Here on the streets of Cairo, I sense a new pride today among Egyptian Salafis. Reports of their electoral success in the first round of Egypt's parliamentary elections have injected them with confidence in their religious agenda and struck fear in the hearts of millions of Egyptians. Those who denied that Egypt had a problem with Muslim radicalism were sharply awoken from their sleep.
Now, while many in Egypt are terrified at the prospect of Salafis in parliament, left-leaning policymakers in Washington, DC, will be arguing that Salafis are harmless, pious, and orthodox Muslims. Wrong.
Most Salafis aim to emulate the "first century" of Islam, the first three generations of Muslims (as understood by Salafi literature published in Saudi Arabia). This emphasis on the "first century," and scriptural literalism--wearing long beards without mustaches, donning short robes, practicing social separatism, and mandating a "homemaker" role for women may--seems similar to the attitudes of Christian Amish communities in the United States. This spin is useful for several officials at the U.S. and British embassies in Riyadh--but betrays the reality of the threat posed by extreme Salafism.
First, Osama bin Laden, Ayman al-Zawahiri and every other major Islamist terrorist came directly from the Salafist or Wahhabi school of the thought. They are motivated by a Salafi creedal concept named hakimiyyah, the idea that God is ruler and sovereign over man, the ultimate source of government. Jihadis and al-Qaeda wish to create this hakimiyyah, or caliphate, by force in the form of violent jihad. Egypt's Salafis are trying to create the caliphate via the ballot box, while the Muslim Brotherhood is trying to tone down the "Islamic state" aspect, emphasizing the civil state. Almost all Salafis wish to adopt their understanding of sharia as state law, or tatbiq al-sharia about which I have written here and here and here. Some Salafis will moderate their views as they interact with the real world in pursuit of the "Islamic state," some will persist, others will become disenchanted and walk the path of jihad.
Second, while extreme Salafis advocate hakimiyyah, almost all Salafis believe and constantly remind each other of the need to be loyal only to Muslims, and to hate, be suspicious of, not work in alliance with, and ensure only minimal/necessary interaction with non-Muslims. This attitude is underpinned by the Salafi creedal belief in al-wala wa al-bara, broadly translated as fidelity to Muslims and hatred for non-Muslims. Ayman al-Zawahiri wrote extensively about al-wala wa al-bara and speaks about it often in his video messages.
Third, combined with dogged beliefs about the caliphate and the disavowal of non-Muslims comes the Salafi tendency to engage in takfeer, the excommunication of other Muslims. Once a Muslim has been labeled a kafir then Salafis may justify violence against the newly declared apostate. These are not abstract ideas. Takfeer was used to kill Anwar al-Sadat, and Salafi extremists have used takfeer to justify killings in Algeria, Saudi Arabia, Egypt, and elsewhere.
As Egypt's election results unfold in the coming weeks, it would be naive to write off the rise of Salafis as Egypt's Amish. The above three ideas of literalist sharia as state law (hakimiyyah), manifest hatred of non-Muslims (al-wala wa al-bara), and excommunicating Muslims (takfeer), when underwritten by jihad, leads to violent extremism. Without jihad, it is plain and simple non-violent extremism. Either way, the rise of Islamist radicalism in the short term in Egypt is now a fact. In due course, I will write about ways in which this can be countered within a human rights framework, and without depriving Salafis of their legitimate success at the ballot box. Democracy can be bitter.
This article originally appeared at CFR.org, an Atlantic partner site.
In the name of emotional well-being, college students are increasingly demanding protection from words and ideas they don’t like. Here’s why that’s disastrous for education—and mental health.
Something strange is happening at America’s colleges and universities. A movement is arising, undirected and driven largely by students, to scrub campuses clean of words, ideas, and subjects that might cause discomfort or give offense. Last December, Jeannie Suk wrote in an online article for The New Yorker about law students asking her fellow professors at Harvard not to teach rape law—or, in one case, even use the word violate (as in “that violates the law”) lest it cause students distress. In February, Laura Kipnis, a professor at Northwestern University, wrote an essay in The Chronicle of Higher Education describing a new campus politics of sexual paranoia—and was then subjected to a long investigation after students who were offended by the article and by a tweet she’d sent filed Title IX complaints against her. In June, a professor protecting himself with a pseudonym wrote an essay for Vox describing how gingerly he now has to teach. “I’m a Liberal Professor, and My Liberal Students Terrify Me,” the headline said. A number of popular comedians, including Chris Rock, have stopped performing on college campuses (see Caitlin Flanagan’s article in this month’s issue). Jerry Seinfeld and Bill Maher have publicly condemned the oversensitivity of college students, saying too many of them can’t take a joke.
Thicker ink, fewer smudges, and more strained hands: an Object Lesson
Recently, Bic launched acampaign to “save handwriting.” Named “Fight for Your Write,” it includes a pledge to “encourage the act of handwriting” in the pledge-taker’s home and community, and emphasizes putting more of the company’s ballpoints into classrooms.
As a teacher, I couldn’t help but wonder how anyone could think there’s a shortage. I find ballpoint pens all over the place: on classroom floors, behind desks. Dozens of castaways collect in cups on every teacher’s desk. They’re so ubiquitous that the word “ballpoint” is rarely used; they’re just “pens.” But despite its popularity, the ballpoint pen is relatively new in the history of handwriting, and its influence on popular handwriting is more complicated than the Bic campaign would imply.
The neurologist leaves behind a body of work that reveals a lifetime of asking difficult questions with empathy.
Oliver Sacks always seemed propelled by joyful curiosity. The neurologist’s writing is infused with this quality—equal parts buoyancy and diligence, the exuberant asking of difficult questions.
More specifically, Sacks had a fascination with ways of seeing and hearing and thinking. Which is another way of exploring experiences of living. He focused on modes of perception that are delightful not only because they are subjective, but precisely because they are very often faulty.
To say Sacks had a gift for this method of exploration is an understatement. He was a master at connecting curiosity to observation, and observation to emotion. Sacks died on Sunday after receiving a terminal cancer diagnosis earlier this year. He was 82.
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
On the desperation behind the migrant tragedy in Austria
On Thursday, as Krishnadev Calamur has been tracking in The Atlantic’s new Notes section, Austrian authorities made a ghastly discovery: a truck abandoned in the emergency lane of a highway near the Hungarian border, packed with the decomposing bodies of 59 men, eight women, and four children. They are thoughtto be the corpses of migrants who suffocated to death, perhaps two days earlier, in the bowels of a vehicle whose back door was locked shut and refrigeration and ventilation systems weren’t functional. Stray identity documents suggest that at least some of the victims were Syrian—refugees from that country’s brutal civil war. The truck featured an image of a chicken and a slogan from the Slovakian poultry company that the lorry once belonged to: “I taste so good because they feed me so well.”
Protofeather fossils discovered entombed in amber from the Late Cretaceous era support theories of dinosaur and avian evolution
Protofeather fossils discovered entombed in amber from the Late Cretaceous era support theories of dinosaur and avian evolution -- and make for one beautiful gallery
Dinosaur and bird feathers preserved in amber from a Late Cretaceous site in Canada reveal new insights into the structure, function, and color of animals that date back to about 78 million years ago.
Researchers led by University of Alberta paleontologist Ryan McKellar say these specimens represent distinct stages of feather evolution, from early-stage, single filament protofeathers to much more complex structures associated with modern diving birds. After analyzing the preserved pigment cells, the authors add that these feathered creatures may have also had a range of transparent, mottled, and diffused colors, similar to birds today. They can't determine which feathers belonged to birds or dinosaurs yet, but they did observe filament structures that are similar to those seen in other non-avian dinosaur fossils. Their findings appear in the current issue of the journal Science.
Hikers on a moonlit night in Mexico, a massive ball pit in Washington, D.C., Usain Bolt taken down by a Segway in China, a squirrel monkey riding a capybara in Japan, and much more.
Hikers on a moonlit night in Mexico, Homer Simpson calls for calm at a protest in Chile, Kumbh Mela in India, a massive ball pit in Washington, D.C., Usain Bolt taken down by a Segway in China, a squirrel monkey riding a capybara in Japan, a conference of Furry enthusiasts in Germany, and much more.
This is a low-stress way to ease back into the ancient art of blogging. Our leaders, from J.J. Gould to Chris Bodenner, have explained the logic behind this new feature on The Atlantic’s site here. My colleagues, including Ta-Nehisi Coates and Jeffrey Goldberg, have gotten into the swing of things as you will read.
What it's like to look for romance when "a big smile can be frightening"
The way to Paulette's heart is through her Outlook calendar. “Honestly, if you want to be romantic with me, send an email through Outlook and give me all the possible dates, locations, and times, so that I can prepare,” she said.
The former Miss America system contestant and University of Cincinnati College-Conservatory of Music-trained opera singer knew she had a different conception of romance than her previous boyfriends had and, for that matter, everyone else.
“People tend to think of romance as spur of the moment and exciting,” she told me. “I think of romance as things that make sense and are logical.” However, she didn't know why until this year when, at the age of 31, when she was diagnosed with autism.
The new drama series, which follows the Colombian kingpin’s rise to power, feels more like a well-researched documentary than the gripping saga it wants to be.
Netflix’s new series Narcos is possibly arriving at the wrong time: The doldrums of summer aren’t really the ideal moment for a narratively dense, documentary-like look at the rise and fall of the Colombian drug kingpin Pablo Escobar. Narrated in voiceover by DEA Agent Steve Murphy (Boyd Holbrook), the early hours of Narcos feel like a history lesson, though an visually sumptuous one.
As Netflix continues to expand its streaming empire, it’s making a concerted effort to appeal to worldwide audiences, and Narcos fits neatly into that plan, alongside last year’s expensive critical flop Marco Polo. Narcos was shot on location in Colombia and stars the acclaimed Brazilian actor Wagner Moura as Escobar. It takes full advantage of its setting, loaded with sweeping helicopter shots of the Colombian jungle where Escobar founded his cocaine empire, filling a power vacuum left by various political upheavals in late-’70s South America.