Since colonialism brought Western and Islamic societies crashing together over a century ago, the former has struggled to understand the rage it seems to provoke in the latter.
A protester rests on a barricade near the U.S. embassy in Cairo, Egypt. (Reuters)
In August 1857, a century before the United Nations would declare the Israeli state in what had been Palestine, before British and French diplomats would formally carve up the Middle East, before the U.S. would back a coup in Iran, before political Islamism would emerge, and before the U.S. would arm unmanned airplanes to kill Islamism's most violent and radical adherents, the British empire found itself besieged by Muslim protesters.
Officers at Fort William, in the Indian city of Calcutta, were the first to require colonial troops to grease their rifles with a compound that included cow and pig fat, a mixture guaranteed to offend both Hindus and Muslims. Many of the troops, known as sepoys, protested. The protests spread and turned violent, growing into an uprising that affected much of the British Raj at a time long before it was unified by roads or telephones, much less cell phones or the Internet. To give a sense of scale, the Raj covered about 4 million square kilometers; the countries of today's European Union make up 4.3 million.
Looking back, the cause-and-effect between the animal grease and the protests might seem obvious today, but it shocked British overseers at the time, and historians still dispute the larger causes, which seem to go well beyond just the pig fat offense. "Muslim activists called the mutiny a jihad, and their well-organized assaults suggested that the bullet-grease issue had merely been the spark," Tamim Ansary wrote in his book, Destiny Disrupted: A History of the World Through Islamic Eyes. The suddenness and vociferousness of 1857's Muslim protests, in what was then the country with the largest Muslim population in the world, as well as the West's struggle to either foresee or understand their anger, have their echoes in this past week's demonstrations against the U.S. over the anti-Islam film Innocence of Muslims.
As the Western world once again endeavors to understand the roots of apparently anti-Western rage that have again surfaced in large parts of the Muslim world, it's worth remembering the history of offense and backlash that has been a recurring theme of their intersections. Ansary's history of the 1857 Sepoy Rebellion cited "the cultural gulf between the British officers and their [Indian] foot soldiers, a gulf that had not existed before Europeans arrived." Then, as now, Western observers looked for causes political and cultural, particular to this uprising in this moment and general to the region and its history. They've found plenty: economic disenfranchisement among certain classes, conversion anxieties, political manipulation, local factors, and of course foreign domination, among many others. Islam and its followers came under special scrutiny, also like today, although the fact that so many Hindus participated suggests that the particularities of this one religion were not a good lens for understanding the rebellion.
It's entirely possible, even likely, that there is truth to a number of these theories, just as with the sometimes similar and sometimes different theories of "Muslim Rage," to borrow from a 1990 Atlanticcover story, that Westerns have explored so many times before. We've had many opportunities to theorize: the 2010 Florida Koran burning protests, the 2005 Muhammad cartoon protests, the wide 1990 demonstrations in support of Saddam Hussein that shocked the West, the near-global violence over Salman Rushdie's 1988 novel The Satanic Verses, and the deadly 1979 U.S. embassy attacks in Iran, Libya, and Pakistan. Protests and anger marked much of the colonial era as well, from the 1936 Arab Uprising in then-Palestine to the 1857 Sepoy Rebellion to the 1879 Urabi Revolt in Egypt.
It's worth considering the extent to which these movements have been connected by themes that can both encompass and be larger than the particularities of each. Many in the Middle East and South Asia are in fact furious with the U.S. for its drone program, but their anger and suspicion look awfully similar to those propelling the demonstrations in, for example, 1979 or 1988 or 1990 or 2005, during most of which drones did not exist. To say that Muslims are protesting because they're angry about drones is true in a similar way that, for example, San Francisco Democrats are likely to vote against Mitt Romney in November because they dislike his stance on gay marriage, or that people in China are protesting Japan because they disagree with Tokyo's claim over some disputed islands.
There is probably no simple, single explanation for something as old, complicated, and variegated as the anger in parts of the Muslim world against the West. Not even colonialism, perhaps the single most significant interaction between the Western and Muslim worlds since the Renaissance, is a satisfactory explanation: why, then, do the harshly colonized societies of sub-Saharan Africa report some of the highest approval ratings for American leadership in the world? (Before you answer "because oil" or "because Islam," keep in mind the Angola and Nigeria are enormous oil exporters to the U.S., and that much of Africa is Muslim.)
Perhaps the single most consistent theme in the anti-Western protests and incidents that we so often term "Muslim rage" is our perennial struggle to understand them. "Why do they hate us?" is a question we've been asking for a long time. Judging by some of the protest signs dotting Africa and Asia last week, demanding Western respect for Islam and its adherents, it might be a question that many Muslims ask of us, too. None of this is to advance a specific theory for last week's protests or the anger behind them, but rather to place them within the much longer history of offense and outrage between the Western and Muslim worlds, a generations-old mutual misapprehension that has long defied the sorts of easy answers that we might be tempted to reach for today.
Thicker ink, fewer smudges, and more strained hands: an Object Lesson
Recently, Bic launched acampaign to “save handwriting.” Named “Fight for Your Write,” it includes a pledge to “encourage the act of handwriting” in the pledge-taker’s home and community, and emphasizes putting more of the company’s ballpoints into classrooms.
As a teacher, I couldn’t help but wonder how anyone could think there’s a shortage. I find ballpoint pens all over the place: on classroom floors, behind desks. Dozens of castaways collect in cups on every teacher’s desk. They’re so ubiquitous that the word “ballpoint” is rarely used; they’re just “pens.” But despite its popularity, the ballpoint pen is relatively new in the history of handwriting, and its influence on popular handwriting is more complicated than the Bic campaign would imply.
In the name of emotional well-being, college students are increasingly demanding protection from words and ideas they don’t like. Here’s why that’s disastrous for education—and mental health.
Something strange is happening at America’s colleges and universities. A movement is arising, undirected and driven largely by students, to scrub campuses clean of words, ideas, and subjects that might cause discomfort or give offense. Last December, Jeannie Suk wrote in an online article for The New Yorker about law students asking her fellow professors at Harvard not to teach rape law—or, in one case, even use the word violate (as in “that violates the law”) lest it cause students distress. In February, Laura Kipnis, a professor at Northwestern University, wrote an essay in The Chronicle of Higher Education describing a new campus politics of sexual paranoia—and was then subjected to a long investigation after students who were offended by the article and by a tweet she’d sent filed Title IX complaints against her. In June, a professor protecting himself with a pseudonym wrote an essay for Vox describing how gingerly he now has to teach. “I’m a Liberal Professor, and My Liberal Students Terrify Me,” the headline said. A number of popular comedians, including Chris Rock, have stopped performing on college campuses (see Caitlin Flanagan’s article in this month’s issue). Jerry Seinfeld and Bill Maher have publicly condemned the oversensitivity of college students, saying too many of them can’t take a joke.
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
The new drama series, which follows the Colombian kingpin’s rise to power, feels more like a well-researched documentary than the gripping saga it wants to be.
Netflix’s new series Narcos is possibly arriving at the wrong time: The doldrums of summer aren’t really the ideal moment for a narratively dense, documentary-like look at the rise and fall of the Colombian drug kingpin Pablo Escobar. Narrated in voiceover by DEA Agent Steve Murphy (Boyd Holbrook), the early hours of Narcos feel like a history lesson, though an visually sumptuous one.
As Netflix continues to expand its streaming empire, it’s making a concerted effort to appeal to worldwide audiences, and Narcos fits neatly into that plan, alongside last year’s expensive critical flop Marco Polo. Narcos was shot on location in Colombia and stars the acclaimed Brazilian actor Wagner Moura as Escobar. It takes full advantage of its setting, loaded with sweeping helicopter shots of the Colombian jungle where Escobar founded his cocaine empire, filling a power vacuum left by various political upheavals in late-’70s South America.
On the desperation behind the migrant tragedy in Austria
On Thursday, as Krishnadev Calamur has been tracking in The Atlantic’s new Notes section, Austrian authorities made a ghastly discovery: a truck abandoned in the emergency lane of a highway near the Hungarian border, packed with the decomposing bodies of 59 men, eight women, and four children. They are thoughtto be the corpses of migrants who suffocated to death, perhaps two days earlier, in the bowels of a vehicle whose back door was locked shut and refrigeration and ventilation systems weren’t functional. Stray identity documents suggest that at least some of the victims were Syrian—refugees from that country’s brutal civil war. The truck featured an image of a chicken and a slogan from the Slovakian poultry company that the lorry once belonged to: “I taste so good because they feed me so well.”
A new study shows that the field suffers from a reproducibility problem, but the extent of the issue is still hard to nail down.
No one is entirely clear on how Brian Nosek pulled it off, including Nosek himself. Over the last three years, the psychologist from the University of Virginia persuaded some 270 of his peers to channel their free time into repeating 100 published psychological experiments to see if they could get the same results a second time around. There would be no glory, no empirical eurekas, no breaking of fresh ground. Instead, this initiative—the Reproducibility Project—would be the first big systematic attempt to answer questions that have been vexing psychologists for years, if not decades. What proportion of results in their field are reliable?
Four and a half years of violent conflict have destroyed entire regions of Syria. Caught in the middle of all this horror are the children of Syria, relying on parents who have lost control of their own lives and are now being forced to make difficult choices in desperate circumstances.
Four and a half years of violent conflict have destroyed entire regions of Syria. Neighborhoods have been smashed by shelling and government barrel bombs, and towns have been seized by rebels and ISIS militants, then retaken by government troops, killing hundreds of thousands and injuring even more. The United Nations now estimates that more than 4 million Syrians have become refugees, forced to flee to neighboring countries or Europe. Caught in the middle of all this horror are the children of Syria, relying on parents who have lost control of their own lives and are now being forced to make difficult choices in desperate circumstances. Though many families remain in Syria’s war zones, thousands of others are taking dangerous measures to escape, evading militias, government forces, border guards, predatory traffickers, and more, as they struggle to reach safety far from home.
The Republican frontrunner has offered Bush the perfect chance to display some passion—but he’s declined to take it.
Donald Trump has gotten a boost in his efforts to maul Jeb Bush in recent days from an unexpected source: Jeb Bush himself.
Trump’s attack on Jeb isn’t mostly about issues. As with most things Trump, it’s mostly about persona. The Donald thinks Jeb is a dud. “He’s a man that doesn’t want to be doing what he’s doing,” Trump said in June. “I call him the reluctant warrior, and warrior’s probably not a good word. I think Bush is an unhappy person. I don’t think he has any energy.”
Over the last week, Jeb has proven Trump right. Trump, and his supporters, continue to demonize Mexican American illegal immigrants. On Tuesday, Trump threw the most popular Spanish-language broadcaster in America out of a press conference. That same day, Ann Coulter warmed up for Trump in Iowa by offering gruesome details of murders by Mexican “illegals,” and suggesting that once Trump builds his wall along America’s southern border, tourists can come watch the “live drone shows.”
A 2003 explosion in Najaf was to the Middle East’s Sunni-Shiite war what Gavrilo Princip’s bullets were to the First World War. I was there.
After the bomb blast, the sky rained dried fruit, nuts, and candy.
It was shortly after noon on August 29, 2003, outside the Imam Ali shrine in Najaf, Iraq. I had just entered a long, narrow street leading to the shrine when the massive explosion shook its walls. I ran toward the smoke in what seemed like dead silence: I had been temporarily deafened by the blast. The alley had turned dark, as if in a sudden solar eclipse. And showering down on me from the swirling black plume were dried apricots, almonds, and brightly colored lozenges. I would learn later that they were from the street vendors’ carts lining the walls of the shrine, blown into the air by the explosion.
Hikers on a moonlit night in Mexico, a massive ball pit in Washington, D.C., Usain Bolt taken down by a Segway in China, a squirrel monkey riding a capybara in Japan, and much more.
Hikers on a moonlit night in Mexico, Homer Simpson calls for calm at a protest in Chile, Kumbh Mela in India, a massive ball pit in Washington, D.C., Usain Bolt taken down by a Segway in China, a squirrel monkey riding a capybara in Japan, a conference of Furry enthusiasts in Germany, and much more.