The fantasy epic may be brainless, but there are merits to its commitment to pure spectacle.
Though the medium is no longer mainstream, the Internet has given filmmakers the space to challenge Hollywood’s creative shortcomings.
Basically, bet on The Revenant.
The film’s director, Robert Eggers, discusses how his Puritan horror story came to focus on the empowerment of a teenage girl.
A comprehensive study suggests that “political correctness” in film and TV has not, by any significant statistical measure, run amuck.
Robert Eggers’s debut film, a smash hit at Sundance, conjures its scares from eerie atmospherics and immersive details.
The movie, which charts Jesse Owen’s path to the 1936 Berlin Olympics, fumbles trying to tell multiple stories at once.
Ben Stiller’s follow-up to his own comedy classic is a downright bummer, no matter how many celebrity cameos it tries to cram in.
Though not quite as clever as it thinks it is, the Ryan Reynolds vehicle is a reminder that humor and superpowers go together just fine.
Netflix will soon be streaming Look Who’s Back—a German satire that imagines the Führer as a YouTube star.
The rollicking adaptation of Seth Grahame-Smith’s 2009 mashup gives Jane Austen’s beloved novel an undead twist.
The Coen brothers’ latest film may not rank among their greatest, but it is an unexpectedly delightful celebration of the movies.
In the ’80s and ’90s, artists were charged with making films seem as lurid and enticing as possible, regardless of plot.
Don’t blame her for his death, though. The constraints of storytelling sealed his fate.
Chris Pine and Casey Affleck bring stoicism to the true story of a daring Coast Guard rescue.
The buzz from this year’s festival, from the historical drama The Birth of a Nation to a bizarre comedy starring Daniel Radcliffe
Why advocates are backing away from a theoretically helpful term that’s being misused in ways big and small
The uproar the Academy’s proposed membership changes have sparked indicate how necessary they are.
The legendary director will be back on television next year, returning to a genre he helped transform.
Facing a Hollywood backlash, the Academy pledged to double its minority and women membership by 2020.