How Daredevils Are Reimagining Urban Spaces (Video)

More

An architecture lesson from the world's parkour enthusiasts: You can't move a staircase, but you can change how you move over it

3713005894_09dd4594f7_b_wide.jpg
Parkour, shown above, can seem like nothing more than a thrill for the extreme-sports crowd—or a surefire path to a couple of broken arms. But as a recent blog post from the American Society of Landscape Architects provocatively puts it, the sport, which consists of non-competitive running, climbing, and jumping across a cityscape, is something else entirely: a game that fundamentally redefines what a city can be.

The ASLA doesn't stop there. There's also the well-documented "planking" phenomenon, in which people lie down (plank-like) in heavily trafficked public places, as well as urban golf and yarn-bombing and probably much more—all of which show how urban environments are being transformed into "playscapes" and "sites for new creative expression." Somehow, parkour seems different, though. Anyone can lie down in a public place and "plank," but parkour's aggressive physicality seems like an especially intense form of self-expression and self-endangerment amounting to a single explosive statement: We are not using this space the way we are meant to.

It's a message that's poetically captured in My Playground, a 2009 short film by the Danish filmmaker Kaspar Astrup Schröder. Parkour and "freerunning" enthusiasts (the terms differ slightly in meaning but are more or less interchangeable) team up with Danish architect Bjarke Ingels to explore how the sport can change our understanding of urban architecture. A short, jaw-drop-inducing preview clip is embedded below; you can stream or buy the full film here.

"What's fascinating is the way of transforming the city. Because you can't change it physically—you can't go and move the light post or the staircase—but you can change the way you are looking at it and the way you use it. And in that way make it your own." —Signe Højbjerre, freerunner, Team Jiyo



Bonus: Bjarke Ingels speaks about the past and future of cities at TEDGlobal 2009.



Top image: JB London/flickr

Jump to comments

Daniel Fromson, a former associate editor at The Atlantic, is a writer based in Washington, D.C. He writes regularly for The Washington Post. His work has also appeared in Harper's Magazine, New York, and Slate.

Get Today's Top Stories in Your Inbox (preview)


Elsewhere on the web

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register. blog comments powered by Disqus

Video

Miami: The Next Big Start-Up City?

How the city became a center for innovation

Video

Video

A Brief History of Romantic Comedies

From The Atlantic's Chris Orr

Video

Video

Life in 'the New Arctic'

A moving portrait of a fading landscape

Video

Video

The Rise of New York City

A fascinating look at Manhattan in the 1940s

Video

'I Thought It Was Really Funny, but No One Else Did'

A day with New Yorker cartoonist Joe Dator

Video

New Yorkers: The Winemaker

Make your own wine ... in New York City

Video

What Is Methane Hydrate?

"Flaming ice" is a vast natural energy source

Video

NASA's Time-Lapse of the Sun

Now with epic dubstep music

Video

A Video Letter From the Editor

Highlights from the May 2013 issue

Video

Shaken Not Tuned: Cocktail Experiments

Can a tuning fork improve a cocktail?

Video

Video

The Rise of Environmentalism

Tracking 50 years, from the Love Canal disaster to Greenpeace

Video

Is He Cheating? A 1950s Guide

'That little blonde secretary from the office?’

Video

New Yorkers: Vintage Vacuum-Tube Amps

Risking electric shock to restore old amplifiers

Video

The DIY Piano-Bicycle

Everybody needs a hobby

Writers

Up
Down

More in Global

In Focus

2013 National Geographic Traveler Photo Contest

Just In