Tom Holland is the third actor in 10 years to be cast in the role, and the tepid reaction suggests that audiences are losing interest as a result.
Filmmakers were using dyes, stencils, baths, and tints as early as the late-19th century.
The Titanic soundtrack defined a movie-scoring career filled with distinctive sounds and universal emotions.
Rick Famuyiwa’s uproarious film makes most other coming-of-age comedies seem like gentle fantasies.
Writer-director Pete Docter's latest film is at once achingly heartfelt and magnificently high-concept.
The question of who might be the next actor to play 007 is one of the most fraught issues in British culture.
Our roundtable discusses ‘Mother’s Mercy,’ the 10th episode of the fifth season.
With a $500-million opening weekend, the Universal reboot shattered a global record.
The Sundance-winning teen drama hits hard emotionally but wastes too much time on its inwardly focused protagonist.
Stay for … more dinosaurs.
The genre dates back to Edgar Allan Poe, but social media and a lack of public faith in criminal justice have changed the stakes for modern stories like The Jinx and Serial.
The third installment in the horror series abandons the more cinematic storytelling of the first two movies, and suffers for it.
As the stories of Kurt Cobain and Amy Winehouse resurface again, the Brian Wilson biopic Love and Mercy tells of a tortured artist who lived.
Melissa McCarthy’s star turn as a CIA agent is funny, raunchy, and bursting with casual feminism.
The HBO show makes an extremely uninspiring transfer to the big screen.
The Kickstarter-funded action spoof has been a hit on YouTube, but is it the future of film or a sign of the industry’s demise?
Critics often interpret that the Tomorrowland director is an Ayn Rand-like individualist. But he just likes to tell stories about the frustrations of unbridled creativity.
Dwayne ‘The Rock’ Johnson is unfailingly solid in this preposterously silly but fun catastrophe movie.
The island has long been an idealized and exoticized location for American films, but Cameron Crowe’s new movie makes more of an attempt to understand it than most.
Some fans are complaining that Zack Snyder’s envisioning of the Man of Steel is too grim—but it’s less a departure than a return to the superhero’s roots.