Morocco's only openly gay filmmaker discusses the inspirations behind Salvation Army and his home country's changing attitudes toward homosexuality.
Plus: Scarlett Johansson as an alien seductress, the real Lance Armstrong, and a slippery interview with Iraq War architect Donald Rumsfeld.
Night Moves (Dakota Fanning, Jesse Eisenberg) and Palo Alto (James Franco) made lasting first impressions. John F. Kennedy assassination flick Parkland did not.
His delightful performance in Tracks stole the show at the Venice Film Festival.
An intense lesbian love story, a valentine to 1960s folk music, a four-part portrait of violence in China, and a tale of a teenage prostitute were among the fest's best movies.
Blue Is the Warmest Color takes the Palme d'Or, deservedly.
The Immigrant, James Gray's melodrama set in 1920s New York, is finally here—and it's either his magnum opus or a half-baked bore.
Abdellatif Kechiche's film about young female lovers beautifully explores the effects class and upbringing have on romance. Plus: Alexander Payne's new road-trip film is a success.
Only God Forgives has received impassioned reviews from both ends of the critical spectrum. Plus: Director Lynne Ramsay shares details from inside the festival's jury room.
Michael Douglas plays Liberace and Matt Damon plays his longtime lover in Behind the Candelabra, which lives up to its buzz.
Inside Llewyn Davis chronicles a '60s folk singer using biting humor—and great tunes.
Among the Cannes Film Festival's highlights thus far have been The Bling Ring and Jeune et jolie, two films about bored adolescents dabbling in criminal activity.
Critics have noted that the world's most prestigious film festival will spotlight an outsize number of movies from its host country—as well, of course, as from the U.S.
With Steven Spielberg presiding over a high-profile melange of actors and filmmakers in the judging committee, there could be some blending and clashing of artistic visions.
A raunchy Southern thriller, a cross-dressing epic, and a surreal French fantasy were among the fest's best movies.
The jury at the international film festival handed out a relatively conservative set of awards.
Zac Efron and Nicole Kidman light up the unfairly bashed Lee Daniels film 'The Paperboy'
The buzz on the Kerouac adaptation is bad, but the movie's actually pretty good.
At Cannes, a glimpse into the weird world of ads for films that don't have distributors--films like 'Lesbian Vampire Warriors' and 'Zombieass'
A young director talks about his Cannes hit about a man's transformation into womanhood