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Jeffrey Goldberg

Jeffrey Goldberg - Jeffrey Goldberg is a national correspondent for The Atlantic and a recipient of the National Magazine Award for Reporting. Author of the book Prisoners: A Story of Friendship and Terror, Goldberg also writes the magazine's advice column.
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Before joining The Atlantic in 2007, Goldberg was a Middle East correspondent, and the Washington correspondent, for The New Yorker. Previously, he served as a correspondent for The New York Times Magazine and New York magazine. He has also written for the Jewish Daily Forward, and was a columnist for The Jerusalem Post.

His book Prisoners was hailed as one of the best books of 2006 by the Los Angeles Times, The New York Times, The Washington Post, Slate, The Progressive, Washingtonian magazine, and Playboy. Goldberg rthe recipient of the 2003 National Magazine Award for Reporting for his coverage of Islamic terrorism. He is also the winner of the International Consortium of Investigative Journalists prize for best international investigative journalist; the Overseas Press Club award for best human-rights reporting; and the Abraham Cahan Prize in Journalism. He is also the recipient of 2005's Anti-Defamation League Daniel Pearl Prize.

In 2001, Goldberg was appointed the Syrkin Fellow in Letters of the Jerusalem Foundation, and in 2002 he became a public-policy scholar at the Woodrow Wilson International Center for Scholars in Washington, D.C.

The Lives They Lived: Mario Puzo, b. 1920

By Jeffrey Goldberg
Jan 2 2000, 12:00 PM ET Comment

Salvatore (Sammy the Bull) Gravano is dining on the patio of a Ruth's Chris Steakhouse in Phoenix. A cold wind blows in from the desert. The patio is empty. In movies, people get whacked on nights like this. The waiter, whose name tag reads "Sean," recognizes Gravano. Sean avoids our table as much as he can.

Gravano, late of the Gambino crime family, is dining on filet mignon, and calling me a liar. Here is the reason he is calling me a liar: I told him, in the course of a rambling conversation about the "The Godfather," that Mario Puzo wrote the book, and collaborated on the screenplays, without the expert advice of the mob.

"No way," Gravano says. "Somebody had to be helping him."

I ask Gravano why he is so sure about this.

"Because he knew about our life cold," he answers. "He had the whole atmosphere, the way we talked. That wedding scene--I mean, that was so real. I mean, my book isn't a pimple on his book, and I'm in my book."
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