Who Should Eat Meat?


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In the august house chamber of the beautifully restored Texas state capitol building yesterday, two committed vegetarians took on two committed meat-eaters as part of the great Texas Book Festival. The festival is a fairly miraculous gathering that endures in an age of authorial angst and defunded everything, and turns the already great town of Austin into the weekend-long literary capital of America every fall. I've been lucky enough to be there two years running, and each time Halloween fell during the festival--and the Halloween parade down Sixth Street is worth a trip in itself, though given the year-round music scene and college-town vibe, now with glitzy LA-film-world overtones, you never need an excuse to go.

About that vibe: after I led a discussion with Lidia Bastianich in the same "cooking tent" where the Food Channel itself began to take shape--last year I met Carol Ann Sayle in a discussion I moderated, and knew from her tangy, unmistakable voice that she had to be a founding part of it--a man from East Texas introduced himself and told me that I had to visit and get to know the thriving farming scene, something others have told me and I intend to do. "The only thing we don't grow there," he said in reference to my public praise of Austin, "is liberal Democrats."

If many of his compatriots were in the house chamber, they didn't have much of a chance to be heard, because the panelists were themselves pretty diverse (even if I doubt he'd think so). All the writers want to make you think about where the food you eat comes from and what choices you're making when you buy and eat food, mostly the hidden ones.

I was fascinated by it all, and so was the audience--and I am now by the ongoing discussion between Nicolette Hahn Niman, Helene York, and our many commenters on their posts.

They come at it in different ways. Jason Sheehan, a hardscrabble, profane, deliberately naughty chef, is following in the footsteps of Anthony Bourdain with his Cooking Dirty: A Story of Life, Sex, Love and Death in the Kitchen, like Bourdain funny, entertaining, and provocative--but he also gives you an idea of just what life is like for the people who make that BBQ in the roadside joint, or the corned-beef sandwiches in the famous Irish pub on St. Patrick's Day. He's full of bravado, and you're sure he'll have sleeve tattoos, though as it happens he doesn't.

I'm late to discovering Novella Carpenter's wonderfully funny Farm City: the Education of an Urban Farmer, though friends have for months been ending conversations and emails telling me I had to read it. They were right, of course. Hers is a voice as unmistakable and entrancing as Carol Ann's, with grit and erudition and constant resilience--as she needs to turn 4,500 rubbish-heaped square feet of a vacant lot next to her mean-streets Oakland apartment into a productive paradise. There's nothing self-conscious or self-satisfied about her stories of raising not just heirloom watermelons and tomatoes but heirloom birds for meat and then pigs: just spunk and humor, and plenty of suspense as practically about every vine and animal is threatened by urban predators. She's great company.

Sheehan's and Carpenter's books are mostly about voice; the other two authors focus mainly on ideas, though they're remarkably clear and passionate writers too. Jonathan Safran Foer brings his famous blend of adventurous exploration and attuned observation of worlds both without and within to his new Eating Animals, which has ample amounts of his famous storytelling (as the excerpt in the New York Times Magazine displayed), but also straight-out reporting and advocacy against eating meat for any reason, including environmental responsibility.

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Corby Kummer's work in The Atlantic has established him as one of the most widely read, authoritative, and creative food writers in the United States. The San Francisco Examiner pronounced him "a dean among food writers in America." More

Corby Kummer's work in The Atlantic has established him as one of the most widely read, authoritative, and creative food writers in the United States. The San Francisco Examiner pronounced him "a dean among food writers in America." Julia Child once said, "I think he's a very good food writer. He really does his homework. As a reporter and a writer he takes his work very seriously." Kummer's 1990 Atlantic series about coffee was heralded by foodies and the general public alike. The response to his recommendations about coffees and coffee-makers was typical--suppliers scrambled to meet the demand. As Giorgio Deluca, co-founder of New York's epicurean grocery Dean & Deluca, says: "I can tell when Corby's pieces hit; the phone doesn't stop ringing." His book, The Joy of Coffee, based on his Atlantic series, was heralded by The New York Times as "the most definitive and engagingly written book on the subject to date." In nominating his work for a National Magazine Award (for which he became a finalist), the editors wrote: "Kummer treats food as if its preparation were something of a life sport: an activity to be pursued regularly and healthfully by knowledgeable people who demand quality." Kummer's book The Pleasures of Slow Food celebrates local artisans who raise and prepare the foods of their regions with the love and expertise that come only with generations of practice. Kummer was restaurant critic of New York Magazine in 1995 and 1996 and since 1997 has served as restaurant critic for Boston Magazine. He is also a frequent food commentator on television and radio. He was educated at Yale, immediately after which he came to The Atlantic. He is the recipient of five James Beard Journalism Awards, including the MFK Fisher Distinguished Writing Award.

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