Why You Shouldn't Eat Shark Fin

shark fin soup.jpg

Photo by Conveyor belt sushi/Flickr CC

While working on two Chinese cookbooks last year, first in Shanghai and later in Beijing, I flirted with the idea of omitting dishes with shark fin in them. The response from diners and collaborators was a resounding no. I asked people in both cities if shark fin could be removed from the Chinese fine dining experience. Nearly everyone I spoke to said something like this: "It is expected."

I was reminded of this while reading Cheryl Lu-Lien Tan's article, "Shark Fin and Memory in Singapore," last week. I'm also reminded of it every time I eat in an expensive Chinese restaurant. There are certain pages in menus, usually the first ones, people like me skip over.

"If you are going to eat rarified Chinese food," goes the conventional wisdom, "one must eat at least one course of shark fin." This is especially true for fine dining occasions, wedding banquets, and high profile business meetings. There is abalone too, and bird's nest of course, but the showstopper is usually a gooey soup awash in the threads of fin from carnivorous fishes.

I tried it out of a can, and deep-fried like tempura. What did I taste? A barely detectable fishiness, wrapped in rubbery nothingness.

There are parallels in Western cuisine. Diners are willing to accept the implicit cruelty that comes along with a creamy disc of fat made from the liver of a force-fed goose or duck. Foie gras has that unmistakable heft of luxury, and by most accounts (mine included) it can be unspeakably delicious.

In the Momofuku cookbook, David Chang sums up the foie gras course, but he might as well be speaking about shark fin in Chinese restaurants around the globe. "We wanted to be taken seriously; we wanted our customers to feel like they were getting some luxury for the coin they were dropping on dinner. All those wants pointed in one direction: we needed to serve a foie gras course."

But here's the difference between foie gras, or o-toro cut from the fatty belly of vanishing blue fin tuna, or white truffles, or the ortolan, an endangered bird that is a hallmark of traditional French haute cuisine. All of those things are valued for their taste, and are precious because of it.

But the dried fin of a large shark, after it has been skinned and soaked and the collagen has been separated and steamed and stewed in a process that can take upwards of 24 hours, tastes like almost nothing at all.

Trust me. While working as a food critic in Shanghai, I tried shark fin right out of the steamer, before it had reached the rich stock it is customarily served in. I tried it out of a can, and deep-fried like tempura. What did I taste? A barely detectable fishiness, wrapped in rubbery nothingness. When it reaches the table shark fin soup is quite delicious, but that's because it's cooked in a stock where the proportions of chicken and cured pork to water are nearly equal. That stock has the depth and savory richness of a great Thanksgiving gravy. Anything would taste good in it (see: Stove Top Stuffing).


Image Courtesy of Jarrett Wrisley

Many gastronomes argue that the gelatin of the fin (during slow cooking the collagen is converted to gelatin, like all connective tissues) thickens the soup. It does, slightly. But so does cornstarch, which makes its way into some very expensive bowls of the stuff. As one Cantonese chef in Singapore explained: "Everyone uses cornstarch in their shark fin--everyone. Customers expect it to stick to the spoon." But because the margins on this dish are so high, very few Chinese chefs will speak out on the issue on the record. And very few, in my personal experience, eat it.

Presented by

Jarrett Wrisley hails from Allentown, Pennsylvania. For the past seven years, he's been working as a writer in Asia, though he still dreams of greasy cheese steaks. More

Jarrett Wrisley hails from Allentown, Pennsylvania. For the past seven years, he's been working as a writer in Asia, though he still dreams of (and occasionally returns for) greasy cheese steaks. Jarrett's first trip to Asia came as a college student, when he traveled to Beijing to study Mandarin Chinese. He returned to China after graduation, and began writing about Chinese food in Chengdu, the capital of Sichuan Province. After a six-month stint in Chengdu, he moved on to Shanghai, where he worked as a food critic and magazine editor for four years before striking out on his own. After six years in China, he recently moved to Bangkok, where yellow-clad protesters immediately shut down the airport where he had just landed. Luckily for him, he couldn't leave—and now intends to stay. Jarrett is presently working on a series of modern Chinese cookbooks with Hong Kong chef Jereme Leung and writing features that focus on food and culture in Asia. He'll be bouncing around the region as much as possible and writing about things he encounters along the way. His blog trains an eye on food but addresses other cultural phenomena, tidbits of travel, and the oddball politics of East Asia.

The Blacksmith: A Short Film About Art Forged From Metal

"I'm exploiting the maximum of what you can ask a piece of metal to do."

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register.

blog comments powered by Disqus


Riding Unicycles in a Cave

"If you fall down and break your leg, there's no way out."


Carrot: A Pitch-Perfect Satire of Tech

"It's not just a vegetable. It's what a vegetable should be."


An Ingenious 360-Degree Time-Lapse

Watch the world become a cartoonishly small playground


The Benefits of Living Alone on a Mountain

"You really have to love solitary time by yourself."


The Rise of the Cat Tattoo

How a Brooklyn tattoo artist popularized the "cattoo"

More in Health

Just In