Tom McCarthy’s deliberately mystifying novel attempts to chronicle patterns of life in the digital age.
Anne Tyler’s novel, her 20th, is a meditation on the meaning of home.
A new follow-up to Stieg Larsson’s Millennium trilogy raises the question of whether iconic literary heroes belong to writers or readers.
J.K. Rowling’s investigation of her villain’s mind echoes the intrigue of a true-crime serial-killer profile.
Marlon James’s tumultuous novel is Jamaica’s first to be nominated for the British literary prize.
The much-maligned house of the Harry Potter series doesn’t get nearly enough attention or praise for its egalitarian ethos.
The newest book from the writer/performer/showrunner isn’t just a memoir. It’s also a defense of something that has gotten a bad name: hard work.
The author and illustrator Brian Selznick discusses how Maurice Sendak showed him the power of picture books.
Over the next few weeks, follow along as we review and revisit all six finalists.
Reviewing the first of the six books on the literary prize’s shortlist.
An unexpected entry in the 1964 edition captures the magic of flying.
Authors are turning social media into a literary genre, 140 characters at a time.
Thirty-five years after it was published, Music for Chameleons is the author’s best, most personal work.
After publishing my memoir, I learned firsthand how the simple act of being a woman who writes about sex can lead to vicious shaming from strangers.
The case for Aubrey & Maturin
In continuing to tinker with the universe she built eight years after it ended, J.K. Rowling might be falling into the same trap as Star Wars’s George Lucas.
The success of the author's Neapolitan novels—and the mystery surrounding their author—have shone an unexpected spotlight on Ann Goldstein, the New Yorker editor who's translated them into English.
The novelist Angela Flournoy discusses how Zora Neale Hurston helped her imagine characters and experiences alien to her.
Her bizarre, challenging, and dazzling writing has become integral to the Brazilian literary canon, and has attracted a small but fierce cult following around the world.
The Egyptian writer and activist Alaa Al Aswany explains how one word in Dostoyevsky’s novel The House of the Dead showed him how literature can help us understand one another.