Iran Drumbeat: Doomsday Clock, Chickenhawks, Chessmaster?

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I am on the road and out of range a fair amount of the time, so let me try to catch up today on a number of emerging developments. Of greatest importance: the drumbeat for an attack on Iran.

1) Pictures in our head. The Atlantic has gotten a lot of attention for its "Iran War Clock"; someone asked me about it yesterday here in Sydney, Australia. I read its intention as being both worthy -- keeping attention on an important issue -- and constructive, in warning about the danger of talking ourselves into war.

A reader sees it another way, in a note that indirectly reveals a fascinating aspect of historical analogy-drawing. The reader writes:

I think the idea behind the war clock - a compilation of the views of people with deeply informed views on an absolutely pressing topic of our day - is a fantastic thing for the Atlantic to contribute to the public discourse.  The format, however, is deeply troubling.

For one, the gimmicky nature of the clock strikes me as undermining the severity of the issue at stake.  Second, and far more importantly, the person who came up with the idea for a clock is either wholly ignorant of how cognitive psychology works, or is very aware and very much in favor of a strike.  One of the great contributions of behavioral psychology in recent years has been the way the brain works when triggered by certain markers.  One of these is a so-called time crunch, which anyone in sales can verify.  When your brain is told to believe that there may not be enough time to do what you want, it increases your impulse to do it now, even if your brain in more "normal" circumstances may not have the same balance of "do/do not."  It has nothing to do with the merits of a certain action (i.e. is the jacket/watch/pair of shoes/etc. really worth the money?) but with the situation your brain is put in when trying to make the decision.  The Iran War Clock strikes me as exactly one of those things, something innocently meant to be a dramatic hook to bring people to the website, or something meant to increase the likelihood of public pressure demanding a strike.  Regardless of the intent, the possible impact really worries me.
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As I read this note and thought about why I hadn't reacted in the same way, I realized that it was almost certainly because of different "pictures in our heads." The reader was thinking of "Act now! Time is running out!" sales tactics. And I was thinking of ... the original "Doomsday Clock," from the Bulletin of Atomic Scientists, as shown at right. Through the Cold War era this was a highly publicized measure of nuclear tensions. The setting was as ominous as "two minutes to midnight" after the Soviet Union tested its first hydrogen bomb, in 1953, and as reassuring as 17 minutes to midnight in 1991, after the collapse of the Soviet Union and the official end of the Cold War. It's now at five-minutes-to, because of proliferation and climate-change threats.

Here is the part I find interesting. For me, with the original Doomsday Clock in mind, neither of the reader's complaints about our new Iran War Clock make sense. It doesn't trivialize the threat of war, because for me the obvious allusion is to nuclear "doomsday." And it doesn't imply a rush to "Act now!" since the clear intent of the original clock was to keep those last precious seconds from ticking away.

I haven't asked, but I am sure the creators of our clock had the original model in mind. For one thing, the clocks look pretty similar. Main point: a reminder of how analogies have "constructed" rather than intrinsic meanings. And, with the passing years, the different pictures that people of different generations have in their minds. Kids today!

2) Chickenhawks. Even more than was the case a decade ago with the Iraq war, there is a strong "chickenhawk" factor in the bomb-Iran drumbeat. In both the United States and Israel, the voices cautioning against reckless war talk often come from the uniformed military or from combat veterans. Much (though not all) of the harshest talk comes from people with no military background or exposure. For instance: of the remaining Republican candidates, Ron Paul is the only one who has served in the military. He is also the only one not urging bellicose threats toward Iran. The correlation through the rest of the political / media / policy establishment -- toughest talk from those who have least experience in uniform or especially in combat -- is not perfect, and obviously it does not in itself disprove the pro-war argument. But the pattern is noticeable. 

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James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States and once worked as President Carter's chief speechwriter. His latest book is China Airborne. More

James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the U.S. Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His recent books Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009) are based on his writings for The Atlantic. His latest book is China Airborne. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.
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