The Plight of the Chinese Newspaper Reporter

By Christina Larson

"There is a saying that Chinese people are afraid of officials, and officials are afraid of foreign reporters," my friend Yang, a wily reporter for one of Beijing's city newspapers, told me as we were driving to dinner one evening. That was last spring, well before the government's recent efforts to intimidate foreign reporters attempting to cover calls for a "jasmine revolution," but it has been true a long time. "You have the power in China," he said, teasing me.

BeijingRain3.jpgBut a moment later, after we'd passed a forlorn-looking couple waiting for a taxi in the rain, he had a question of his own: "So, the foreign reporters in Beijing are the successful ones? I thought maybe they had all lost their jobs in Washington, and so had to come to China."

He had managed to simultaneously channel two oxymoronic views of the foreign press corps in China -- that we are both feared, and looked down upon. Yet at that moment, Yang, who works for a state-run paper, dearly envied us.

While a great deal of attention has lately been paid to restrictions on foreign press in China, a more interesting long-term question is how the role of Chinese journalists has lately evolved. Contrary to common stereotypes, the reporters themselves, as distinct from the system in which they find themselves, are hardly unblinking toadies. Yang, easily one of the most astute people I know, exemplifies what it means to daily walk the tightrope act of being an inquisitive mind inside a closed system.

Soon we stopped at a little Sichuan-style restaurant, poorly lit and with Celine Dion music piped in through sputtering loudspeakers. I asked Yang, who is in his early 30s and at about six feet tall towers over most colleagues, why he had wanted to become a journalist.

"It was always my dream," he said matter-of-factly, as if the question hardly deserved asking. Why wouldn't his motivation be the same as mine, an American journalist? "I wanted to learn many curiosities and to travel the world."

In the past, the government fully subsidized all newspapers in China, from trade papers like Farmers Daily and Tourism Daily, to mainstream local and national newspapers, to English-language title (like James Fallows's own favorite newspaper, China Daily). Propaganda in the purest sense, the newspapers were free to entirely ignore their readers' preferences or opinions, printing only directives from central authorities.

Then, about 10 years ago, in the midst of large-scale restructuring of many state-owned industries in China, Beijing took steps to partially wean papers from the government teat. (A few new publications with private backing cropped up about this time, including the feisty news magazine Caijing.) With less funding, some papers shrunk, but others opted -- for financial reasons -- to pay closer attention to what their readers wanted, hoping to sell more paid subscriptions and boost advertising.

Taking a more commercial approach in China has generally meant one of two things: more photos of semi-nude girls and sensationalized gossipy stories, or more insightful reporting and meaningful content. At his paper, Yang was an advocate for the latter.

earthquake5.jpgCompared to, say, a decade ago, he's seen some promising signs of an evolution. (Keep in mind the relative baseline is China of the past, not America, past or present.) Take coverage of the devastating May 2008 earthquake in China's western Sichuan province, which the current tragedy in Japan brings to mind.

At first, Yang told me, the government had issued notice to all newspapers not to send reporters to the quake site; this was similar to the policy after the 1976 Tangshan earthquake, when domestic reporting on the quake's aftermath was all but nonexistent. Yet in 2008, "in mass, we went anyway." Many newspapers used the fact of Premier Wen Jiabao's visit to the region as an excuse to send staffers, claiming that they were covering him, not directly the quake's impact. "Once all those reporters were there, what could the government do? So that time, they let us be."

Yang was among those who rushed to the quake site. On the morning of May 12, he and his wife had just been married in a simple civil ceremony in Beijing (the lavish banquet was planned for later). That afternoon, he got an anxious call from his editor. Soon, he was on an early evening flight bound for Chengdu, the capital of Sichuan province. (That kind of drop-everything missionary zeal might sound familiar to ambitious reporters of any national stripe.)

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James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States and once worked as President Carter's chief speechwriter. His latest book is China Airborne. More

James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the U.S. Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His recent books Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009) are based on his writings for The Atlantic. His latest book is China Airborne. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

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