Even the most abstract of mediums, comic-adapted poetry, finds beauty in the rubble.
TJ Jarrett on how her IT career fits in with her life as a writer
The stereotype that only men want to read superhero stories is wrong—but just how wrong?
William T. Vollmann, author of Last Stories and Other Stories, explains why he works by an assassin's credo: "Nothing is true; all is permissible."
So many worthy titles never get a chance to find an audience. What's a conscientious reader to do?
The comics zine stays angry, even if it doesn't have Reagan to skewer anymore.
Join our Twitter book club to read a dystopian fast-food space comedy.
The choices for our Twitter book club this month range from Cthulian horror to pizza-delivery absurdism.
Author Tom Perrotta, co-creator of a much-hyped new HBO drama, says Thornton Wilder's play taught him to write about finding meaning in the banal.
Children's author Jeff Kinney's new shop will emphasize reading as a tangible, community experience in a digital, fractured world.
A conversation with Megan Abbott, whose new novel, The Fever, chronicles a hysteria outbreak at a modern high school.
Songwriting lessons from the King, as told by indie-rock singer Hamilton Leithauser
Stalin thought so. So, apparently, did the CIA, according to a new account of how the U.S. secretly distributed Doctor Zhivago in the Soviet Union.
Comics tend to lose their charm when turned into films, and no comics character has more charm to lose than Stan Lee and Steve Ditko's nutso 1960s superhero.
Stories about growth, change, and epiphanies resonate in a different way when you're older.
A timely spy novel, an enlightening biography, and a positive rather than negative approach to current politics.
To use just one example, Stacey Donovan's Dive neatly dismantles the argument that fiction for teens can't also be serious, messy, thought-provoking literature.
By chance or otherwise, The Dark Knight's 1939 arrival coincided with public interest in real winged daredevils who attempted superhuman feats without superpowers.
Author Rupert Thomson says a Yevgeny Yevtushenko poem taught him the value of risk.
As I learned when I met her, the late author believed that true arrogance lay in denying one's own specialness—and denying the specialness of others.