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Corby Kummer

Corby Kummer - Corby Kummer's work in The Atlantic has established him as one of the most widely read, authoritative, and creative food writers in the United States. The San Francisco Examiner pronounced him "a dean among food writers in America." More

Corby Kummer's work in The Atlantic has established him as one of the most widely read, authoritative, and creative food writers in the United States. The San Francisco Examiner pronounced him "a dean among food writers in America." Julia Child once said, "I think he's a very good food writer. He really does his homework. As a reporter and a writer he takes his work very seriously." Kummer's 1990 Atlantic series about coffee was heralded by foodies and the general public alike. The response to his recommendations about coffees and coffee-makers was typical--suppliers scrambled to meet the demand. As Giorgio Deluca, co-founder of New York's epicurean grocery Dean & Deluca, says: "I can tell when Corby's pieces hit; the phone doesn't stop ringing." His book, The Joy of Coffee, based on his Atlantic series, was heralded by The New York Times as "the most definitive and engagingly written book on the subject to date." In nominating his work for a National Magazine Award (for which he became a finalist), the editors wrote: "Kummer treats food as if its preparation were something of a life sport: an activity to be pursued regularly and healthfully by knowledgeable people who demand quality." Kummer's book The Pleasures of Slow Food celebrates local artisans who raise and prepare the foods of their regions with the love and expertise that come only with generations of practice. Kummer was restaurant critic of New York Magazine in 1995 and 1996 and since 1997 has served as restaurant critic for Boston Magazine. He is also a frequent food commentator on television and radio. He was educated at Yale, and came to The Atlantic Monthly in 1981. He is the recipient of five James Beard Journalism Awards, including the MFK Fisher Distinguished Writing Award.

Farmer's Market Mirage

By Corby Kummer
Jul 20 2009, 10:51 AM ET Comment



kummer_july20_jlofarmer.jpg

Photo by ellievanhoutte/Flickr CC and Junko Kimura/Getty Images


Even before Restaurant Week, with it's $35.50 meals, was under way--as it is today in New York and has been throughout the summer in many other cities--my stepdaughter, Jessica, called with an enthusiastic report of the bargain buffet to be had at the Bouley Bakery, part of the small empire whose owner seems always to be changing plans and shapes.

The current format at his lower West Broadway location, with its soaring arched windows, is a retail bakery and cafeteria on one side, where you pay for food by weight, and a fancy, spacious dining area on the other, those wide windows opened to the street, where you can take your weighed and paid food and enjoy the view. The real estate alone is a bargain, and Jessica reported a more-than-decent sized portion of salmon was as well: "I had lunch for less than $6!" For young people like her, fresh out of grad school and working in offices nearby, it seems a godsend.

And, of course, she'll be visiting several restaurants this week to try out bargain menus in the low-season promotion the Zagats dreamed up many years ago and restaurants across the country have adopted with such enthusiasm that many keep prix-fixe lunches on the menu year-round. Our Terrence Henry has timed his American Food Tour visit to New York this week, and I expect reports on trying to fulfill your poll-result wishes during the annual summer Restaurant Week marathon crush.

He might be fooled by the same mirage Jessica was coming out of her triumphal Bouley Bakery bargain lunch: a gorgeous, ideal farmer's market on Duane Street with eye-popping produce and flowers. Not only a high-quality bargain lunch next door to her new job but a beautiful farmer's market, too! Plus a sign she and doubtless dozens of her friends have been waiting to see: "Want gluten-free bread? We've got it!"

Alas, when she tried to go in she found it was just a movie set and word that J Lo herself was the star and strolling the sidewalks across from her workplace were little consolation. She sent this link to a picture of the star on the set for the movie, whose working title is Back-up Plan. But, in an only-in-New-York tone of disappointment, she'd much rather run to a farmer's market when she goes for lunch break than run into a movie star.

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