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Jeffrey Goldberg

Jeffrey Goldberg - Jeffrey Goldberg is a national correspondent for The Atlantic and a recipient of the National Magazine Award for Reporting. Author of the book Prisoners: A Story of Friendship and Terror, Goldberg also writes the magazine's advice column.
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Before joining The Atlantic in 2007, Goldberg was a Middle East correspondent, and the Washington correspondent, for The New Yorker. Previously, he served as a correspondent for The New York Times Magazine and New York magazine. He has also written for the Jewish Daily Forward, and was a columnist for The Jerusalem Post.

His book Prisoners was hailed as one of the best books of 2006 by the Los Angeles Times, The New York Times, The Washington Post, Slate, The Progressive, Washingtonian magazine, and Playboy. Goldberg rthe recipient of the 2003 National Magazine Award for Reporting for his coverage of Islamic terrorism. He is also the winner of the International Consortium of Investigative Journalists prize for best international investigative journalist; the Overseas Press Club award for best human-rights reporting; and the Abraham Cahan Prize in Journalism. He is also the recipient of 2005's Anti-Defamation League Daniel Pearl Prize.

In 2001, Goldberg was appointed the Syrkin Fellow in Letters of the Jerusalem Foundation, and in 2002 he became a public-policy scholar at the Woodrow Wilson International Center for Scholars in Washington, D.C.

Conflict in the Bone

By Jeffrey Goldberg
Dec 4 2006, 12:00 PM ET Comment

Interview with Jeffrey Goldberg

Rare is the book that keeps me thinking long after I've finished the last page, especially when the book is not a ponderous philosophical tome but a vivid page turner. I was well aware of Jeffrey Goldberg's narrative tricks in his memoir Prisoners: A Muslim and a Jew Across the Middle East Divide from the first line which sucked me in with intimations of a kidnapping then dropped me just before the climax into a leisurely narrative of his childhood. Okay, fine, he can tell a story.

But what kept revolving around my head long after I'd worked out the plot (it's a memoir, so, you know, he survives) was just how close to the surface his emotions are from start to finish. Which is not to say that he's scared. Goldberg styles himself a tough guy (he shrugs off his captivity with a boast about having once talked his way past a hostile check point in the Congo), so we don't see a lot of fear here. What's on display, in fact, is an emotion much less acceptable in polite circles: his yearning for physical power, summed up in the worldview of his thirteen-year-old self as "Jews with guns."
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