The film flopped hard at the box office after studios tried to copy the success of 2004's The Passion of the Christ.
The discussion over how to parse the filmmaker in light of a sexual-assault trial 17 years ago is particularly difficult for black women.
The newest film from the animation studio Laika is visually stunning—even if the story it tells is shaky at times.
Todd Phillips’s comedy-drama, based on a true story of gun-runners in their 20s, should be brutally funny. It’s not even brutal.
The up-and-coming filmmaker is under intense scrutiny for rape charges leveled against him 17 years ago. Here’s why this debate is necessary.
Bradley Cooper will reportedly co-star and direct a new remake of Hollywood’s old tale of fame. But what fresh angle can a fourth version possibly find?
Rogue One’s heir to R2-D2 appears appears to be humorless, far from cute, and very fascinating.
Hell or High Water frames financial institutions as the enemy of common Americans, but in doing so it speaks to the nation's history.
Director David Mackenzie’s extraordinary neo-Western is a showcase for Chris Pine, Jeff Bridges, and Ben Foster.
Jared Leto’s turn in Suicide Squad is the latest reminder that the technique has become more about ego and marketing than good performances.
The latest offering from the DC Comics superhero universe may be the most disastrous yet—and that’s saying something.
Ava DuVernay will direct the film adaptation of Madeleine L’Engle’s A Wrinkle in Time.
Netflix’s new indie film, starring Ellen Page and Allison Janney, tells the story of an impulsive baby kidnapping and the surprising connections that result.
Mike Birbiglia’s new film mines humor and realism from the work of a struggling improv troupe.
The reunion of Matt Damon and Paul Greengrass isn’t enough to elevate a derivative sequel above the level of modest summer diversion.
Eadweard Muybridge revealed a new universe of motion with his camera, but history has largely obscured his extraordinary accomplishments with photography.
Over its two-decade history, the British comedy has made an absurd comic spectacle out of the inevitability of women aging.
The director of Don’t Think Twice discusses his comedic path and dodging fame.
He is prolific, but does he have anything left to say?
Since its inception, the agency has wooed filmmakers, producers, and actors in order to present a rosy portrait of its operations to the American public.