Terry Jones, the Florida Koran-burner, is helping to promote a movie vilifying Egypt's Muslims, and the Egyptian media got ahold of some clips.
Right now, protesters in Cairo are gathered at the U.S. embassy compound, where some have scaled the walls and pulled down the American flag, with which they've replaced a black flag bearing the prayer "There is no god but Allah and Mohammed is his messenger." They say they're protesting an American film that insults Prophet Mohammed. About half an hour in, someone took a photo that appears to show some of the protesters, of which Reuters estimates there to be 2,000, setting off celebratory fireworks.
The movie is called Innocence of Muslims, although some Egyptian media have reported its title as Mohammed Nabi al-Muslimin, or Mohammed, Prophet of the Muslims. If you've never heard of it, that's because most of the few clips circulating online are dubbed in Arabic. The above clip, which is allegedly from the film (update: Kurt Werthmuller, a Coptic specialist at the Hudson Institute, says he's confirmed the clip's authenticity) is one of the only in English.* That's also because it's associated with Florida Pastor Terry Jones (yes, the asshole who burnt the Koran despite Defense Secretary Robert M. Gates' pleas) and two Egyptians living in the U.S., according to Egyptian press accounts.* The Egyptians are allegedly Coptic, the Christian minority that makes up about a tenth of Egypt.
Obviously, there's a lot to this story that's still unclear. What we do know is that some members of Egypt's sometimes-raucous, often rumor-heavy media have been playing highly offensive clips from the highly offensive film, stressing its U.S. and Coptic connections. In the clip below, controversial TV host Sheikh Khaled Abdallah (known for such statements as "Iran is more dangerous to us than the Jews" and that Tehran had engineered a deadly soccer riot in Port Said) hypes the film as an American-Coptic plot and introduces what he says is its opening scene.
As the fervor has built, both the Coptic Church and the U.S. embassy to Egypt issued formal condemnations of the film. The latter, made just this morning, began, "The Embassy of the United States in Cairo condemns the continuing efforts by misguided individuals to hurt the religious feelings of Muslims." The statement also noted the September 11 anniversary, adding, "Respect for religious beliefs is a cornerstone of American democracy."
What exactly does the film say? It's still not clear, but it appears to compare Mohammed to a donkey and Muslims, according to one translation, to "child-lovers." The New York Times' Liam Stack, offering some offhand translations of the scene shown above, called it a "doozy." The man in the scene says of his donkey, "This is the first Muslim animal." He asks the donkey if it likes girls; when it doesn't answer, he bursts into laughter and says, "He doesn't like girls," according to Stack. Other scenes in the above clip seem to portray Muslim Egyptian characters, who for some reason all have strong New York accents, as immoral and violent, particularly toward the Christians whom they pursue with near-genocidal fervor. A number of Islam's founding figures, including the prophet, are accused of homosexuality and child molestation.
The movie, like Terry Jones himself and his earlier Koran-burning stunt, have received attention far beyond their reach, which would be modest if not for obsessively outraged media. And yet, here the movie is, not just offending apparently significant numbers of people, but producing real-world damage. That damage is apparently limited to one American flag (CNN at one point reported that it had been torn, rumors continue to circulate that it was burned) and presumably the evenings of the U.S. embassy staff, but the U.S.-Egypt relationship is tense enough, and Muslim-Coptic mistrust has already produced scant but horrifying violence against the Christian minority. That doesn't mean this incident will become anything more than a bizarre moment of cross-cultural misunderstanding (the protesters seem to assume that, as in Egypt, movies must secure the state's approval), but that it could go so far is yet another reminder of the tensions just beneath the surface in Egypt.
* Correction: This sentence originally credited Terry Jones with producing the film, as some Egyptian media had suggested. In fact, as the Wall Street Journalnow reports, Jones is playing a promotional role, but the film was in fact directed and produced by "an Israeli-American California real-estate developer who called it a political effort to call attention to the hypocrisies of Islam." Separately, members of a Libyan Islamist extremist group called Ansar al-Sharia attacked the U.S. consulate in Benghazi, Libya, over the film, firing at the building with a rocket-propelled grenade.
Why Nixon's former lawyer John Dean worries Trump could be one of the most corrupt presidents ever—and get away with it
Sometime early last fall, John Dean says he began having nightmares about a Trump presidency. He would wake in the middle of the night, agitated and alarmed, struggling to calm his nerves. “I’m not somebody who remembers the details of dreams,” he told me in a recent phone call from his home in Los Angeles. “I just know that they were so bad that I’d force myself awake and out of bed just to get away from them.”
Few people are more intimately acquainted than Dean with the consequences of an American presidency gone awry. As White House counsel under President Richard Nixon from 1970 to 1973, he was a key figure in the Watergate saga—participating in, and then helping to expose, the most iconic political scandal in modern U.S. history. In the decades since then, Dean has parlayed that resume line into something of a franchise, penning several books and countless columns on the theme of presidential abuses of power.
“I wanted to give Mr. Trump the opportunity to retract his false statements about me and the other women who came forward.”
Former Apprentice contestant Summer Zervos, one of multiple women who’ve accused President-elect Donald Trump of sexual assault or misconduct, is now suing him for defamation.
Zervos first went public in mid-October, alleging that Trump non-consensually kissed and groped her at the Beverly Hills Hotel in 2007, where she met with him to discuss a job opportunity. Zervos announced the defamation suit alongside her lawyer, Gloria Allred—who’s representing several Trump accusers—at a press conference Tuesday in Los Angeles, as thousands of miles away organizers of Trump’s inauguration continue preparing the U.S. Capitol grounds.
Reading from the lawsuit, which she said was filed in New York Tuesday morning, Allred explained that Zervos initially thought Trump’s alleged behavior was an aberration, a test, or something he regretted. But soon, “Summer Zervos saw Trump’s behavior for what it was: that of a sexual predator,” Allred said in her opening statement.
The pundit was forced to decline a White House appointment after revelations that a book and a dissertation were rife with plagiarized passages.
There are few pithier ways to broach the strange story of the rise and fall of Monica Crowley’s career in the White House than the title of her 2012 book, What the (Bleep) Just Happened?
Here is what the bleep just happened: Crowley was busted for plagiarizing, from a variety of sources, in dozens of cases in that book. A few days later, she was busted for plagiarizing in her 2000 Ph.D. dissertation at Columbia University. A few days after that, CNN’s KFile, which found the original thefts, revealed that the dissertation pilfering was even more extensive. And on Monday, Crowley announced she would not take a job on the National Security Council in the Trump administration.
The president-elect has yet to name a secretary of agriculture, a delay that has caused controversy and illustrated the difficulties governing will pose.
Three days before Donald Trump is to be inaugurated as America’s new president, just one Cabinet agency lacks a nominee to lead it: the Department of Agriculture.
The pick has become mired in politics and drama, unsettling the agriculture industry and potentially imperiling Trump’s standing with some of his most ardent supporters—the residents of rural America. In the process, it has become a case study in the difficulty Trump will face as he begins to govern, as his sweeping promises and catchy slogans run up against competing interests.
Already, the delay in picking an agriculture secretary has caused alarm. “The lack of quick and decisive action on picking a new Secretary of Agriculture by the Trump administration has given rise to charges that agriculture is not a high priority for the incoming president,” columnist Gary Truitt wrote recently in Hoosier Ag Today. “While this may or may not be true, the fact that this was the last cabinet post to be filled has raised concerns and will produce some challenges for the new nominee.”
Billy Barr moved to the Rocky Mountains four decades ago, got bored one winter, and decided to keep a notebook that has become the stuff of legend.
It was a year into his life alone in Colorado’s Rocky Mountains when Billy Barr began his recordings. It started as a curiosity, a task to busy his mind during the winter. By no means, Barr told me, having skied down from his cabin to use the nearest phone, did he set out to make a vital database for climate change scientists. “Hell no!” he said. “I didn’t know anything about climate change at the time.”
In 1973 Barr had dropped out of college and made his home an abandoned mining shack at the base of Gothic Mountain, a 12,600-foot stone buttress. The cold winds blew through the shack’s wood slat walls as if they didn’t exist; he shared the bare dirt floor with a skunk and pine marten, his only regular company for much of the year. Barr had moved from the East Coast to the Rocky Mountains precisely because of the solitude, but he couldn’t escape boredom. Especially that first winter. So he measured snow levels, animal tracks, and in spring the first jubilant calls of birds returning. He filled a notebook with these observations; then another notebook. This has continued now for 44 years.
A history of the first African American White House—and of what came next
In the waning days of President Barack Obama’s administration, he and his wife, Michelle, hosted a farewell party, the full import of which no one could then grasp. It was late October, Friday the 21st, and the president had spent many of the previous weeks, as he would spend the two subsequent weeks, campaigning for the Democratic presidential nominee, Hillary Clinton. Things were looking up. Polls in the crucial states of Virginia and Pennsylvania showed Clinton with solid advantages. The formidable GOP strongholds of Georgia and Texas were said to be under threat. The moment seemed to buoy Obama. He had been light on his feet in these last few weeks, cracking jokes at the expense of Republican opponents and laughing off hecklers. At a rally in Orlando on October 28, he greeted a student who would be introducing him by dancing toward her and then noting that the song playing over the loudspeakers—the Gap Band’s “Outstanding”—was older than she was.
Is there room in the movement for people who morally object to abortion?
Updated on Monday, January 16 at 4:05 p.m.
Pro-life women are headed to D.C. Yes, they’ll turn out for the annual March for Life, which is coming up on January 27. But one week earlier, as many as a few hundred pro-lifers are planning to attend the Women’s March on Washington, which has been billed as feminist counterprogramming to the inauguration.
With organizations like Planned Parenthood and NARAL Pro-Choice America co-sponsoring the event, pro-life marchers have found themselves in a somewhat awkward position. What’s their place at an event that claims to speak for all women, but has aligned itself with pro-choice groups? With roughly a week to go before the march, organizers also released a set of “unity principles,” and one of them is “open access to safe, legal, affordable abortion and birth control for all people.”
Surfing the app on a trip back home can be a way of regressing, or imagining what life would be like if you never left.
My parents moved out of my hometown almost as soon as I left for college, and therefore I am obsessed with the idea of other people’s hometowns. Over any major holiday or break from a work schedule, hometowns become a sort of time travel, a way for people who have made adult lives elsewhere to return to their origin story.
Going home for the holidays can act as a kind of regression. Most of us know people, whether our friends, our partner, even our own parents, who suddenly turn into their teen or pre-teen self once they step foot in the house where they grew up. My mom used to say that whenever my dad got within 50 miles of his mom’s house, he suddenly became a teenage boy. Our hometowns become a kind of permission and hideaway, a place where we don’t have to be ourselves, where our actions don’t count and we get to be briefly less visible than we are in the adult homes we’ve made for ourselves elsewhere, the places where we expect ourselves to take action and achieve things and move upward through each day. For many of us, hometowns allow the luxury of a brief period of stasis, a rare few days of doing nothing.
In its fourth season the BBC show turned its main character into a superhero, and lost everything that made it special in the process.
This story contains spoilers through the most recent episode of Sherlock.
Christopher Nolan is a truly brilliant British creative talent, which makes it all the more ironic that his work seems to have (at least temporarily) unmoored two of that nation’s greatest fictional heroes. In dampening the palette and tone of superhero movies so spectacularly with his trilogy of Batman movies, Nolan created a domino effect that stretched all the way across the ocean, transforming James Bond from a louche, debonair intelligence agent into a tortured, self-medicating hitman, compelled by the death of his parents to hunt down a series of increasingly psychopathic villains. And, as “The Final Problem” revealed on Sunday, Nolan’s influence has similarly transformed Sherlock. A wry detective drama with a twist has turned into a superhero origin story, complete with agonizing childhood trauma, terrifying antagonists with improbable powers, and a final showdown in an ancestral home burned to the ground.
Can Republicans repeal Obamacare without imposing the greatest costs on the older, white, blue-collar voters who put Trump into office?
As congressional Republicans race to repeal and replace President Obama’s Affordable Care Act, one of their principal challenges is finding an alternative that does not expose older and less affluent white voters at the core of Donald Trump’s electoral coalition to greater costs and financial risk.
The paradox of the health-reform debate is that many of Obamacare’s key elements raised costs on younger and healthier people who generally vote Democratic as a means of limiting the financial exposure of older and sicker people, even as older whites have stampeded toward the GOP. Conversely, many of the central ideas common to the Republican replacement plans would lower costs for younger and healthier adults while exposing people with greater health needs, many of them older, to the risk of much larger out-of-pocket costs, even if it reduces the health-insurance premiums they initially pay.