The Ancient Roots of Iran's Wrestling and Weightlifting Olympic Dominance

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Centuries before the Islamic Republic or even Islam, Persian athletes fused spirituality and strength training in a practice called Varzesh-e-Bastani, the legacy of which may still persist.

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Iran's Behdad Salimikordasiabi lifts 500-plus pounds over his head, winning an Olympic gold medal and a world record. (AP)

Freestyle wrestling is often described as the "first sport" of the Islamic Republic of Iran, according to U.S.-based Iranian historian Houchang Chehabi. Iran excels at international wrestling competitions, winning three gold medals at this year's Olympics alone, and an astounding 35 medals since 1948. But the story of how Iran came to so dominate wrestling is older than the Islamic Republic, possibly older than even Islam itself, and may have to do with an Iranian understanding of the sport far different than the West's. 


That story may also have to do with Iran's record at weightlifting and, to a lesser extent, tae kwon do. Iranian weighlifters won the men's super-heavyweight gold and silver this year, the former to the amazing Behdad Salimikordasiabi for lifting 545 pounds, more than a baby grand piano, over his head. He broke his own world record, which he'd set the year before in Paris, when he broke the previous record, also held by an Iranian. Though Iranians don't win as many Olympic medals in tae kwon do, both men and women are perennial winners at other international and Asian leagues. Iran's record in these three sports is even more striking compared to its abysmal Olympic record in everything else; in Olympics history, the country has only one medal from any other sport: a silver in discus throwing, won this Tuesday.

The surprisingly rich academic literature on Iran's impressive records at wrestling, weightlifting, and tae kwon do consistently connects all three to an ancient Persian sport called Varzesh-e-Bastani, which literally translates to "ancient sport." To Westerners, Varzesh-e-Bastani might look like an odd combination of wrestling, strength training, and meditation. Though there's no known link between Varesh-e-Bastani and yoga, it might help to think of it as something like a Persian version of this athletic practice that's also a method of personal and community development -- and a symbol of cultural heritage.

Though Western cultures typically treat wrestling as an aggressive, individualistic, and deeply competitive sport, traditional Persian Varzesh-e-Bastani emphasizes it as a means of promoting inner strength through outer strength in a process meant to cultivate what we might call chivalry. The ideal practitioner is meant to embody such moral traits as kindness and humility and to defend the community against sinfulness and external threats. The connection of weightlifting with character development might sound odd, but it's perhaps not so different from, for example, the yogic practice of Shavanasa, a meditative pose meant to bolster the spiritual and mental role of yoga's stretches and poses.

Varzesh-e-Bastani is traditionally practiced in a building called a Zoorkhaneh, which means "home of strength" and is often built and decorated in an ancient style that's led archaeologists to trace them to the Mithraic era of the first through fourth centuries, AD. The Mithraic religion, named for the Persian god Mithra, spread through much of the Roman Empire before being displaced by Christianity -- and, much later, displaced by Islam in Persia itself. But some Mithraic ideas and practices persisted in the Zoorkhaneh, and can maybe still be heard in the pre-exercise chanting or seen in the ritual movements.

History is political in Iran, and has been for centuries. Its leaders have alternatively embraced or downplayed the country's ancient, pre-Islamic roots. After the Arab Muslim invasion, Persian elites resisted the new religion for centuries, seeing it as the Arabs' religion. In the 1500s, though followers of Islam's two major schools of Shi'ism and Sunnism had long been dispersed across the Middle East, Persia's imperial Safavid rulers played up Iran's Shi'a heritage as a way to unifying Arab Shi'a against the increasingly Sunni Ottoman Empire. The following migrations of Shi'a to Iran and present-day Iraq helped create a geographic division that largely holds to this day. The shahs of the Pahlavi dynasty, which took over in 1925, tried to bring Iran into the developed world in part by emphasizing its ancient Persian roots as an alternative to the Islamic identity that, as he saw it, tied it to the less developed nations of the Middle East and Central Asia. The Islamist revolutionaries of 1979 veered back in the other direction. In 2009, moderate presidential candidate (and, shortly after that, informal "green movement" leader) Mir Hossein Mousavi peppered his campaign posters with images of pre-Islamic cultural sites, a subtle nod to the days before the Islamic Republic. 

Through these turbulent back-and-forths, leaders and popular movements alike have pushed away one aspect of Persian cultural heritage in order to lift up another, re-re-inventing their society so many times over that few institutions have survived intact. Even the Supreme Leader's Islam does not always look so much like the Shi'ism of earlier generations.

Yet, somehow, the Varzesh-e-Bastani traditions and the Zoorkhaneh have survived, embraced during both the shah's secular Westernizing era and under the Islamic Republic as a symbol of Persian national pride and of cultural roots. Both regimes, though they couldn't be more different, promoted the Zoorkhaneh and entrenched its practices into national physical education, even reminding Iranians that the sport's champions had once defended their communities against the Mongol invaders of a thousand years earlier. The Islamic Republic lionized the Varzesh-e-Bastani wrestler Gholamreza Takhti, elevating him to what one historian calls "the greatest Iranian sports legend of the twentieth century," perhaps in part because he could appeal to both Islamists and more secular skeptics, a unifying figure in a country that badly needed one. 

Iranian nationalism and national pride -- of a kind that seems possibly even broader than that of the supreme leader's Islamist nationalism -- has become tightly wound with international wrestling and weightlifting competitions, the two sports most closely associated with Varzesh-e-Bastani. In 1989, just after the end of the devastating eight-year war against Iraq, Iranian heavyweight wrestler Ali-Reza Soleimani defeated an American wrestler for the world wrestling championship that year, exciting Iranians who badly needed something to feel good about, and striking a symbolic (for them) blow against the U.S., which had aided the Iraqis in the war. State funding for wrestling immediately increased, and the Islamic Republic played up its ancient Persian roots to try and cash in on the popularity. 

In the late 1990s, reformists who followed new President Mohammad Khatami into power hinted that wrestling could be a path to detente with the U.S., a sort of Persian take on China's Nixon-era ping pong diplomacy. It never happened, but wrestling and weightlifting have remained so popular in Iran, and so closely linked to national pride, that Iranian research universities still produce studies on, for example, the effects of Ramadan fasting on weightlifting performance or the personality traits of weightlifters and martial artists versus players of team sports. Though the nation's Greco-Roman wrestling team performed the best of any country in this year's Olympics, Iranian social media users are apparently fuming over one wrestler's loss to a French opponent, insisting that Olympic referees had conspired against him (no, there's no evidence).

It's difficult, and maybe ultimately impossible, to say for sure why one country might do particularly well (or particularly poorly) in one athletic competition or another. And it's especially difficult to test the theory that Iranians are so good as weightlifting and wrestling (and, to a lesser extent, tae kwon do) because of those sports' roots in the pre-Islamic Varzesh-e-Bastani tradition, one of the few ancient cultural legacies that has been allowed to persist through the past century of near-endless political turmoil. After all, gold medals in these events are won by a tiny handful of individuals. Still, if even just these dozen or so Iranian athletes believed that their amazing skill was rooted in this particularly Persian heritage, then wouldn't that in itself make it at least somewhat true?
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Max Fisher is a former writer and editor at The Atlantic.

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