Jason Sudeikis and Alison Brie star as two people whose only obstacle to getting together is their own worst tendencies.
The frustrating biopic starring Tobey Maguire doesn't try hard enough to understand its paranoid, enigmatic subject.
Hollywood is getting hip to the Christian box-office boost, but the directors of movies like Captive don’t want to be lumped in with the religious flops of the past.
A space epic, a transgender-rights biopic, and an investigative-journalism drama are among the most-discussed movies at TIFF this year.
“It’s good that they’re talking about it,” says Natalie Portman of the controversial term she’s become a symbol of.
His best film in more than a decade is still not very good.
A new movie shows how difficult it is to portray the afterlife in a non-religious culture.
Government documents uncovered by Vice News show that Mark Boal and Kathryn Bigelow wined and dined spies for info.
Movies from South Korean, China, and Japan have become increasingly nationalistic, thanks to ongoing territorial disputes and the 70th anniversary of World War II.
In continuing to tinker with the universe she built eight years after it ended, J.K. Rowling might be falling into the same trap as Star Wars’s George Lucas.
The man who made computers personal was a genius and a jerk. A new documentary wonders whether his legacy can accommodate both realities.
Some theories about why We Are Your Friends flopped so badly
The director, who died of brain cancer on Sunday, continually reinvented the genre he helped elevate with films like A Nightmare on Elm Street and Scream.
Pool parties and ecstasy aside, We Are Your Friends is the latest attempt to show DJ culture can create art as well as entertainment.
Paul Weitz's new film achieves what few movies have before: It assumes that a woman can be old and interesting at the same time.
The woman who gave her name to the women-in-culture standard would, true to the method, prefer to share the credit.
The little-seen Low and Behold is the best film about Hurricane Katrina for the way it achieves artfulness without exploiting tragedy.
A lovable nerd who’s also a ruthless killing machine
Straight Outta Compton attempted to bolster his legacy by leaving part of it out.
Though there are big-budget franchise pictures on the horizon (Mockingjay Part 2, Spectre), the upcoming movie season sees a wider mix of genres and smaller-scale efforts on offer, with hardly a tentpole film in sight.