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Jeffrey Goldberg

Jeffrey Goldberg - Jeffrey Goldberg is a national correspondent for The Atlantic and a recipient of the National Magazine Award for Reporting. Author of the book Prisoners: A Story of Friendship and Terror, Goldberg also writes the magazine's advice column.
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Before joining The Atlantic in 2007, Goldberg was a Middle East correspondent, and the Washington correspondent, for The New Yorker. Previously, he served as a correspondent for The New York Times Magazine and New York magazine. He has also written for the Jewish Daily Forward, and was a columnist for The Jerusalem Post.

His book Prisoners was hailed as one of the best books of 2006 by the Los Angeles Times, The New York Times, The Washington Post, Slate, The Progressive, Washingtonian magazine, and Playboy. Goldberg rthe recipient of the 2003 National Magazine Award for Reporting for his coverage of Islamic terrorism. He is also the winner of the International Consortium of Investigative Journalists prize for best international investigative journalist; the Overseas Press Club award for best human-rights reporting; and the Abraham Cahan Prize in Journalism. He is also the recipient of 2005's Anti-Defamation League Daniel Pearl Prize.

In 2001, Goldberg was appointed the Syrkin Fellow in Letters of the Jerusalem Foundation, and in 2002 he became a public-policy scholar at the Woodrow Wilson International Center for Scholars in Washington, D.C.

Hezbollah's Insane Roger Cohen Graphic

By Jeffrey Goldberg
Mar 6 2009, 12:26 PM ET Comment

Roger Cohen's second column on Iran's Jews has been reprinted on Hezbollah's  Al Manar website. (Mazal Tov). And it's accompanied by what might be the craziest graphic ever:
manar_cohen.jpg
Yes, that's Roger Cohen on the left, next to a photoshopped image of the entrance to Auschwitz framing an "Iran Loves Jews" poster, next to photos of Ayatollah Khatami and Mahmoud Ahmadinejad meeting men I believe to be members of the ridiculous Neturei Karta anti-Zionist cult.

Al-Manar has long been providing interesting satellite and web-based content. I visited Al Manar in 2002, and wrote about it in The New Yorker:

Al Manar regularly airs raw footage of violence in the occupied territories, and it will break into its programming with what one Al Manar official called "patriotic music videos" to announce Palestinian attacks and applaud the killing of Israelis. When I visited the station, the videos were being produced in a basement editing room by a young man named Firas Mansour. Al Manar has modern equipment, and the day I was there Mansour, who was in charge of mixing the videos, was working on a Windows-based editing suite. Mansour is in his late twenties, and he was dressed in hip-hop style. His hair was gelled, and he wore a gold chain, a heavy silver bracelet, and a goatee. He spoke colloquial American English. I asked him where he learned it. "Boston," he said.

Mansour showed me some recent footage from the West Bank, of Israeli soldiers firing on Palestinians. Accompanying the video was a Hezbollah fighting song. "What I'm doing is synchronizing the gunshots to form the downbeat of the song," he told me. "This is my technique. I thought of it." He had come up with a title: "I'm going to call it 'Death to Israel.' " Mansour said that he can produce two or three videos on a good day. "What I do is, first, I try to feel the music. Then I find the pictures to go along with it." He pulled up another video, this one almost ready to air. "Try and see if you could figure out the theme of this one," he said.

The video began with Israeli soldiers firing on Palestinians. Then the screen filled with pictures of Palestinians carrying the wounded to ambulances, followed by an angry funeral scene. Suddenly, the scene shifted to Israelis under fire. An Israeli soldier was on the ground, rocking back and forth, next to a burning jeep; this was followed by scenes of Jewish funerals, with coffins draped in the Israeli flag being lowered into graves.

Mansour pressed a button, and the images disappeared from the screen. "The idea is that even if the Jews are killing us we can still kill them. That we derive our power from blood. It's saying, 'Get ready to blow yourselves up, because this is the only way to liberate Palestine.' '' The video, he said, would be shown after the next attack in Israel. He said he was thinking of calling it "We Will Kill All the Jews." I suggested that these videos would encourage the recruitment of suicide bombers among the Palestinians. "Exactly," he replied.


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