The newly published script of Jack Thorne’s play is a compelling read but an uncomfortable fit within J.K. Rowling’s series.
A collection of books recommended by The Atlantic’s editors and writers
She endorsed a fittingly feminine, pro-compassion sci-fi classic while introducing her mother at the DNC.
Two new novels ponder the still-urgent question of what could have compelled young women to do such terrible things.
In Jesse Ball’s new novel, an angry young narrator adds to the pantheon of tortured but brilliant protagonists.
The 1974 science-fiction novel by D.G. Compton predicted a future where even the most private moments are broadcast as entertainment.
Readers complain about the imagery that adorns the author's highbrow novels. But there's value in embracing the oft-scorned "women's fiction" genre.
In an era fixated with science, technology, and data, the humanities are in decline. They’re more vital than ever.
Laura Ingalls Wilder’s popular book series championed emotional restraint—an approach I’ve come to both question and appreciate in adulthood.
New fiction collections from Abigail Ulman and Rebecca Schiff feature young female narrators finding their way through a mass culture where individuality is everything.
For The Cursed Child play, J.K. Rowling wants fans to #KeepTheSecrets in a way they rarely have before.
The scrappy Belgian reporter was my childhood hero. Reading his books as an adult is a little more complicated.
Why do reality television’s most popular stars so uncannily resemble the heroines of the 19th-century writer’s work?
Arnold Lobel’s beloved books taught children to understand and appreciate their individuality.
For the writer Mark Haddon, Miles Davis’s seminal jazz album Bitches Brew is a reminder of the beauty and power of challenging works.
What a 30-year-old novel reveals about hidden biases
David Means’s debut novel examines the psychological implications of a world where trauma can be erased.
Despite critics’ dismissal of activist-minded fiction, the author Lydia Millet believes that Dr. Seuss’s classic children’s book is powerful because of its message, not in spite of it.
The best works written about the accident express profound doubts about language's ability to capture the disaster’s magnitude.
Their imaginations respond to being empowered against the things that terrify them.