Brian Grazer has some rules for success. He hasn’t always followed them.
The Disney CEO and the Oscar-winning actress compare notes on Hollywood.
Thirty years ago, Robert Zemeckis redefined the sci-fi genre with a film that had all the high stakes of a family sitcom.
Can a movie about male strippers be a loud affirmation of feminism? Three Atlantic writers discuss.
The poor production values and overly emphatic voiceovers define an art form that is timeless, sometimes terrifying, and quintessentially American.
In paying homage to the original, the fifth film in the series forgets what made it so good: humans.
The unexpectedly subversive pleasures of Channing Tatum’s male-stripper sequel
Sophie Gilbert found the film progressive and feminist. Readers feel it whitewashes a horrific past. Perhaps it’s both.
Tom Holland is the third actor in 10 years to be cast in the role, and the tepid reaction suggests that audiences are losing interest as a result.
Filmmakers were using dyes, stencils, baths, and tints as early as the late-19th century.
The Titanic soundtrack defined a movie-scoring career filled with distinctive sounds and universal emotions.
Rick Famuyiwa’s uproarious film makes most other coming-of-age comedies seem like gentle fantasies.
Writer-director Pete Docter's latest film is at once achingly heartfelt and magnificently high-concept.
The question of who might be the next actor to play 007 is one of the most fraught issues in British culture.
Our roundtable discusses ‘Mother’s Mercy,’ the 10th episode of the fifth season.
With a $500-million opening weekend, the Universal reboot shattered a global record.
The Sundance-winning teen drama hits hard emotionally but wastes too much time on its inwardly focused protagonist.
Stay for … more dinosaurs.
The genre dates back to Edgar Allan Poe, but social media and a lack of public faith in criminal justice have changed the stakes for modern stories like The Jinx and Serial.
The third installment in the horror series abandons the more cinematic storytelling of the first two movies, and suffers for it.