Since colonialism brought Western and Islamic societies crashing together over a century ago, the former has struggled to understand the rage it seems to provoke in the latter.
A protester rests on a barricade near the U.S. embassy in Cairo, Egypt. (Reuters)
In August 1857, a century before the United Nations would declare the Israeli state in what had been Palestine, before British and French diplomats would formally carve up the Middle East, before the U.S. would back a coup in Iran, before political Islamism would emerge, and before the U.S. would arm unmanned airplanes to kill Islamism's most violent and radical adherents, the British empire found itself besieged by Muslim protesters.
Officers at Fort William, in the Indian city of Calcutta, were the first to require colonial troops to grease their rifles with a compound that included cow and pig fat, a mixture guaranteed to offend both Hindus and Muslims. Many of the troops, known as sepoys, protested. The protests spread and turned violent, growing into an uprising that affected much of the British Raj at a time long before it was unified by roads or telephones, much less cell phones or the Internet. To give a sense of scale, the Raj covered about 4 million square kilometers; the countries of today's European Union make up 4.3 million.
Looking back, the cause-and-effect between the animal grease and the protests might seem obvious today, but it shocked British overseers at the time, and historians still dispute the larger causes, which seem to go well beyond just the pig fat offense. "Muslim activists called the mutiny a jihad, and their well-organized assaults suggested that the bullet-grease issue had merely been the spark," Tamim Ansary wrote in his book, Destiny Disrupted: A History of the World Through Islamic Eyes. The suddenness and vociferousness of 1857's Muslim protests, in what was then the country with the largest Muslim population in the world, as well as the West's struggle to either foresee or understand their anger, have their echoes in this past week's demonstrations against the U.S. over the anti-Islam film Innocence of Muslims.
As the Western world once again endeavors to understand the roots of apparently anti-Western rage that have again surfaced in large parts of the Muslim world, it's worth remembering the history of offense and backlash that has been a recurring theme of their intersections. Ansary's history of the 1857 Sepoy Rebellion cited "the cultural gulf between the British officers and their [Indian] foot soldiers, a gulf that had not existed before Europeans arrived." Then, as now, Western observers looked for causes political and cultural, particular to this uprising in this moment and general to the region and its history. They've found plenty: economic disenfranchisement among certain classes, conversion anxieties, political manipulation, local factors, and of course foreign domination, among many others. Islam and its followers came under special scrutiny, also like today, although the fact that so many Hindus participated suggests that the particularities of this one religion were not a good lens for understanding the rebellion.
It's entirely possible, even likely, that there is truth to a number of these theories, just as with the sometimes similar and sometimes different theories of "Muslim Rage," to borrow from a 1990 Atlanticcover story, that Westerns have explored so many times before. We've had many opportunities to theorize: the 2010 Florida Koran burning protests, the 2005 Muhammad cartoon protests, the wide 1990 demonstrations in support of Saddam Hussein that shocked the West, the near-global violence over Salman Rushdie's 1988 novel The Satanic Verses, and the deadly 1979 U.S. embassy attacks in Iran, Libya, and Pakistan. Protests and anger marked much of the colonial era as well, from the 1936 Arab Uprising in then-Palestine to the 1857 Sepoy Rebellion to the 1879 Urabi Revolt in Egypt.
It's worth considering the extent to which these movements have been connected by themes that can both encompass and be larger than the particularities of each. Many in the Middle East and South Asia are in fact furious with the U.S. for its drone program, but their anger and suspicion look awfully similar to those propelling the demonstrations in, for example, 1979 or 1988 or 1990 or 2005, during most of which drones did not exist. To say that Muslims are protesting because they're angry about drones is true in a similar way that, for example, San Francisco Democrats are likely to vote against Mitt Romney in November because they dislike his stance on gay marriage, or that people in China are protesting Japan because they disagree with Tokyo's claim over some disputed islands.
There is probably no simple, single explanation for something as old, complicated, and variegated as the anger in parts of the Muslim world against the West. Not even colonialism, perhaps the single most significant interaction between the Western and Muslim worlds since the Renaissance, is a satisfactory explanation: why, then, do the harshly colonized societies of sub-Saharan Africa report some of the highest approval ratings for American leadership in the world? (Before you answer "because oil" or "because Islam," keep in mind the Angola and Nigeria are enormous oil exporters to the U.S., and that much of Africa is Muslim.)
Perhaps the single most consistent theme in the anti-Western protests and incidents that we so often term "Muslim rage" is our perennial struggle to understand them. "Why do they hate us?" is a question we've been asking for a long time. Judging by some of the protest signs dotting Africa and Asia last week, demanding Western respect for Islam and its adherents, it might be a question that many Muslims ask of us, too. None of this is to advance a specific theory for last week's protests or the anger behind them, but rather to place them within the much longer history of offense and outrage between the Western and Muslim worlds, a generations-old mutual misapprehension that has long defied the sorts of easy answers that we might be tempted to reach for today.
People look to Amy Schumer and her fellow jokers not just to make fun of the world, but to make sense of it. And maybe even to help fix it.
This week, in a much-anticipated sketch on her Comedy Central show, Amy Schumer staged a trial of Bill Cosby in “the court of public opinion.” Schumer—her character, at any rate—played the role of the defense. “Let’s remind ourselves what’s at stake here,” she argued to the jury. “If convicted, the next time you put on a rerun of The Cosby Show you may wince a little. Might feel a little pang. And none of us deserve that. We don’t deserve to feel that pang.”
Her conclusion? “We deserve to dance like no one’s watching, and watch like no one’s raping.”
Ooof. This is the kind of thing that gets Inside Amy Schumer referred to as “the most feminist show on television,” and her act in general called, in a phrase that reveals as much about her craft as about Schumer herself, “comedy with a message.” But while Schumer’s work is operating at the vanguard of popular comedy, it’s also in line with the work being done by her fellow performers: jokes that tend to treat humor not just as an end in itself, but as a vehicle for making a point. Watch like no one’s raping.
We're all going to die and we all know it. This can be both a burden and a blessing.
In the heart of every parent lives the tightly coiled nightmare that his child will die. It might spring at logical times—when a toddler runs into the street, say—or it might sneak up in quieter moments. The fear is a helpful evolutionary motivation for parents to protect their children, but it's haunting nonetheless.
The ancient Stoic philosopher Epictetus advised parents to indulge that fear. “What harm is it, just when you are kissing your little child, to say: Tomorrow you will die?”he wrote in his Discourses.
Some might say Epictetus was an asshole. William Irvine thinks he was on to something.
“The Stoics had the insight that the prospect of death can actually make our lives much happier than they would otherwise be,” he says. “You’re supposed to allow yourself to have a flickering thought that someday you’re going to die, and someday the people you love are going to die. I’ve tried it, and it’s incredibly powerful. Well, I am a 21st-century practicing Stoic.”
Caves and tunnels have always been part of human life.
Caves and tunnels have always been part of human life. We've grown more adept at shaping these underground shelters and passages over the millennia, and today we dig for hundreds of reasons. We excavate to find both literal and cultural treasures, digging mines and unearthing archaeological discoveries. We use caverns for stable storage, for entertainment, and for an effective shelter from natural and man-made disasters. And as the planet's surface becomes ever more crowded, and national borders are closed, tunnels provide pathways for our vehicles and for smugglers of every kind. Collected below are more recent subterranean scenes from around the world.
For those who didn't go to prestigious schools, don't come from money, and aren't interested in sports and booze—it's near impossible to gain access to the best paying jobs.
As income inequality in the U.S. strikes historic highs, many people are starting to feel that the American dream is either dead or out of reach. Only 64 percent of Americans still believe that it’s possible to go from rags to riches, and, in another poll, 63 percent said they did not believe their children would be better off than they were. These days, the idea that anyone who works hard can become wealthy is at best a tough sell.
What it’s like to watch a komodo dragon get dissected
Try to imagine how hard it would be to skin a Komodo dragon.
It is harder than that.
The problem is that the giant lizard’s hide is not just tough and leathery, but also reinforced. Many of the scales contain a small nugget of bone, called an osteoderm, which together form a kind of pointillist body armor. Sawing through these is tough on both arms and blades.
I’m at the Royal Veterinary College, about 20 kilometers outside of central London, watching four biologists put their shoulders into the task. A Komodo dragon, which recently died in London Zoo for unexplained reasons, lies on a steel gurney in front of them. Their task, over the next three days, is to dissect it and measure all of its muscles. So, first, the skin must come off.
The danger of uploading one’s consciousness to a computer without a suicide switch
Imagine a supercomputer so advanced that it could hold the contents of a human brain. The Google engineer Ray Kurzweil famously believes that this will be possible by 2045. Organized technologists are seeking to transfer human personalities to non-biological carriers, “extending life, including to the point of immortality.” My gut says that they’ll never get there. But say I’m wrong. Were it possible, would you upload the contents of your brain to a computer before death, extending your conscious moments on this earth indefinitely? Or would you die as your ancestors did, passing into nothingness or an unknown beyond human comprehension?
The promise of a radically extended lifespan, or even immortality, would tempt many. But it seems to me that they’d be risking something very much like hell on earth.
New research confirms what they say about nice guys.
Smile at the customer. Bake cookies for your colleagues. Sing your subordinates’ praises. Share credit. Listen. Empathize. Don’t drive the last dollar out of a deal. Leave the last doughnut for someone else.
Sneer at the customer. Keep your colleagues on edge. Claim credit. Speak first. Put your feet on the table. Withhold approval. Instill fear. Interrupt. Ask for more. And by all means, take that last doughnut. You deserve it.
Follow one of those paths, the success literature tells us, and you’ll go far. Follow the other, and you’ll die powerless and broke. The only question is, which is which?
Of all the issues that preoccupy the modern mind—Nature or nurture? Is there life in outer space? Why can’t America field a decent soccer team?—it’s hard to think of one that has attracted so much water-cooler philosophizing yet so little scientific inquiry. Does it pay to be nice? Or is there an advantage to being a jerk?
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
The grim 1960s L.A. crime drama stars David Duchovny as a detective on a collision course with the notorious 60s killer.
Starting with its title, NBC’s Aquarius is a TV show at war with its own contradictions. The year is 1967, and as the song goes, it’s the dawning of the Age of Aquarius—flower children are converging on California, drugs and free love are flowing, but, sadly, there are still crimes to be solved. There’s plenty of weight to this “event series,” debuting Thursday, which among other things promises to tell the story of Charles Manson’s rise to depravity in the San Fernando Valley. But most of all, it’s a straightforward cop show, starring David Duchovny as a bullet-headed detective who has a few things to learn about the changing world around him—and the show’s rigid adherence to the conventions of that genre is its ultimate limitation.
A song from 2011 is causing controversy now, proving how slowly the genre’s attitudes about women are evolving.
The rapper Action Bronson, whose major-label debut came out recently, is mostly known for his love of food, his large frame, and the fact that he sounds so much like Ghostface Killah that even Ghostface Killah gets confused sometimes. He will likely now be known by more people for one particular lyric of his, due to a headline-making petition asking Toronto’s NXNE music festival to kick the artist off the bill because, in its words, he “glorifies gang-raping and murdering women.”
The lyrics in question come from the 2011 song, “Consensual Rape,” which has a verse that mentions giving a girl MDMA and then having very rough sex with her. The petition also calls out a 2011 music video that portrays Bronson happily disposing of a woman’s corpse.