Skip Navigation
Edward Tenner

Edward Tenner - Edward Tenner is a historian of technology and culture. He was a founding advisor of Smithsonian's Lemelson Center and holds a Ph.D in European history. More

Edward Tenner is an independent writer and speaker on the history of technology and the unintended consequences of innovation. He holds a Ph.D. in European history from the University of Chicago and was executive editor for physical science and history at Princeton University Press. A former member of the Harvard Society of Fellows and John Simon Guggenheim fellow, he has been a visiting lecturer at Princeton and has held visiting research positions at the Institute for Advanced Study, Woodrow Wilson International Center for Scholars, and the Princeton Center for Information Technology Policy. He is now a visiting scholar in the Rutgers School of Communication and Information and an affiliate of the Center for Arts and Cultural Policy of Princeton's Woodrow Wilson School. He was a founding advisor of Smithsonian's Lemelson Center, where he remains a senior research associate.

Let's Have a Receipt Renaissance

By Edward Tenner
Aug 8 2011, 3:23 PM ET Comment

As in decades and centuries past, this economic crisis could provide an opportunity for graphic innovation—at your local corner store

Tenner Aug 6 p.jpg

On the left, a carefully drawn receipt from a German fur trader in 1906; on the right, a typical modern receipt. Wikimedia Commons

Retail receipts feel clammy and unwholesome because they are, with high levels of the known carcinogen BPA. They also fade and become unreadable with time. So I greet the movement for paperless receipts and don't agree there's any privacy issue. Just open a separate account for receipts.

But for many organizations, wouldn't it be even better to rethink paper? With little expense, inkjet and even dot-matrix receipts, perhaps with rotating designs submitted by customers online, could be entertaining and memorable. And the economic time actually is right. Graphic innovations thrive in crises. The Panic of 1857 catalyzed the merger of currency engravers into the American Bank Note Co., which became the world industry leader. Daguerreotypes flourished during the Panic of 1837, tintypes in the Panic of 1873, halftone-illustrated magazines in the Panic of 1893, and everything from Fortune and Life magazines to the pulps to comic books in the Great Depression. These are the times when people want more rather than less panache and color in their lives.

For inspiration, some examples from the late 19th century, from the collection of the Raleigh City Museum.


Presented by

More at The Atlantic

This Photo Uses Every Single Instagram Filter How to Go From Kinkade to Rothko in 18 Easy Steps
For the St. Louis Art Museum, a Legal Victory Raises Ethical Questions St. Louis Museum's Legal Victory Raises Ethical Questions
Study: We're Biased Against obese People—Even If They Get Thin Obesity Stigma Stays
Even After Weight Loss
The Rock-Mining Children of Sierra Leone Have Not Found Peace 10 Years After Civil War, No Peace for Sierra Leone's Kids
Sex Selection in America: Why It Persists and How We Can Change It Sex-Selective Abortion Persists in America

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register.
blog comments powered by Disqus
View All Correspondents

The Biggest Story in Photos

The Unreal World

May 31, 2012

Subscribe Now

SAVE 59%! 10 issues JUST $2.45 PER COPY

Facebook

Newsletters

Sign up to receive our free newsletters

(sample)

(sample)

(sample)

(sample)

(sample)

(sample)