The End of South African Exceptionalism

The Marikana mine killings may show that South Africa's problems are no longer specific to the apartheid legacy, but about more global issues of poverty and inequality.

za aug27 p.jpg
Striking miners chant near Marikana, South Africa. (AP)

On Thursday, August 16th, South African security forces shot dead 34 protesters at Marikana, a platinum mine, owned and operated by multinational firm Lonmin, in South Africa's Northwest Province. The dead were rock drill operators on strike for better wages -- most of them reportedly earned around the equivalent of $500 per month -- and a higher standard of living.

Because of the excessive violence (video of the shootings have gone viral), some are making comparisons to the tragic events of March 1960, when South African security forces, then defending the apartheid regime, murdered 69 protesters in Sharpeville, a black township south of Johannesburg. The victims in Sharpeville had gathered to protest the apartheid state's requirement that adult Africans could only set foot in South African cities if they showed a passbook proving they were employed by local whites.

Times have changed -- last Thursday's dead had a right to vote, which many of them doubtlessly cast in support of the African National Congress, the party that has governed South Africa since apartheid's end in 1994. Yet, once again, the South African state has shed the blood of its citizens. The similarities and differences between that half-century-old killing and this month's are a reminder of how much South Africa has changed, and how much it hasn't; how South Africa is singular and how it's susceptible to the same forces of class and inequality as any other democracy.

Marikana presented familiar images -- singing protesters dancing in the faces of uniformed, well-armed police, who deployed with cannon and armored vehicles, and were followed by shots and slowly settling dust. Not surprisingly, the South African government and its defenders reject the comparison. The national police commissioner defended her officers, noting that the strike had been violent -- even deadly -- before the police arrived. On the day of the massacre, miners were armed, some with spear-like assegais and machetes. They had marched on the police voicing "war chants." To be sure, the state had the preponderance of power, but this was not Sharpeville.

The Democracy Report

Yet, in its catalyzing potential, in perhaps forcing South Africa to confront a serious social ill, Marikana might still prove to be something like the post-apartheid state's Sharpeville.

After the 1960 massacre, South Africa was kicked out of the international community: condemned at the United Nations; eventually excluded from the Olympics. Those killed at Sharpeville had been protesting in the name of freedom of movement and democratic participation in their national future, touchstones of the UN charter and of international human rights. The Cold War complicated the politics, but the world seemed largely to agree that the South African government was beyond the pale. Time and struggle undid the legacy of Sharpeville; a generation later, South African athletes featured prominently at this summer's London Olympics, a clear reminder that South Africa is once more welcomed within the community of nations.

Human rights and democracy are wonderful and the world justly celebrates South Africa for having attained them. But the years since 1994 have demonstrated that poverty and inequality can be far wilier foes than white supremacy. South Africa was white supremacist, but it was also characterized by a particularly brutal form of capitalism, with few or no protections for workers. That latter hasn't changed much. In the days since the massacre, Lonmin has ordered the miners back to work without adjusted wages; the company's public statements have fretted about what it means for their shareholders' bottom line. In the years since 1994, state violence against protesters has been frequent -- witness the 2011 police killing of schoolteacher Andries Tatane during a protest calling attention to squalid conditions in townships. In post-apartheid South Africa, Marikana was not aberrant; it was just excessive.

Presented by

Daniel Magaziner & Sean Jacobs

Daniel Magaziner teaches South African history at Yale University. Sean Jacobs, a native of South Africa, teaches international affairs at The New School.

The Blacksmith: A Short Film About Art Forged From Metal

"I'm exploiting the maximum of what you can ask a piece of metal to do."

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register.

blog comments powered by Disqus

Video

Riding Unicycles in a Cave

"If you fall down and break your leg, there's no way out."

Video

Carrot: A Pitch-Perfect Satire of Tech

"It's not just a vegetable. It's what a vegetable should be."

Video

An Ingenious 360-Degree Time-Lapse

Watch the world become a cartoonishly small playground

Video

The Benefits of Living Alone on a Mountain

"You really have to love solitary time by yourself."

Video

The Rise of the Cat Tattoo

How a Brooklyn tattoo artist popularized the "cattoo"

More in Global

Just In