The gorgeous stew of At.Long.Last.A$AP may owe something to LSD, but it’s also in line with the genre’s recent turn toward progginess.
As drone warfare becomes a more familiar concept in American life, anxiety about its ubiquity—and what it means for humankind—is being explored in film, theater, and music.
Will the streaming service’s new features transform how people work out, or just transform’s Spotify’s value proposition?
Why Makes Sense? sees the British band using synthetic sounds to bittersweet, beautiful effect.
It zanily explodes conventions around gender and action movies.
The guitarist, dead at 89, built himself into the figurehead of the genre.
Bush uses the rapper’s brand but not his talents as a vehicle for Pharrell’s funk and disco revival.
The show helped usher in an era where fans campaigned for their faves, prefab pop and authenticity weren’t contradictions, and anyone could make themselves a star.
Guy Carawan, who died at 87 on May 2, is credited with turning the song from an obscure protest song into a civil-rights anthem.
Historical, musical, and quantitative evidence shows that the rise of rap is the most important thing that has ever happened to the genre.
On tour, the singer's gorgeously rendered grief comes with a dose of wit.
New albums from Mumford & Sons, Best Coast, and My Morning Jacket try to separate emotion and sentimentality.
Ben E. King, dead at 76, contributed to so many classic hits, but "Stand by Me" alone would have ensured his immortality.
The Magic Whip, the band's first album in 12 years, uses a familiar sound to document unfamiliar places.
Montage of Heck offers the most intimate portrait possible of the Nirvana singer. That still doesn't mean you can understand him.
After a period away from the public eye amid a confrontation with her longtime collaborator, the pop star played a tiny rock venue in Washington.
Twenty-five years ago, Sinead O’Connor’s cover of an obscure track written by Prince hit number one, becoming one of the best-known pop songs of the decade.
The band's sophomore album, Sound & Color, offers up sound experiments that are as wild as the voice over them.
The 16-year-old music festival in the California desert is being overshadowed by the parties, lounges, and extracurricular events organized by brands like H&M and Lacoste.
If anyone should be ditching the format, it's young, Internet-native musicians like Tyler, the Creator and Kendrick Lamar. Why do so many artists stick by it in the streaming age?