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Jeffrey Goldberg

Jeffrey Goldberg - Jeffrey Goldberg is a national correspondent for The Atlantic and a recipient of the National Magazine Award for Reporting. Author of the book Prisoners: A Story of Friendship and Terror, Goldberg also writes the magazine's advice column.
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Before joining The Atlantic in 2007, Goldberg was a Middle East correspondent, and the Washington correspondent, for The New Yorker. Previously, he served as a correspondent for The New York Times Magazine and New York magazine. He has also written for the Jewish Daily Forward, and was a columnist for The Jerusalem Post.

His book Prisoners was hailed as one of the best books of 2006 by the Los Angeles Times, The New York Times, The Washington Post, Slate, The Progressive, Washingtonian magazine, and Playboy. Goldberg rthe recipient of the 2003 National Magazine Award for Reporting for his coverage of Islamic terrorism. He is also the winner of the International Consortium of Investigative Journalists prize for best international investigative journalist; the Overseas Press Club award for best human-rights reporting; and the Abraham Cahan Prize in Journalism. He is also the recipient of 2005's Anti-Defamation League Daniel Pearl Prize.

In 2001, Goldberg was appointed the Syrkin Fellow in Letters of the Jerusalem Foundation, and in 2002 he became a public-policy scholar at the Woodrow Wilson International Center for Scholars in Washington, D.C.

Israel Denial

By Jeffrey Goldberg
Apr 2 2009, 12:24 PM ET Comment

Howard Jacobson on the abuse of the Holocaust by Israel's enemies:

We are now described as abusing the Palestinians in exactly the same terms as the Germans abused us - "abused" for God's sake! And in this way, we are actually made to pay for the Holocaust itself. I talk about it as a kind of retrospective guilt for the Holocaust. It's almost as if we've turned time the wrong way round, that because of what we are now doing to the Palestinians, we lose the right to the dignity of the Holocaust, if you can call it dignity.This is a very sinister move. It's at the heart of the Caryl Churchill play [Seven Jewish Children, performed at the Royal Court Theatre] and you get a lot of it at the universities, because it's appealing in its neatness, it's vaguely post-modern, you can mention Freud, you can chase around the names of several fashionable intellectuals. It is also very sinister, because it begs the question of what Israel is in fact doing or not doing to the Palestinians.


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