his faculties are exercised and developed, his ideas expanded, his feelings ennobled, his entire soul soars so high that if the abuses of this new condition did not often degrade him below that from which he emerged, he ought continually to bless the happy moment that wrested him thence for ever, and out of a stupid, limited animal made him an intelligent being and human.
Right down to the language around civilization, this is remarkably similar to Malcolm X's parable of transition wherein black people go from being savages "deaf, dumb and blind" and "lost in the wilderness of North America" to civilized black men committed to some higher ideal. In Malcolm's vision it was Islam. Among his nationalist descendants it was black people.
For one such as myself, schooled on the savagery of Cortez and Pizarro, once inculcated with the theories of a natural impulse toward warfare among white people, raised up to seethe after the partition of Africa, it is still odd--a decade and a half after I left that world--to see myself in the image of people I once solely took as conquerors and barbarians.I like to think I've come some ways since then, bearing the skepticism of those days, but free of the prejudice and the utopian romance. I like to think that I know that every home is imperfect, that I don't come to France looking for something better than America, that I know that America is my own imperfect home. I like to think that you need worry about me going too zealous and hard. This is a great great trip. But it's the food poisoning that makes it real.
How a strange face in a random 19th-century newspaper ad became a portal to a forgotten moment in ASCII art history
One of the joys of modern technology is how easy it is to immerse yourself in the past. Every day, more libraries and archives are pushing pieces of their collections online in easily browsable interfaces.
For some, meditation has become more curse than cure. Willoughby Britton wants to know why.
Set back on quiet College Hill in Providence, Rhode Island, sits a dignified, four story, 19th-century house that belongs to Dr. Willoughby Britton. Inside, it is warm, spacious, and organized. The shelves are stocked with organic foods. A solid wood dining room table seats up to 12. Plants are ubiquitous. Comfortable pillows are never far from reach. The basement—with its own bed, living space, and private bathroom—often hosts a rotating cast of yogis and meditation teachers. Britton’s own living space and office are on the second floor. The real sanctuary, however, is on the third floor, where people come from all over to rent rooms, work with Britton, and rest. But they're not there to restore themselves with meditation—they're recovering from it.
For centuries, philosophers and theologians have almost unanimously held that civilization as we know it depends on a widespread belief in free will—and that losing this belief could be calamitous. Our codes of ethics, for example, assume that we can freely choose between right and wrong. In the Christian tradition, this is known as “moral liberty”—the capacity to discern and pursue the good, instead of merely being compelled by appetites and desires. The great Enlightenment philosopher Immanuel Kant reaffirmed this link between freedom and goodness. If we are not free to choose, he argued, then it would make no sense to say we ought to choose the path of righteousness.
Today, the assumption of free will runs through every aspect of American politics, from welfare provision to criminal law. It permeates the popular culture and underpins the American dream—the belief that anyone can make something of themselves no matter what their start in life. As Barack Obama wrote in The Audacity of Hope, American “values are rooted in a basic optimism about life and a faith in free will.”
Three Atlantic staffers discuss “The Door,” the fifth episode of the sixth season.
Every week for the sixth season of Game of Thrones, Christopher Orr, Spencer Kornhaber, and Lenika Cruz will be discussing new episodes of the HBO drama. Because no screeners are being made available to critics in advance this year, we'll be posting our thoughts in installments.
Narcissism, disagreeableness, grandiosity—a psychologist investigates how Trump’s extraordinary personality might shape his possible presidency.
In 2006, Donald Trump made plans to purchase the Menie Estate, near Aberdeen, Scotland, aiming to convert the dunes and grassland into a luxury golf resort. He and the estate’s owner, Tom Griffin, sat down to discuss the transaction at the Cock & Bull restaurant. Griffin recalls that Trump was a hard-nosed negotiator, reluctant to give in on even the tiniest details. But, as Michael D’Antonio writes in his recent biography of Trump, Never Enough, Griffin’s most vivid recollection of the evening pertains to the theatrics. It was as if the golden-haired guest sitting across the table were an actor playing a part on the London stage.
“It was Donald Trump playing Donald Trump,” Griffin observed. There was something unreal about it.
The refugee crisis in the Dominican Republic and Haiti shows the human consequences of extreme anti-immigration policies—and how voters get used to them.
An unprecedented refugee crisis, economic inequality, and fears of terrorism are helping stoke the rise of extreme anti-immigrant politicians across Europe and the United States. Hungary’s Viktor Orban, France’s Marine Le Pen, Austria’s Norbert Hofer, and yes, Donald Trump, are riding a much-remarkedsurge in popular support, with Hofer just losing his presidential bid by a razor-thin margin. All have embraced extreme nativist rhetoric, but meanwhile a different nationalist experiment is already running its course, and uprooting thousands on the basis of their ancestry, under a leader who is by most accounts a moderate technocrat. And the Dominican Republic’s President Danilo Medina just claimed a landslide reelection victory.
Why aren’t the critics comparing Donald Trump to a fascist acknowledging that the office he seeks is too powerful?
Wake up, establishment centrists: Donald Trump is coming!
After the Vietnam War and Watergate and the spying scandals uncovered by the Church Committee and the Nixon Administration cronies who nearly firebombed the Brookings Institution, Americans were briefly inclined to rein in executive power—a rebuke to Richard Nixon’s claim that “if the president does it, that means it’s not illegal.” Powerful committees were created to oversee misconduct-prone spy agencies. The War Powers Resolution revived a legislative check on warmaking. “In 34 years,” Vice President Dick Cheney would lament to ABC News in a January 2002 interview, “I have repeatedly seen an erosion of the powers and the ability of the president of the United States to do his job. I feel an obligation... to pass on our offices in better shape than we found them to our successors."
Many animated series in the U.S. are hand-drawn in South Korea, but the country’s recent transition to digital tools could spur a transformation in American television.
Animated sitcoms have long offered sharp insight into American culture. The Simpsons is so astute that, 16 years ago, the show predicted Donald Trump’s run for president. A running joke on Bob’s Burgers revolves around the “Burger of the Day,” with past entries including the “Sweet Home Avocado Burger” and “Mission A-Corn-Plished Burger.” The Boondocks follows a black family as they adjust to life in a mostly white suburb. Family Guy—a subversive spin on a family with 2.5 children and a dog living in Rhode Island—has lampooned everything from the legalization of marijuana to summer camp.
Although these primetime series appear as American as apple pie, and are conceptualized and written in the U.S., the bulk of their animation is done in South Korea. Animation requires 12 frames for every second of airtime. Korean studios take the voice recordings and the storyboards, and their artists draw out each frame—on paper. They start with characters’ key poses, then do the “in-betweening,” or the painstaking process of crafting incremental micro-movements so the motion looks smooth. Korean animators can draw 240 pages for a single 20-second scene, and around 7,000 drawings per half-hour episode.
FindFace's technology may one day allow anyone to identify you with their phone.
Imagine you’re sitting in a coffee shop. Out of the corner of your eye, you see a stranger pointing his phone in your direction. The next day, you get an email from someone claiming to have seen you at the coffee shop. He’s asking you on a date. You have no idea how he got your contact information, let alone how he identified you.
The power to identify total strangers on the street is the advertising pitch for a new wave of startups hoping to capitalize on rapidly advancing facial recognition technology. But in Russia, it’s already a reality.
FindFace, an app launched by a Russian startup two months ago, lets its users identify strangers from pictures of their faces. It does so by matching the photos against profile pictures from VK—also known as VKontakte—a Russian social networking website similar to Facebook. Its founders have touted the app as great for building friendships or starting relationships with strangers. But the privacy risks are enormous.