A dismal U.S. box office this summer might be triggering some industry nostalgia for 2002.
You don't need on-screen OMGs to know that a fish mauling a human is OMG-worthy.
Artists and writers are showing some sympathy for the real-life, man-eating Mocha Dick.
Playing accessory to an awards-show nominee is an inherently awkward task. Add in society's gender expectations, and it gets more so.
The late Hashim Khan's unlikely origins and symbolic power made him a global legend.
In his new book, Greil Marcus brings us The History of Rock ’n’ Roll in Ten Songs. But rock only needs one—Jimi Hendrix's 1968 “Voodoo Child (Slight Return).”
Memoirist Sean Wilsey says he knows he's finished with a story when it makes him laugh.
"The" has risen and fallen in popularity among band names over the years. But its presence or absence always says something about a group's music, members, and relationship with history.
Her new single and livestream showcase her honest-yet-savvy image.
The rising popularity of the old bat-and-ball sport in America marks the glorious return of a pre-Civil War pastime.
Burners spend thousands preparing for the money-free event. But just as the desert community cannot fully escape capitalism, neither can capitalism remain untouched by the "gift economy."
Some of the best analyses lie not in the field of economics, but in books like The Giver—dystopian tales sitting on shelves marked Young Adult.
Three Atlantic writers discuss Starz's buzzy new fantasy show.
J. Cole's tribute to Michael Brown implores, "All we wanna do is be free."
Our Twitter book club will also read in tribute to its late friend, the author Patricia Rosier.
The most intriguing articles about entertainment we've come across in the past seven days
The final shootout is cool, though.
With a combination of humor and fearlessness, Last Week Tonight has done an unlikely thing: spurred action.
Some graphic designers are trying to embrace the pre-Nazi meaning of the symbol.
On food descriptions and status anxiety