Protesters are gathering across Sudan today for what they say that they hope will be a "Tahrir-style" national movement for the downfall of the autocratic government of President Omar al-Bashir. So far, protests are numerous but relatively small, with state security forces cracking down heavily. It's not Tahrir yet, but, while the two countries share a border and the Nile River, neither is Sudan quite like Egypt. Protesters, pushing for democracy and an end to Bashir's much-hated austerity measures, are calling today's demonstrations "The Friday of Elbow Licking," a reference to a senior Sudanese official who'd said that the Arab Spring would spread here "only if you can lick your elbow." Here's a helpful map of protests, arrests, and violence so far, as mapped by Sudanese activists at SudanChangeNow2012 based on media coverage and what they call "trusted reports" from the field. You can zoom in to city block-by-block protests and clashes in, for example, the capital city of Khartoum. Below that are a series of photos that tell the story of today's "elbow-licking" would-be Sudanese Tahrir. You may notice that there are not many photos, and that none of them are by professional photographers. Sudan has tough restrictions against journalists: state security raided the AFP's Khartoum office, arresting a photographer who had taken pictures of the protests. This leaves the world to rely largely on citizen journalists, who often face even harsher punishments for reporting.
Wired Sudanese are passing around this photo of a protest in the city of Al-Ubayyid. Here's a photo of al-Ubayyid 50 years ago to give you a sense of how dramatically Sudan has changed since its 1956 independence from British colonialism. The banner readers, "Al-Ubayyid 29th June Lick Your Elbow Friday." (Twitter/Shamarat)
Protesters march in Omdurman, Sudan's largest city, just across the Nile from capital Khartoum. Their movement has listed 15 demands, the biggest of which is for the regime, in power since Omar al-Bashir's 1989 coup, to leave power. They're also asking for basic freedoms, inflation controls, and an end to religious discrimination. Though some of the country's youth and educated elite have long pushed for such a movement, it was Bashir's June 18 announcement of new austerity cuts, including to fuel subsidies, that sparked today's protests. (Twitter/Kumboya).
A young Sudanese girl licks her elbow, holding a sign that reads, "We licked our elbows and there's no going back. Revolution until victor." (It rhymes in Arabic.) Bashir has dismissed the protesters, saying, "The people who are burning tires are a few agitators." The country's feared state security have recently clamped down, arresting journalists, activists, and opposition figures. (Twitter/AbdallahFHD).
Protesters burn tires in Khartoum. Prominent Sudanese activist Amir Ahmad Nasr recently wrote at Foreign Policy, "As the fear barrier crumbles, Sudanese have a chance to topple Bashir and his National Congress Party (NCP) cronies -- and to build a better future for their country." That's a more optimistic take than most observers share. And even if protesters do oust Bashir, it might not matter: "An Arab spring? Not yet. More likely is that al-Bashir is losing the support of the ruling National Congress Party," John Campbell writes at CFR. "Essentially the ruling party would be rearranging the deck chairs on the Titanic. Most of the same people would remain in charge and continue largely isolated from the Sudanese people. But there really is no credible opposition ready to step in." (Activists, via AP).
An elderly man sits during a protest. He may well have seen the entire breadth of post-colonial Sudanese history, which began with the 1956 independence from British rule (and from attempted Egyptian rule) as a single country that should have been two. The country's north and south have been in and out of conflict since then, starting with a civil war that began the year before independence, and continues today, even a year after the south finally won independence. (Twitter/Kumboya).
A tense protest gathers in Bahri, a district of Khartoum just across the Blue Nile. Security forces have used tear gas, rubber bullets, and even live ammunition against demonstrators, according to reports as well as a statement from the UN human rights office urging the Sudanese government to show more restraint. "Its clear, though most protestors are peaceful, some throwing rocks and a teenager had a homemade molotov," one Sudanese activist tweeted. Violence has slowly escalated throughout the day, with so far one protester allegedly killed by tear has asphyxiation and several wounded hiding out in a Khartoum mosque that's currently surrounded by state security, according to Al Jazeera. (Twitter/Moez Ali).
Women clap at a demonstration today in an unknown Sudanese town. Demonstrations earlier this month have mostly consisted of 100 or 200 young men throwing stones and burning tires, but today's protests are reportedly somewhat larger and more representative of society. (AP).
Demonstrators gather around burning tires in Khartoum. State media has been largely silent, with cell phone service down nationwide for several hours today as police cracked down. A Reuters analysis of the movement concluded, "The government, running out of policy options that can both stabilize the economy and soothe discontent over inflation, may have to depend on such security measures to maintain order at least in the short term." (Activists, via AP).
Protesters march toward the city center in Omdurman, across the river from Khartoum. Blogging at Arabist on the Sudanese regime's struggles to keep order at home, challenge the newly independent south, and absorb the staggering economic losses that came when the oil-heavy south seceded, Paul Mutter writes, "None of this month's events this bodes well for the government, especially if violence escalates and it finds itself confronting major demonstrations all over the country." (Twitter/Yousif Elmahdi).
This short and inscrutable video is circulating rapidly on Sudanese social media. Purportedly, it shows an injured protester being carried away after clashes with security forces. With so little information coming out of the country, it's difficult to know for sure what's happening, or what will come next. (Twitter/Kumboya).
In the name of emotional well-being, college students are increasingly demanding protection from words and ideas they don’t like. Here’s why that’s disastrous for education—and mental health.
Something strange is happening at America’s colleges and universities. A movement is arising, undirected and driven largely by students, to scrub campuses clean of words, ideas, and subjects that might cause discomfort or give offense. Last December, Jeannie Suk wrote in an online article for The New Yorker about law students asking her fellow professors at Harvard not to teach rape law—or, in one case, even use the word violate (as in “that violates the law”) lest it cause students distress. In February, Laura Kipnis, a professor at Northwestern University, wrote an essay in The Chronicle of Higher Education describing a new campus politics of sexual paranoia—and was then subjected to a long investigation after students who were offended by the article and by a tweet she’d sent filed Title IX complaints against her. In June, a professor protecting himself with a pseudonym wrote an essay for Vox describing how gingerly he now has to teach. “I’m a Liberal Professor, and My Liberal Students Terrify Me,” the headline said. A number of popular comedians, including Chris Rock, have stopped performing on college campuses (see Caitlin Flanagan’s article in this month’s issue). Jerry Seinfeld and Bill Maher have publicly condemned the oversensitivity of college students, saying too many of them can’t take a joke.
Thicker ink, fewer smudges, and more strained hands: an Object Lesson
Recently, Bic launched acampaign to “save handwriting.” Named “Fight for Your Write,” it includes a pledge to “encourage the act of handwriting” in the pledge-taker’s home and community, and emphasizes putting more of the company’s ballpoints into classrooms.
As a teacher, I couldn’t help but wonder how anyone could think there’s a shortage. I find ballpoint pens all over the place: on classroom floors, behind desks. Dozens of castaways collect in cups on every teacher’s desk. They’re so ubiquitous that the word “ballpoint” is rarely used; they’re just “pens.” But despite its popularity, the ballpoint pen is relatively new in the history of handwriting, and its influence on popular handwriting is more complicated than the Bic campaign would imply.
Wine snobs, string quartets, and the limits of intuition
Several months ago, this author sat at a classical music concert, trying to convince himself that wine is not bullshit.
That may seem like a strange thought to have while listening to Beethoven’s Symphony No. 7 in A major. But Priceonomics had recently posted an article investigating The Price of Wine, part of which reviewed research that cast doubt on both consumers’ and wine experts’ ability to distinguish between quality wine and table wine or identify different wines and their flavors. It seemed a slippery slope to the conclusion that wine culture is nothing more than actors performing a snobbish play.
Listening to an accomplished musician while lacking any musical experience resulted in a feeling familiar to casual wine drinkers imbibing an expensive bottle: Feeling somewhat ambivalent and wondering whether you are convincing yourself that you enjoy it so as not to appear uncultured.
Dealing with misinformation, feeling powerless, and slowly getting better together
I thought the article would validate my husband’s experience. That’s why I emailed him the link to the decade-old New York magazine article about his alma mater, the American Boychoir School for vocal prodigies, where alumni from as late as the 1990s estimate that one in five boys were molested. Boys like Travis.
“It used to feel like an isolated incident that affected just me," Trav said.
It was the end of my workday on an October afternoon; I had just set my keys on the kitchen table. My coat was still buttoned.
“Now I know I spent nearly three years of my childhood at a boarding school not just with random pedophiles, but in a culture that allowed it.”
As his wife, how do I respond? That he survived? That he’s brave? That he’s a hero for letting me talk about it? That I will stand beside him with a personal mission and public vow that nobody will ever hurt him, physically or emotionally, again, the way they did during his 30 months as a choirboy from 1988 to 1990?.
Nervous Democrats are looking for alternatives as Hillary Clinton falters. But is the VP the right person for the job?
“I think panic is the operative mode for the Democratic Party,” David Axelrod, who has been on the receiving end of panic mode many times over the years, told me this week. I had asked Obama’s political guru how bad the current panic was for Hillary Clinton—bad enough for the party to seek an alternative? Bad enough, perhaps, to create an opening for Joe Biden?
Axelrod didn’t think so. “I think it’s indisputable she’s had a rocky few months,” he said. “But if you look at her support among Democrats, and the resources she brings, she’s still very strong—I think she’s going to be the nominee.”
Not everyone is so sure. Public opinion has turned starkly negative on Clinton in recent months, as she has struggled to put the scandal over her use of email as secretary of state to rest. In a poll released this week, the word most commonly summoned when people were asked about her was “liar.”
The new drama series, which follows the Colombian kingpin’s rise to power, feels more like a well-researched documentary than the gripping saga it wants to be.
Netflix’s new series Narcos is possibly arriving at the wrong time: The doldrums of summer aren’t really the ideal moment for a narratively dense, documentary-like look at the rise and fall of the Colombian drug kingpin Pablo Escobar. Narrated in voiceover by DEA Agent Steve Murphy (Boyd Holbrook), the early hours of Narcos feel like a history lesson, though an visually sumptuous one.
As Netflix continues to expand its streaming empire, it’s making a concerted effort to appeal to worldwide audiences, and Narcos fits neatly into that plan, alongside last year’s expensive critical flop Marco Polo. Narcos was shot on location in Colombia and stars the acclaimed Brazilian actor Wagner Moura as Escobar. It takes full advantage of its setting, loaded with sweeping helicopter shots of the Colombian jungle where Escobar founded his cocaine empire, filling a power vacuum left by various political upheavals in late-’70s South America.
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
On the desperation behind the migrant tragedy in Austria
On Thursday, as Krishnadev Calamur has been tracking in The Atlantic’s new Notes section, Austrian authorities made a ghastly discovery: a truck abandoned in the emergency lane of a highway near the Hungarian border, packed with the decomposing bodies of 59 men, eight women, and four children. They are thoughtto be the corpses of migrants who suffocated to death, perhaps two days earlier, in the bowels of a vehicle whose back door was locked shut and refrigeration and ventilation systems weren’t functional. Stray identity documents suggest that at least some of the victims were Syrian—refugees from that country’s brutal civil war. The truck featured an image of a chicken and a slogan from the Slovakian poultry company that the lorry once belonged to: “I taste so good because they feed me so well.”
Bruce Springsteen’s breakout album embodied the lost ‘70s—the tense, political, working-class rejection of an increasingly unequal society.
Forty years ago, on the eve of its official release, “Born to Run”—the song that propelled Bruce Springsteen into the rock-and-roll stratosphere—had already attracted a small cult following in the American rust belt.
At the time, Springsteen desperately needed a break. Despite vigorous promotion by Columbia Records, his first two albums, Greetings from Asbury Park, N.J. and The Wild, The Innocent, and the E Street Shuffle, had been commercial flops. Though his band spent virtually every waking hour either in the recording studio or on tour, their road earnings were barely enough to live on.
Sensing the need for a smash, in late 1974 Mike Appel, Bruce’s manager, distributed a rough cut of “Born to Run” to select disc jockeys. Within weeks, it became an underground hit. Young people flooded record stores seeking copies of the new single, which didn’t yet exist, and radio stations that hadn’t been on Appel’s small distribution list bombarded him with requests for the new album, which also didn’t exist. In Philadelphia, demand for the title track was so strong that WFIL, the city’s top-40 AM station, aired it multiple times each day. In working-class Cleveland, the DJ Kid Leo played the song religiously at 5:55 p.m. each Friday afternoon on WMMS, to “officially launch the weekend.” Set against the E Street Band’s energetic blend of horns, keyboards, guitars, and percussion, “Born to Run” was a rollicking ballad of escape, packed full of cultural references that working-class listeners recognized immediately.
The Republican frontrunner has offered Bush the perfect chance to display some passion—but he’s declined to take it.
Donald Trump has gotten a boost in his efforts to maul Jeb Bush in recent days from an unexpected source: Jeb Bush himself.
Trump’s attack on Jeb isn’t mostly about issues. As with most things Trump, it’s mostly about persona. The Donald thinks Jeb is a dud. “He’s a man that doesn’t want to be doing what he’s doing,” Trump said in June. “I call him the reluctant warrior, and warrior’s probably not a good word. I think Bush is an unhappy person. I don’t think he has any energy.”
Over the last week, Jeb has proven Trump right. Trump, and his supporters, continue to demonize Mexican American illegal immigrants. On Tuesday, Trump threw the most popular Spanish-language broadcaster in America out of a press conference. That same day, Ann Coulter warmed up for Trump in Iowa by offering gruesome details of murders by Mexican “illegals,” and suggesting that once Trump builds his wall along America’s southern border, tourists can come watch the “live drone shows.”