As I learned when I met her, the late author believed that true arrogance lay in denying one's own specialness—and denying the specialness of others.
Join our Twitter book club to discuss a new take on the future of food.
The UnAmericans author Molly Antopol learned from Grace Paley how to inhabit characters that represent political sentiments but don't preach to readers.
Choose from beloved works on cooking and eating—among them Dan Barber's The Third Plate and Julia Child and Alex Prud'homme's My Life in France.
The writer, who has died at 86, used her own story of overcoming to advocate for all.
The Great Greene Heist, the target of a campaign to promote kids' books with non-white heroes, isn't a great work of art. But neither was The Hunger Games.
Highlights from 1book140's Twitter conversation with My Life in Middlemarch author Rebecca Mead on Wednesday night
On sale now!
Yes, that John Muir. His observations on nature's interconnected systems deeply influenced award-winning chef Dan Barber's new book, The Third Plate.
The collection broadcasts snark, exuberance, lonely earnestness, and minute-by-minute autobiography to a wide, vague audience—much like today's Twitter and Facebook feeds.
Wesleyan's president thinks students question their readings too much. Which raises a few questions ...
If privileged writers keep "writing what they know," marginalized people groups will continue to feel—and be—marginalized.
Matt Freedman scrawled the pages of Relatively Indolent but Relentless as he underwent radiation therapy, with engrossing, surprisingly funny results.
The biggest holding of concrete poetry in the world sits in a Miami duplex, gathered by a couple who initially didn't know what "concrete poetry" was.
A horror in Bruce Wayne's childhood created the Dark Knight. Did a real-life childhood horror create Bruce Wayne?
The largely forgotten first works by Thompson, who will be inducted into the Kentucky Journalism Hall of Fame today, display his descriptive flair—but no fear or loathing.
As much as the genre imagines the future, it also remixes the past—often by envisioning Western-style imperialism visited on the Western world.
Author Linn Ulmann makes the case for the importance of here in "Something happened here."
In his day, performers received little respect for grueling work. Yet the playwright strode the stage for more than 15 years—and then changed the acting profession forever.
The incarcerated may be the Bard's ideal modern audience.